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9 The generated snakes are misintepreted as shorn snake-locks at Anderson
and Cassin 1998: 28.
10 Andromeda as the focus of Burne-Jones’ interest: Löcher 1973: 105–6.
11 Phallic imagery: Kestner 1984: 113 (with 96, 116 for androgyny),
Bruckmuller-Genlot 1985: 61–2, Munich 1989: 123–5 (the last destructively
unsympathetic).
12 Anderson and Cassin 1998: 6; cf. Bruckmuller-Genlot 1985: 61–2, Wildman
and Christian 1998: 222.
13 Cf. Munich 1989: 127–9.
CONCLUSION: THE PERSONALITY OF PERSEUS
1 For the ‘colourlessness’ of monogamous Perseus, see Schauenburg 1960:
16, Dillon 1990: 3, 156–7.
166 NOTES
FURTHER READING
There are fewer scholarly books in English devoted to Perseus than
one might imagine. Edwin Hartland’s three-volume The Legend of
Perseus (1894–6), a classic in its own day and still in print, remains
an excellent read and is well referenced by the standards of its age.
However, it devotes relatively little space to the Perseus-cycle in its
ancient context and is concerned rather with the assembly of a mas-
sive phalanx of international folktale parallels, a resource for which
it retains its value. Since Hartland, the only scholarly book on Perseus
in English has been Woodward’s short Perseus: a study in Greek art
and legend (1937). This offers a gentle and readable introduction to
Perseus’ iconography, and includes a small selection of the literary
sources in translation. Hulst’s Perseus and the Gorgon (1946) is a
‘pyramidiot’ text and may be ignored. Fuller and more detailed
treatments of the myth are to be found in two Ph.D. theses, Howe’s
‘An Interpretation of the Perseus-Gorgon myth’ (Columbia, 1952)
and Dillon’s ‘The Greek Hero Perseus: Myths of Maturation’ (Oxford,
1990). The former is available through UMI and is reflected in the
author’s subsequent articles; the latter, alas, remains relatively inac-
cessible, though richly deserving of publication. Focusing on the
Gorgon rather than Perseus himself is Wilk’s Medusa: solving the
mystery of the Gorgon (2000), which combines intriguing insight
with amateurish speculation.
For most the best recent English-language starting-points on
Perseus may, therefore, be Jameson’s article ‘Perseus, the Hero of
Mykenai’ (1990), the pages on the early development of his myth in
Gantz’s Early Greek Myth (1993: 300–11) and the substantial icono-
graphic article on ‘Perseus’ in Lexicon Iconographicum Mythologiae
Classicae (Roccos 1994a). This lexicon, a superb but unimaginably
expensive publication, may also be consulted also for its articles on
‘Danae’ (Maffre 1986, in French) and ‘Andromeda I’ (Schauenburg
1981, in German). Extensive LIMC entries are addressed also to the
ubiquitous presence of Gorgon imagery in ancient art, principally
‘Gorgo, Gorgones’ (Krauskopf and Dahlinger 1988, in German), and
more limited ones to the minor characters in Perseus’ saga.
Indeed much of the good work on Perseus is in German. Schau-
enburg 1960 should be singled out. See also Robert 1920: 222–45,
Hampe 1935–6, Brommer 1955, and Langlotz 1960. Note too the
relevant articles in the standard German encyclopedias, ML and
RE, for ‘Perseus’ (respectively, Kuhnert 1897–1909, Caterall 1937),
‘Danae’ (Stoll 1884–6, Escher 1901), and ‘Andromeda’ (Roscher
1884–90, Wernicke 1894). The exceptionally good entry on ‘Perseus’
in the French DA still deserves attention (Glotz
1877–1919b).
The general bibliography and the notes appended to the chapters
indicate further reading on matters of detail.
168 FURTHER READING
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