Technological culture 133
as Chalmers Johnson’s MITI and the Japanese Miracle,
9
Daniel I Oki-
moto’s Between MITI and the Market
10
and Scott Callon’s Divided Sun.
11
Takatoshi Ito,
12
in his well-known text The Japanese Economy, draws atten-
tion to how the Japanese were able to successfully adopt and adapt elements
of other cultures. In the pre-Meiji era, this propensity facilitated the trans-
fer of technology from China. Ito attributes Japan’s economic growth since
the Meiji period to a combination of heritage from the Tokugawa period
and wise policies implemented by the Meiji government. The Tokugawa
legacy included a high educational level, capital accumulation, a high level
of agricultural technology and advanced infrastructure (especially a major
road network thanks to the sankin k
¯
otai system of alternate residence of
feudal lords in Edo, or present-day Tokyo).
This type of argument is extended into the post-Second World War
period to describe Japan’s ‘economic miracle’. It enables the Japanese to
praise American technological superiority and at the same time carve out a
sense of their own identity based on a propensity to assimilate others. Japan
can be said to have shown a strong technological orientation, epitomised by
the spectacular growth of the car and electronic industries in the postwar
years. It is possible to argue that a tendency towards a technological culture
in Japan has meant that not only have the Japanese quickly embraced new
technologies but they have been more open to borrowing from other cul-
tures in general. Whether this is due to any ‘inherent cultural peculiarities’
is, as James Bartholomew
13
suggests, open to debate.
Sheridan Tatsuno has compared Japanese creativity with its Western
counterpart. Westerners, according to Tatsuno, tend to be more ‘linear,
rational, and individualistic’ in their thinking whereas the Japanese are more
‘adaptive, holistic, and cyclical’.
14
He argues that as the Japanese need to
make more technological breakthroughs of their own (rather than borrow
from the United States) they will draw on their cultural heritage, especially
aesthetic tendencies such as miniaturisation. The Japanese, according to
Tatsuno, like combining ideas to make hybrid technologies, fusing old ideas
with new to make new products. High Definition Television is cited as an
example of this phenomenon. More recently, the rise of keitai sh
¯
osetsu
(mobile phone novels) illustrates the Japanese liking for small things. In
the first half of 2007,halfofthetop10 best-selling novels in Japan were
written as keitai novels (that is, for downloading on to phones) before being
republished in book form.
15
The driving force behind technological innovation can change over time,
as can the definition of what constitutes Japanese ‘spirit’ and Japanese