BOEOTIA
289
grain, the fowls of Tanagra and the eels of Lake Copais, and for the
rich, to support their horses (the team of one Pagondas carried off the
prize at Olympia in 680: Paus. v. 8.7). There was not much to tempt
a Boeotian to lift his eyes above the surrounding hills and mountains
to the sea, no great urge to colonize or to exploit the new economic
opportunities that came with or after colonization elsewhere. Access to
the sea was there, to the east or south-west to the Corinthian
Gulf;
the
possibility of maritime adventure could occur to Hesiod, as it did later
to Epaminondas, but one ferry-trip to Euboea was enough to satisfy
the one (while brother Perses was warned against anything more
daring), and the other's naval ambitions were short-lived. Boeotia, then,
was essentially an agricultural area, and a stale agrarian economy does
not breed social, political or even much cultural excitement.
As befits a country folk, the Boeotians were not unversed in music
and song. The tradition was that the legendary founder of Thebes,
Amphion, could charm stones to move with his lyre, the gift of the
Muses; more substantially, the noted reeds of Lake Copais furnished
Boeotians with the
aulos
(a clarinet- or oboe-type instrument) and a
famous school of innovators, performers and teachers
thereof,
famous
and fashionable
—
the great Pronomus of Thebes was tutor to Alcibiades
(Ath. 184D). At the same time, a country which can produce a Hesiod,
a Pindar or a Corinna is scarcely backward.
Similarly in peasant manner, religion flourished. The gods are
everywhere in Pindar and Hesiod as they were everywhere throughout
the countryside. There were oracular sites in plenty, of Trophonius at
Lebadia, of Ismenian Apollo in Thebes, Ptoian Apollo near Acraephia,
Amphiaraus at Thebes and Oropus; cults, some brought with the
migration from Thessaly, some local, of Athena Itonia at Coronea,
Artemis at Aulis, of Heracles and the Cabiri at Thebes, and hundreds
more.
5
Around these grew sanctuaries, some substantial, respectably
rich and not unattractive to foreign dedicators or competitors (Croesus
of Lydia made gifts to Amphiaraus; Athenians and others won prizes
at the games),
6
but nothing to raise the eyebrows, nothing to suggest
any startling Boeotian artistic inspiration.
There was some not utterly disreputable sculpture and bronzework
but pottery gives the fullest picture.
7
There, alongside much imported
Corinthian ware and some Attic, exists local work in quantity. But it
is
in the main derivative and dated
stuff,
no capturer of a foreign market.
From Geometric through orientalizing to black-figure the Boeotian
potter plodded along behind his Corinthian and Attic models and it is
hard to find studies which do not include judgements such as 'crudely
4
A. Schachter, The Cults
ofBoeotia
(1981-).
6
Hdt. 1. 52; A 36, 7j, 75, 91. '
H
29, 1005.
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