them were some especially rare items (early issues), since in addition to his complete
collection of German stamps, my father had specialized only in this type.
Missing Paintings—Descriptions by Frau Else Wiede
Rumänierin, by Franz von Lenbach
Purchased in 1905 by Johannes Wiede, Trebsen, at Arnold’s art salon in Dresden,
Schlosstrasse (owner Gutbiert). Previously owned by a resident of Vienna. As
far as I can recollect, the names or seals of the owner were stated on the back
of the painting, and the portrait itself bore the signature of the artist. The cer-
tificate of authenticity was kept in the desk and probably disappeared with the
painting. Size about 60 by 70 cm, upright.
Painted in oil on canvas (taken away without frame).
Head of a woman (girl) of about 20 years, almost life size. Background in Lenbach
brown; no predominant colors.
Half profile, head slightly raised, looking to the right. Delicate profile, intelligent,
grave, almost melancholy and remote look, not direct at you but yet fascinating
the observer. Thinly laid on color.
Thin lipped, sharp cut nose, the large nostrils almost appear to be vibrating.
Especially remarkable in the auburn hair, with long locks, slightly waved, evenly
parted, falling down on the shoulders.
Slender, erect neck, well-marked and narrow neckline, bordered by dark dress, of
which not much can be seen. Thus no half-length portrait.
In addition to the Rumänierin, Lenbach is said to have painted at the same time
the portrait A Woman of Florence (Florentinerin).
The painting, packed in a nailed-up wooden crate, was stored in the cellar of the
Wiede residence at Trebsen, a.d. Mulde (district of Leipzig).
Abendstimmung am unteren Main by Hans Thoma
Purchased after 1918 but prior to 1924 by Johannes Wiede, Trebsen, at Arnold’s
art salon in Dresden, Schlosstrasse (owner Gutbiert). Formerly owned by a lady
in Frank furt/ Main. Signed by the artist.
Size about 45 by 60 cm, broadside.
Painted in Oil on impregnated cardboard (taken away with frame).
Impression of peace and quietness (stagnate air). In the foreground the small river
between irregular river banks, partly covered by grass and shrubby. On the side
of the river, high broad-leaved trees gold colored by the shine of the setting
sun (autumnal coloring).
The air, a clear blue sky interspersed with small white clouds, is of special beauty.
In the middle of the river, in harmony with the whole picture, a boatman push-
ing a punt, still emphasizing the solitude of peace.
Small waves in the wake of the boat show its slow movement toward the other
bank of the river. The face of the boatman is turned away from the observer.
The whole painting reflects some kind of reverie, similar to the characteristics of
246 Appendix A