412 44-
THE
TYRANNY OF PISISTRATUS
himself
is
disproportionately prominent
at
Athens
in
this period,
suggesting that Pisistratus had a special interest in him; his neighbours
at Marathon claimed (Paus.
i.
15.3) to have been the first to worship
Heracles as a god. We may assume that once in power he fostered the
Panathenaea, though there
is
no direct evidence. Regulation
of
the
recitals of Homer at the festival is better attested for Hipparchus (Plato,
Hipparch.
228b), while the 'Pisistratean recension' of the text of Homer
appears
to
be
a
late guess based on allegations that he interpolated
references to Athens in the poems.
84
No ancient evidence specifically links Pisistratus with the develop-
ment
of
the City Dionysia, which
is
nevertheless one
of
the most
important phenomena of his time. The festival 'in the city', so called
in contrast with the earlier festival enl
Arjvaicp,
was held in early spring
in honour of Dionysus Eleuthereus. His translation from Eleutherae to
Athens was referred to
a
remote past (Paus. 1. 38.8), but his festival
betrays its relatively late origin by the fact that it was administered by
the eponymous archon, not
by
the 'king' {Atb. Pol. 56.3—4).
A
mutilated entry
in
the
Marmor Parium
(ep. 43) tells us that the poet
Thespis
'
first' acted and produced a play in the city, with a goat as prize,
at a date incompletely preserved; Suda
s.v.
Qkairis
gives the Olympiad
536-532, and a plausible guess
85
makes the precise year
534/3.
It cannot
be assumed that this is the date of the first institution of the festival,
and it is likely that Thespis' drama was a meagre and modest beginning
to the series that made the dramatic contest of the City Dionysia into
one of the glories of Athens and of
Greece,
but a decisive step had been
taken. It
is
hardly likely that Thespis or Pisistratus, or any contemporary,
saw where it would lead; the festival was being enlarged if not created,
and this inspiration was part of
the
process, or a by-product. It has been
noted
86
that there is a marked increase at about this period in the scenes
on Attic vases involving Dionysus.
Nor does any ancient evidence connect Pisistratus with the develop-
ment of the Eleusinian cult, and in this case there is no specific item
that can be dated to his reign. Two buildings are mainly in question:
an earlier and smaller oblong structure taken to be Solonian, and the
large square Telesterion usually referred
to as
Pisistratean, both
designations little more than conventional.
87
The more important
questions concern the process whereby the originally independent cult
at Eleusis became a national cult and an advertisement of the benefits
Athens had conferred on primeval mankind. When Eleusis was incor-
porated into the Athenian state,
at
whatever date, the bargain then
struck will have included some parts of the process, e.g. the involvement
84
F 79,
15-21.
85
Wilamowitz, Homerische Unttrsuchungen (Berlin, 1884) 248
n.
13.
86
F
83, 133.
87
F
24, 67-70, 78-88; F 77, 4-5.
Cambridge Histories Online © Cambridge University Press, 2008