THE BACKGROUND OF THE MAY FOURTH MOVENEMT 397
behind New Youth's slogans advocating science, democracy, literary
revolution, and the revolt of youth and women. By 1919 the militancy of
the student movement and the apparent rout of conservatives from
academic leadership at Peking and other universities gave grounds for
belief that the New Culture was becoming a reality. The student-led May
Fourth demonstrations of that year against foreign imperialism and the
warlord government in Peking suggested the complementary appearance
at last of
a
mobilized and awakened people as a progressive political force.
This quickening of change at home had counterparts abroad in the end of
the First World War, and above all in the Russian Revolution. By 1920
Ch'en Tu-hsiu and his close collaborator on New Youth, the philosopher
and Peking University librarian Li Ta-chao, announced their conversions
to Marxism and turned the magazine into a vehicle for the new Chinese
communist movement. Utopian perspectives on Chinese and world
history were now rekindled in a new ideology, and ground was laid for
the Chinese communist revolution itself to give a retrospective impri-
matur to the idea that the New Youth movement had in fact marked
another great transformation of the times.
At New Youth's inception in September 1915, Ch'en Tu-hsiu and his
associates largely shared the pessimism about evolution that oppressed
emerging neo-traditionalists and constitutionalists in the early years of
the republic. Far from conjuring up anarchist-style ideal alternatives by
leaps of pure imagination, New Youth was soberly preoccupied with the
problem of China's cultural backwardness, and the dangers this posed to
contemporary politics. Sharing the by then common sociological per-
spective on evolution, they reasoned that social custom, ethics and na-
tional psychology exercise a determinative influence upon political change.
Like Liang Ch'i-ch'ao and other analysts of the 'national character', they
were concerned how to overcome maladaptive disjunctions between
parts of the social organism. So New Youth's campaign against cultural
backwardness was presented first of all instrumentally, as the way to
combat a monarchic restoration in politics. Wu Yu, the magazine's
best-known critic of familism, argued that China's historic inability to
escape despotism was due to patriarchal mores, while Ch'en Tu-hsiu
himself,
in a running polemic with K'ang Yu-wei, lodged similar argu-
ments against Confucian ethics as the tool of conservative political control
under Yuan Shih-k'ai's dictatorship.
109
However, this instrumentalist argument, which by 1915 was central
109 Siu-tong E. Kwok, "The two faces of Confucianism: a comparative study of anti-restora-
tionism of the 1910s and 1970s', paper presented to the Regional Seminar in Confucian
Studies, University of California, Berkeley, 4 June 1976.
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