town of Anchiano near Vinci. He was the illegit-
imate child of a notary, Piero da Vinci, and a peas-
ant woman named Caterina. As a teenager, in
1469, he became an apprentice in one of the best
studios in Italy, that of Andrea del Verrocchio, a
leading Renaissance master of that period. During
this time, da Vinci drew “La valle dell’Arno” (The
Arno valley) in 1473 and painted an angel in Ver-
rocchio’s “Baptism of Christ” (1475). In 1478, da
Vinci became an independent master. Da Vinci is
famous for his works of art such as the Mona Lisa,
but he is also as famous for his visionary drawings
of instruments and machines of the future. He was
an artist, scientist, engineer, and architect and one
of the first who took detailed observations and
experimented in a scientific manner.
Although it is Hypatia, mathematician,
astronomer, and Platonic philosopher of Alexan-
dria, who is given credit for inventing the
hydrometer in
A
.
D
. 400, da Vinci designed two
improvements to the instrument that measures
the moisture content of the air. In his notebook,
Codex Atlanticus, da Vinci designed two hygrom-
eters sometime between 1480 to 1486. One con-
sisted of scales that contained a hygroscopic
substance (sponge, cotton wool that absorbed
water) in one pan and wax in the other (the wax
does not absorb water.) The scales, marked zero
on dry days, moved when one of the substances
absorbed water from the air
. His balance hygrom-
eter represents an improved-upon version of the
other design.
Da Vinci has also been given credit for
inventing the anemometer, a device that mea-
sures wind speed and direction, although that
credit is now more rightly given to mathmetician
Leon Battista
ALBERTI
. Da Vinci did design two
anemometers, however, between 1483 and 1486.
One consisted of a wooden graduated framework
and vane that turned by the wind, showing direc-
tion. The other was called an anemoscope and
also showed the direction of the wind. He also
suggested using a clock with it to measure and
record the speed of wind.
In his later notebook, the Codex Leicester,
one finds the largest assemblage of da Vinci’s
studies relating to astronomy
, meteorology, pale-
ontology, geography, and geology. It reveals that
his profound scientific observations far outweigh
those of anyone else of his time and also under-
lines his passion for research and invention. His
interest in light and shadow led him to notice
how the Earth, the Moon, and the planets all
reflect sunlight, for example.
The central topic of the Codex Leicester is the
“Bo
dy of the Earth” and, in particular, its trans-
formations and movement of water. This study
includes a discussion on the light of the moon,
the color of the atmosphere, canals and flood
control, the effect of the moon on the tides, and
modern theories of the formation of continents.
Unfortunately, many of his scientific projects
and treatises were never completed because he
recorded his technical notes and sketches in
numerous notebooks and used mirror script (his
writing had to be read in a mirror to be deci-
phered). It was centuries later that the genius of
da Vinci became known. He died at the age of 67
on May 2, 1519, at Cloux, near Amboise, France.
5 Lilly, Douglas K.
(1929– )
American
Meteorologist
Douglas Lilly was born in San Francisco, Califor-
nia, on June 16, 1929, to Donald Lilly
, a con-
struction engineer for Tidewater Oil Company
(later Getty), and Dorothy Foster Lilly. Douglas
attended school in San Carlos and Redwood
City, California, and as a boy had an early inter-
est in science, especially the weather. He began
college at Stanford University in 1946, receiving
his B.A. in physics in 1950, and then spent three
years on active duty in the U.S. Navy (1950–53).
After service, he attended graduate school at
Florida State University, where he earned an
98 Lilly, Douglas K.