ARCHITECTURE • 69
of dwelling. The construction of military installations contributed
to the architectural features of Canada, most notably in stone forts,
redoubts, Martello towers, and barracks. Many of these are to be seen
in Halifax, Kingston, and Esquimalt. The British government, espe-
cially the War Department, Royal Engineers, and Admiralty, made
many notable additions to Canadian architecture, providing funding
and architectural/engineering standards. During the French era, the
military architect Vauban designed fortifications of New France. Of
equal importance to the architectural record is the role of the Roman
Catholic Church in the construction of basilica and parish churches,
many of which survive in the Province of Québec. Many of these will
be seen in Québec City, on the shores of the St. Lawrence River, in
Montréal, and elsewhere. They speak to deep-seated religious tradi-
tions, French imperial purposes in the new world through Christian-
ity, and domestic adoption (and expansion) of Roman Catholicism.
Domestic architecture survives from the 18th century, and many
fine examples are to be found in Rue St. Paul, lower Montréal, for
instance. The Georgian and Victorian ages gave many distinguished
architectural examples to Canada. In Upper Canada are examples of
Classical Revival, or Federalist style, common in the United States.
Loyalists and late Loyalists coming to Upper Canada brought their
architectural tastes with them. The Gothic styles so popular in Great
Britain saw expression in Canadian building: for example, the East
Block of the Parliament Buildings, Ottawa, and certain buildings
of the University of Toronto. Neoclassical motifs remained predomi-
nant in city and town architecture; this is notable in Kingston’s civic
buildings, and in the parliament buildings, for instance, of Saskatch-
ewan and British Columbia. Gothic influences are to be found in
Protestant church architecture, notably of the Anglican Church of
Canada. Examples of this include St. John the Evangelist, Elora,
Ontario, and in the form of “carpenter gothic” St. Luke’s Church,
Victoria, British Columbia. Churches naturally reflected metropoli-
tan preferences in Great Britain.
It may be noted that banks recognized the value of an architectural
image that would attract customers. In consequence, bank buildings
are some of the heritage pieces of Canadian architecture. The own-
ers and managers of banks wished to display symbols of wealth,
integrity, endurance, and confidence; thus, they turned to Greek and
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