In c.1000 bc, King Solomon recommended them, in the Old
Testament, as models of wisdom: ‘Go to the ant, thou sluggard;
consider her ways, and be wise: Which having no guide, over-
seer, or ruler, Provideth her meat in the summer, and gathereth
her food in the harvest’ (Proverbs 6:6–8). The same way of seeing
them turned up centuries later in La Fontaine’s fable ‘The Cicada
and the Ant ’. They are also mentioned in the Koran, which
presents them as a highly developed r ace of beings, and in the
Talmud, again as synonymous with honesty and virtue.
The Greeks, too, Aristotle, Plato, and Plutarch, for instance,
praised these social insects as wise and clever. The Roman
naturalist Pliny the Elder devoted a whole chapter of his Historia
naturalis to them, expatiating on their bravery and strength. He
even mentions ants as big as dogs found in India or Ethiopia: they
acted as guards outside gold-mines and killed any men who
attempted to make off with the precious metal. These accounts
are of course closer to fiction than to fact; but they do attest to
the human appeal of ants, as well as to the fears they could
engender. These figments of Antiquity’s imagination show that
there was an awareness of how aggressive the insects could be.
But what was uppermost in the ancient world’s appreciation of
ants was how they could communicate with one another, devise
their division of labour, and construct nests of such architectural
complexity—which the natural historian Aelian compared to
palatial residences.
The effect of these tiny creatures on human imagination was
such that they inspired many a myth and became incorporated
into belief systems. The Dogon peoples of West Africa saw them
as the wives of the god Amma and the mothers of the first
humans. They were also central to traditional rituals, for ex-
ample among the Wayana-Apalai peoples of Brazil, Surinam,
and French Guyana, where a boy reaching puberty had to
demonstrate that he was worthy of adult status by wearing a
sling f ull of fire ants round his torso or tied to his back, thus
THE LIVES OF ANTS
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