such as jealousy from the members of Walden Two. “As to emotions—we
aren’t free of them all, nor should we like to be,” Frazier says. “But the meaner
and more annoying—the emotions which breed unhappiness—are almost
unknown here, like unhappiness itself. We don’t need them any longer in our
struggle for existence, and it’s easier on our circulatory system, and certainly
pleasanter, to dispense with them.”
6
Although the novel was intended as what a novel is—fiction—it was also
meant to suggest to its readers the possibility of creating such a society. For
devotees of the behaviorist perspective, this approach held obvious social
engineering implications. “If we turned society into a big Skinner box and
controlled behavior deliberately rather than haphazardly, we could eliminate
aggression, overpopulation, crowding, pollution, and inequality, and thereby
attain utopia,” Skinner claimed.
7
The radical political aspects of his thinking
gained him a notoriety that has persisted long after his death; some even
consider him “evil” today, although he was certainly well intentioned.
8
In the film Clockwork Orange and in Anthony Burgess’s book of the same
name, the ultraviolent young thug Alex is subjected to this kind of social
experiment; captured by the state and taken into the care of a psychologist
called Dr. Brodsky (who is obviously a follower of Watson and Skinner) Alex’s
eyelids are forcibly held open. He is conditioned through watching horrific
films to associate seeing acts of violence with becoming physically ill. As he
watches acts of violence on the screen, he is given drugs that cause him to
vomit. He is thus forcibly pacified, a process which Burgess calls the “Ludovico
technique” in the novel.
Burgess himself gained a dose of undeserved notoriety when his book was
made into a violent and disturbing film by the director Stanley Kubrick in the
early 1970s. The point of his book was not to glorify violence, however, but to
make a philosophical point about humanity and choice which runs directly
counter to behaviorism’s aspirations to change society. As Burgess himself later
put it, the novel was intended as “a vindication of free will.”
9
In one scene in
the book, Dr. Brodsky displays the reformed Alex in front of an audience,
presumably a class lecture of some sort. “Our subject is, you see, impelled
toward the good, by, paradoxically, being impelled towards evil,” Brodsky tells
his audience. “The intention to act violently is accompanied by strong feelings
of physical distress. To counter these, the subject has to switch to a diametric-
ally opposed attitude.” One questioner protests, though, that Alex now “has no
real choice, has he? [. . .] He ceases to be a wrongdoer. He ceases also to be a
creature capable of moral choice.” Brodsky dismisses these points as “subtle-
ties,” saying that we aren’t concerned with the ethical side of things, just with
cutting down on crime.
10
But the questioner’s point is that the ability to choose
between right and wrong is what makes us human; take that away, and we
Behaviorism and Human Freedom 39