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IN LOVE AND WAR: 1961–1969
determination of black and white demonstrators who used their battered bod-
ies to teach the nation how to feel compassion. King was thrown into jail in
Birmingham, where he wrote a letter on whatever scraps of paper he could
scrounge. That Letter from Birmingham Jail became the bible of the civil
rights movement in its eloquent demand for immediate justice. The letter
had the power to educate. Bull Connor and others like him had the power of
guns, dogs, and hatred.
F
rom the pulpits of their feet and the thrones of their voices, the downtrod-
den
broadcast their plight, and it became impossible not to listen. On August
28, 1963, over 200,000 people marched on Washington, DC, to revolutionize
the politics of race in America. Many people gave speeches that day to the
hopeful advocates of change packed together in pride on the National Mall.
And there was music, too: a young folk singer named Bob Dylan; the harmoni-
ous
trio Peter, Paul and Mary, who sang Dylan’s “Blowin’ in the Wind”; and
Mahalia Jackson, a Louisiana-born gospel singer who had serenaded President
Kennedy at his inaugural. In the festival spirit of high expectations, the young
leader of the Student Nonviolent Coordinating Committee (SNCC), John L.
Lewis, a future congressman who had been smashed in the head with a wooden
crate during the Freedom Rides of 1961, criticized Kennedy’s impending civil
rights bill for not offering protections for “young children and old women from
police dogs and fire hoses, for engaging in peaceful demonstrations.”
9
Lewis
said that with or without the government’s help, “by the force of our demands,
our determination and our numbers, we shall splinter the desegregated South
into a thousand pieces and put them back together in the image of God and
democracy.”
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He spoke well, but few people could talk in the lyrical dream
language of Martin Luther King Jr., who gave the last address of the day.
Some things that we hear, or see, or touch are so right they seem to have
been pulled out of a shared ancestral well of memory, like words inscribed on
DNA. When King took the stage, he spoke partly from his notes and partly
from that well of memory, a place he always returned to when speaking.
“Now is the time,” he said, “to open the doors of opportunity to all of God’s
children.” The words poured out of him, an American hymn. There at the
end of a long good day, after cheese sandwiches had been passed through the
crowd, after the hot sun had heated the people, King dove deeper into the well
of truth, set his script aside, and said, “I say to you today, my friends, that in
spite of the difficulties and frustrations of the moment, I still have a dream. It
is a dream deeply rooted in the American dream. . . . I have a dream that my
four children will one day live in a nation where they will not be judged by
the colour of their skin but by the content of their character.” His voice was
unique, sweet and strong, with an occasional slight quiver as though the emo-
tion might overwhelm him.
What he wanted was what his audience wanted,