was the feud at Athens between the
citizens and the young students—as
if the city after those wars of hers
was festering within her walls the
peril of discord—that none of the
Sophists ventured to go down into
the city and discourse in public, but
they confined their utterances to
their private lecture theaters and
there discoursed to their students.
(Eunapius, Lives 483)
Eunapius refers to an important feature
of the schools at Athens: they were pagan
institutions. Established in the old gymna-
sia, their adherents worshiped Herakles,
Hermes, the Nymphs, and the Muses.
Even the official advent of Christianity un-
der Constantine in 325 seems to have had
minimal impact on the city. Athens re-
mained pagan until the end of antiquity.
In addition to the large houses of the fourth century, several Athenian baths show
signs of construction or renovation, and there is good evidence that the Attic lamp industry
was f lourishing, particularly in the area of the Kerameikos. Many of these lamps were ex-
ported all over Greece and farther afield, from Spain to South Russia; in Attica they begin to
appear in large numbers in the mountain caves of Pan, especially at Vari and on Mount
Parnes. These are the first of literally hundreds of lamps to be deposited in the two caves
during the fifth and sixth centuries. No convincing explanation has been put forth for this
intense interest in Pan or his caves after years of relative neglect. Elsewhere in Attica there
is little evidence of significant activity in the fourth century.
The theater of Dionysos also continued to be used in this period. The last substantial
stage, decorated with the reused sculpted frieze blocks of the second century
A
.
D
. (see fig.
201), carries a late dedicatory inscription:
Late Roman Athens 229
223
223. Youthful Herakles discarded down a well in
the philosophical school in the first half of the
6th century a.d.