decides that it doesn’t—even metaphorically—express prospective
possession. But how on earth does he decide that?
13
I should emphasize that Pinker is explicitly aware that there are
egregious exceptions to his semantic characterization of the constraints on
dative movement, nor does he suppose that appeals to “metaphorical
possession”and the like can always be relied on to get him off the hook.
At least one of the things that he thinks is going on with the double-object
construction is a morphological constraint on dative movement:
polysyllabic verbs tend to resist it (notice show/*exhibit; tell/*repeat in the
examples above). But though Pinker remarks upon the existence of such
non-semantic constraints, he appears not to see how much trouble they
make for his view.
Remember the architecture of Pinker’s argument. What’s on offer is an
inference from ontogenetic considerations to the conclusion that there are
definitions. What shows that there are definitions is that there is a semantic
level of linguistic representation at which verbs are lexically decomposed.
What shows that there are semantic-level representations is that you need
semantic vocabulary to formulate the hypotheses that the child projects in
the course of learning the lexicon; and that’s because, according to Pinker,
these hypotheses express correlations between certain semantic properties
of lexical items, on the one hand, and the grammatical structures that the
items occur in, on the other. Double-object constructions, as we’ve seen,
are supposed to be paradigms.
But it now appears that the vocabulary required to specify the
conditions on such constructions isn’t purely semantic after all; not even
according to Pinker. To predict whether a verb permits dative movement,
The Linguist’s Tale
61
13
When Pinker’s analyses are clear enough to evaluate, they are often just wrong. For
example, he notes in his discussion of causatives that the analysis PAINT
VTR
= cover with
paint is embarrassed by such observations as this: although when Michelangelo dipped his
paintbrush in his paint pot he thereby covered the paintbrush with paint, nevertheless he did
not, thereby, paint the paintbrush. (The example is, in fact, borrowed from Fodor 1970.)
Pinker explains that “stereotypy or conventionality of manner constrains the causative . . .
This might be called the ‘stereotypy effect’”(1984: 324). So it might, for all the good it does.
It is possible, faut de mieux, to paint the wall with one’s handkerchief; with one’s bare hands;
by covering oneself with paint and rolling up the wall (in which last case, by the way, though
covering the wall with the paint counts as painting the wall, covering oneself with the paint
does not count as painting oneself even if one does it with a paintbrush; only as getting
oneself covered with paint).
Whether you paint the wall when you cover it with paint depends not on how you do it
but on what you have in mind when you do it: you have to have in mind not merely to cover
the wall with paint but to paint the wall. That is, “paint
vtr
”apparently can’t be defined even
in terms of such closely related expressions as “paint
n
”. Or, if it can, none of the
decompositional analyses suggested so far, Pinker’s included, comes even close to showing
how.
Chaps. 3 & 4 11/3/97 1:11 PM Page 61