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of kingship and the royal connection to the divine, as had been done since the
dawn of ancient civilizations.
Within these debates, the institution of the university further strengthened lib-
erty for everyone by promoting new knowledge. Universities were not intended to
convey merely the established dogmas and doctrines of the past or of powerful
princes and popes. Instead, professors were, and are, supposed to expand upon
inherited wisdom. Once the idea of learning new ideas became acceptable, it inevi-
tably led to change. Nevertheless, popes continued to claim the allegiance of all
humanity. Kings still tried to bind their clergy to them as servants to enforce the
royal will. Neither of these attempts dominated in the West. By the end of the
Middle Ages, no single power, whether the pope, king, one’s own connection to
God, or the independent human mind itself, would rule both the hearts and minds
of mortals. Creative tensions between the demands of faith and the requirements
of statehood enriched the choices available to peoples of the West.
During time off from intellectual pursuits, some scholars produced literature,
which at the time was not studied at universities. Much of the literature of the
Middle Ages was written in the language of scholarship, government, and faith,
namely, Latin. Student poets called Goliards were famous for their drinking songs,
while other clergy produced histories, epic fantasies, mystical tracts, and religious
hymns.
Modern universities today usually neglect to teach about this medieval Latin
literature. They instead favor studying the literature from vernacular languages,
those that people spoke at home and that later evolved into the European lan-
guages of today: Romance languages (French, Italian, Portuguese, Spanish, and
Romanian), Germanic languages (German, Dutch, Norwegian, Danish, Swedish,
and English), Celtic languages (which still survive as Irish Gaelic, Scots, Welsh, and
Breton), and even Slavic languages (Polish, Czech, Serbo-Croatian, Bulgarian, Rus-
sian, etc.). Most of these languages began their development from literary works
written down primarily after the twelfth century.
Romance became one of the most popular genres of vernacular literature.
These works of prose or poetry often told of heroic adventures complicated by men
and women facing challenges in their love. The most famous work of medieval
literature is Dante’s so-called Divine Comedy, written in Italian. The author had
fallen for the ideal girl, Beatrice, but she had died young. In a vision, Dante journeys
to hell (Inferno), where the Roman poet Vergil guides him through circles of pun-
ishment. Then Beatrice helps him through purgatory and finally to paradise to
behold the ultimate love of God. Along the way, Dante sees and converses with
many people whose stories and fates illustrate his view of good and evil, right
choices and wrong choices, made in the Middle Ages.
In religious belief and practi ce, medie val people did have some choice , however
carefully limited. Excep t for a few Jew s and fewer Muslims, everyone who lived in
Christendo m had to believe in the dogmas of the Western Latin Church and worship
in its dioceses and parishes. The structures built for worship, the cathedr als and
parish churches, along with abbeys and monastery churches, remain as testimonies
to the impor tanc e of f aith in the Middle Ages. Believers replaced the wooden and few
stone churches of the Early Middle Ages with such zeal that almost none survive
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