
Introduction
XI
the
role
of German national
character
in
producing
the Nazi
dictatorship.
The
Ger
man
people
"have
always
tended
to
worship
force,"
writes
one;
"they
are
always
im
pressed
by
the
cavalryman's
boot
and a
fist
banged
upon
the table."
Another
German
historian,
Karl
Dietrich
Bracher,
writes that
it
was,
"above
all,"
"the
weaknesses
of
the
liberal,
democratic
political
conscience
in
Germany"
that caused
Hitler's
triumph.
This
basic
thesis
is
presented
even more
strongly by
an
English
writer,
T.
L.
Jarman.
Concluding
that the
Germans "are
not
good
material
for
democracy,"
Jarman
writes
that
to understand
why
and how the Nazi
regime
was established "it
is
necessary
to
look
back
into the
past
of German
history
and
to
study
the
factors
which
have made
the German
people
what
they
are."
Few
contemporary experts
on
Germany
insist
that
an
allegedly
innate and
unchang
ing
German
"national character" made
Nazism
inevitable.
But
most
experts
do
agree
that
Germany's
national characteris
tics of 1932-1933 were
important
factors in
Hitler's
success,
and western historians
have been fond of
tracing
the
rise
of
these
characteristics in modern
German
history.
Some
have
begun
the
story
of
Nazi
authori
tarianism
with Martin
Luther.
Others,
through
their own
types
of
"metahistory,"
have discovered
the
sources
of Hitler's
"metapolitics"
in
the
literary
romanticism
of nineteenth
century Germany.
Still other
writers
treat
Friedrich
Nietzsche,
Ger
many's
most
important
philosopher
of the
late
nineteenth
century,
as a
forerunner
of
Nazism,
or
find
antecedents of
Nazism
in
the
writings
of Paul
de
Lagarde,
Julius
Langbehn,
Houston
Stewart
Chamberlain,
and
Moeller
van
den Bruck.
These
are not
new theories.
It was
a favorite
technique
of French
propaganda
in World
War
I to
quote
the words
of German
writers
as
proof
of the
unique
character
of
German
nation
alism and
ruthlessness.
Nietzsche
and
Schopenhauer
were
quoted
more
often
than
Bismarck,
and
the
historian
Heinrich
Treitschke,
more often
than
Kaiser
William
II.
By
extension,
several
students
of
Nazism
have
argued
that a number of German in
tellectuals
of
1918-1933
helped prepare
the
climate
of
opinion
upon
which Nazism
throve.
Few
responsible
scholars,
if
any,
would
suggest
that
the
twentieth-century
German writers
constitute one of
the three
of
four
major
factors
that
put
Hitler into
office.
But
they
made
their
contribution.
None of the
scholars who
seek
the causes
of
Nazism in German
historical
develop
ment
have been
so
prolific
as
the
noted
French
specialist,
Edmond
Vermeil. Em
phasizing
the
cultural
roots
of
Nazism,
Ver
meil
wrote
in 1939 that
Nazism was
"a
simplified theology
and
a
crude
caricature
[une
forme
degeneree
et
decadente]
of
the
German intellectual tradition." In
his
post-
1945
writings
he
views
the
period
1888-
1918
(the
"Wilhelmian"
period)
as
a cradle
of
Nazism,
a
period
of
"permanent
crisis,"
in which the
historian can
easily
find traits
which
announce
the
onset
of
"la
tragedie
kitlerienne." In the third
section, below,
Vermeil
sets
forth
his
views
about the
pre-
World
War I roots of Nazism.
The
Vermeil
reading
is followed
by
one
from
a
widely
known book
by
A.
J.
P.
Taylor,
a
prolific
English
specialist
in
the
history
of modern
Germany.
Taylor,
like
Vermeil,
thinks
that
German
history
was
bound to
produce
something
like
the Nazi
movement.
Eugene
N. Anderson
concludes
this section
by
agreeing
that
German
history
failed
to
cul
tivate democratic
virtues,
but
Anderson
di
rectly challenges
the
notion
that "Nazism
grew
inevitably
from
the German
past."
The
readings
that follow the Anderson
statement focus
upon
two
post-
19 18 Ger
man
conditions,
anti-Semitism and
anti-
Communism.
The
important
thing
to
deter
mine
here
is
whether
these
were
really
causes
or
results of the rise of
Nazism.
Cer
tainly
they
were dominant
themes
in Nazi
propaganda.
Why?
Alan Bullock
suggests
that Hitler
and other
leading
Nazis
adopted
anti-Semitic
policies
because
they
person
ally
believed
in anti-Semitism.
"Hitler's
anti-Semitism
is the master-idea
which em
braces the
whole
span
of his
thought,"
Bullock
writes. Other
writers,
like
Vermeil,