NURSERY TALES OF 1915
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Poor Nietzsche! How he would have turned in his grave at the thought that
a book by the man who had also written
The Antichrist
might share pride of place
in a German soldier’s knapsack beside the principal book of the religion he most
despised. The evidence suggests that Hitler read Jesinghaus’ plea, remembered it,
and acted upon it. In the Second World War, Wehrmacht soldiers were able to
carry into battle special tunic-pocket-sized popular editions of both works.
German outrage at being depicted as barbarians was mollified by the belief that
theirs was the
Kulturstaat
or
Kulturnation
par excellence, and that the worst of
Allied accusations were rooted in jealousy. Yet, attempts to present themselves
(and not the Latins) as the true inheritors of Greco-Roman civilization – an idea
also much cultivated by the National Socialists – created a rich field for derision.
Professor Ludwig Woltmann, the foremost articulator of Romance civilization’s
Germanic roots, became a figure of fun to more than one French journalist with
his claims that the Renaissance was the product of Teutons. As ‘proof’, Woltmann
claimed as Germanics Michelangelo Buonarotti (Bonroth), Leonardo da Vinci
(Winke), the whole Medici (Mädicke) clan as well as Giotto (Jötte), Bellini
(Bellin), Botticelli (Bottke) and even St Francis of Assisi, whose mother was
named Pica (Bick)! When unsubstantiated linguistic ‘evidence’ could not be
fashioned, Woltmann claimed head shape, blond to reddish or light-brown hair
and grey-blue to blue-green eyes ‘proved’ the Germanic origins of Savaronola,
Thomas de Aquino and Machievelli. He concluded his study with a bizarre ‘talent’
chart, in which Tuscany and Venice (with the highest percentage of blue-eyed
blondes) produced 36 geniuses per million inhabitants against nil to two for the
south-Italian provinces and Sardinia.
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Woltmann’s ‘seminal’ work of 1905 was widely accepted in German academic
circles during the Great War and reprinted, with a foreword by Heinrich Class, in
Nazi times. By presenting the Teutons as the supreme culture-giver and culture-
bearer, Woltmann was following Gobineau and Hewston Stewart Chamberlain,
whose influence he freely acknowledged. If German art, German literature or
German philosophy sprang from the soul of the
Volk
and the blood and soil of the
nation, then there must be a similarly rooted German psychology, which owed
nothing to Enlightenment values and should be protected from the corrupting
philosophies of Western societies. As the ‘most significant racial psychologist’,
leading advocate and ‘rector’ of ‘German philosophy’, Wilhelm Wundt’s book
Die Nationen und ihre Philosophie, ein Kapitel zum Weltkrieg
was reviewed by
Dr Otto Conrad in the
Berliner Tageblatt
on 3 May 1915. There was nothing
original in Conrad–Wundt’s ‘definition’ of
Volk
, which could serve, and possibly
did serve, the Nazis.
Volk signifies a spiritual community, a living unity, which is certainly
as enigmatic as anything else that lives. Not that it would be simply an
arithmetical sum of members of the community, it is a higher synthesis.
Indeed this community is like the blossoms and leaves that live as one
only on the tree, thus it signifies a real socio-physical form.
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