168 | THE FORGOTTEN PALESTINIANS
water tanker, searching for work and life, from Iraq to Kuwait, only to
suffocate to death before reaching their destination. The text was
targeted by the philistine Israeli secret service because of the author’s
deep involvement with the Popular Front for the Liberation of Palestine
(PFLP), which caused him to be assassinated by the Israelis. This was
enough to turn his writings into forbidden material. In October 1977,
the police banned the opening of a play based on Kanafani’s novel
presented by the Al-Sadiq theatre in Nazareth since the text, and this
was a common allegation, had not previously been sent to the censor.
Other more original texts were also treated in a similar way, espe-
cially if they were staged as plays. This was ridiculous as Palestinians,
like the Israeli Jews, visited the theatre in the same limited numbers as
is common worldwide since the destructive advent of television and
cinema. When, in December 1978, members of a local theatre
company, al-Balad, performed a play under the title The Lost Peace they
were arrested, again for allegedly not showing the script to the censor
beforehand.
The drive to create despite censorship was propelled, as mentioned
before, both by the reunification with the West Bank’s cultural milieu
and by the new connection with the cultural capital of the Arab world,
Cairo, in the wake of Israel’s bilateral peace deal with Egypt, signed in
1979. The political bravado of President Anwar Sadat’s historical visit
to the Knesset in November 1977, and the subsequent peace treaty
which was engraved as a formative event and image in the album of
every Israeli Jew from that generation, left very little impression on the
Palestinians in Israel, who like the Palestinians elsewhere felt that the
Camp David Treaty signed by Sadat and the Israeli Prime Minister
Menachem Begin, on the White House lawn with President Jimmy
Carter as the midwife, was an illegitimate one. Egypt received back the
Sinai Peninsula, to the very last inch of it, at the cost of leaving the
occupied territories in Israel’s absolute control.
Culturally, however, the treaty did transform the Palestinian cultural
scene. Books, plays and journals from the Arab world were now more
available, not just from Cairo but also from Beirut. The three years of
direct Israeli occupation of Lebanon (1982–5) allowed book traders –
as well as drug traffickers – easier access to publishers, bookshops and
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