Routledge, 1995. - 211 pages.
"In Dance, Modeity and Culture, Helen Thomas provides an original, interdisciplinary, approach to the study of dance. By examining the development of mode dance in the US during the inter-war period she develops a framework for analyzing dance from a sociological perspective.
In applying her approach to the works of St Denis, Ted Shawn, and Martha Graham, amongst others, she relates the emergence of mode dance to contemporaneous artistic developments, and locates dance within a wider social and economic context. Thus, she draws attention to the importance of popular culture in the development of mode dance,music and painting, and the crucial role women played in establishing dance as an art form. By way of exemplification, she looks at the work of Yvonne Rainer in order to demonstrate how this sociological approach might be applied to a post-mode work.
Dance, Modeity and Culture explores an area of art practice that has long been marginalized by sociologists of art. As an important contribution to dance scholarship this book will be essential reading for all those interested in the performing arts."
"In Dance, Modeity and Culture, Helen Thomas provides an original, interdisciplinary, approach to the study of dance. By examining the development of mode dance in the US during the inter-war period she develops a framework for analyzing dance from a sociological perspective.
In applying her approach to the works of St Denis, Ted Shawn, and Martha Graham, amongst others, she relates the emergence of mode dance to contemporaneous artistic developments, and locates dance within a wider social and economic context. Thus, she draws attention to the importance of popular culture in the development of mode dance,music and painting, and the crucial role women played in establishing dance as an art form. By way of exemplification, she looks at the work of Yvonne Rainer in order to demonstrate how this sociological approach might be applied to a post-mode work.
Dance, Modeity and Culture explores an area of art practice that has long been marginalized by sociologists of art. As an important contribution to dance scholarship this book will be essential reading for all those interested in the performing arts."