42 Five Biographical Profiles
might have offended Russian interests, prevented Kog
˘
alniceanu from
producing the envisioned sequel. Of the 500 printed copies, eighty
reached the principalities, but initially, they proved unpopular and two
translations of the manuscript also remained unpublished. In the longer
term, however, the innovative potential of this synthesis, in particular
the use of historical arguments to reinforce unity, came to be fully
appreciated. The year 1837 saw another publication by my historian:
a brief overview of Romanian cultural developments, ‘Rom
¨
anische
oder Wallachische Sprache und Literatur’ in Lehrmann’s Magazin f¨ur
die Literatur des Auslandes, which appeared two years later in French
translation.
In 1838 Kog
˘
alniceanu was ordered to return home by Prince Stur-
dza, who was alarmed by the young man’s sympathetic attitude to the
reformist, or even radical, intellectuals of the age. As well as working
for the Prince as his private secretary, in the following decades he
became involved in the promotion of Romanian culture in numerous
ways. One of these was through journals, and, although his initiatives
were invariably short-lived, their significance extended far beyond their
print-run. The most ambitious enterprise was Dacia Literar
˘
a.Founded
in 1840, it represented an innovative attempt to foster national unity
through the medium of literature. Other titles included Prop
˘
as¸irea
(Progress, 1843) and Calendar pentru Poporul Rom
ˆ
anesc (Almanac for
the Romanian People, 1842). Kog
˘
alniceanu published several of his
own articles in these journals, as well as translations of varying lengths,
including the short essays Despre Civilisat¸ie (On Civilization) and De-
spre Pauperism (On Pauperism). Similarly to my other protagonists,
Kog
˘
alniceanu strove to publish primary sources pertinent to Romanian
history. This entailed another short-lived journal specializing in histor-
ical sources, Archiva Rom
ˆ
aneasc
˘
a (Romanian Archive, 1840), and the
inception of Scriptores Rerum Romaniarum in 1845. The publication
of the chronicles of humanist historians in two editions, Letopiset¸ele
Moldaviei (s¸i Valahiei) (Annals of Moldavia and Wallachia, 1860) and
Chronicele Rom
ˆ
aniei (the Chronicles of Romania, 1872), represented
a watershed in the history of source publications; some of these had
appeared earlier in French, as Fragments tir´es des chroniques Moldaves et
Valaques (Ias¸i, 1845). My historian also had a keen interest in theatre:
in 1840 he became co-director of the National Theatre in Ias¸i and
worked as a theatre critic. Besides, two comedies and an unfinished
autobiographical novel, Tainele inimei (Mysteries of the Heart), testify
to his literary pursuits.