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The Upper East Side
designed in a Gothic Revival-
style brick, contrasting with the
prevailing notion of the day that
a museum should be a
magnificent, daunting structure.
The collection takes in over two
million works and spans the
cultures of America, Europe,
Africa, the Far East, and the
classical and Egyptian worlds.
Broadly, the museum breaks
down into seven major
collections: European Art –
Painting and Sculpture; Asian Art;
American Painting and
Decorative Arts; Egyptian
antiquities; Medieval Art; Ancient
Greek and Roman Art; and the
Art of Africa, the Pacific, and the
Americas.
Among the undeniable
standouts of the collection is the
Temple of Dendur, built by the
Emperor Augustus in 15 BC for
the Goddess Isis of Philae and
moved here en masse as a gift of
the Egyptian government
during the construction of the
Aswan High Dam in 1965
(otherwise it would have
drowned). Similarly transported
from its original site is Frank
Lloyd Wright’s Room from the
Little House, Minneapolis, which
embodies the architect’s sleek,
horizontal aesthetic, from the
square chairs that are better to
look at than sit on to the
windowed walls that blur
interior and exterior divisions. It
can be found in the American
Wing, close to being a museum
in its own right and a thorough
introduction to the
development of fine art in
America. Early in the
nineteenth century, American
painters embraced landscape
painting and nature.William
Sidney Mount depicted scenes
of his native Long Island, often
with a sly political angle, and
the painters of the Hudson
Valley School glorified the
landscape in their vast lyrical
canvases.Thomas Cole, the
school’s doyen, is well
represented, as is his pupil
Frederick Church.
The Met is particularly noted
for its European Painting,
tracing several centuries’ worth
of art. Dutch painting is
particularly strong, embracing an
impressive range of
Rembrandts, Hals,Vermeers –
his Young Woman with a Water
Jug is a perfect example of his
skill in composition and tonal
gradation, combined with an
uncannily naturalistic sense of
lighting. Andrea Mantegna’s
dark, almost northern European
Adoration of the Shepherds and
Carlo Crivelli’s distended,
expressive figures in the
Madonna and Child highlight the
Met’s Italian Renaissance
collection. Spanish painting is
not as well represented, but you
will find such masters as Goya,
Ve lázquez, and El Greco, whose
View of Toledo suggests a
brooding intensity as the skies
seem about to swallow up the
ghost-like town – arguably the
best of his works displayed
anywhere in the world.
The Museum’s Asian Art is
justly celebrated for its Japanese
screens and Buddhist statues,
but no trip is complete without
stopping at the Chinese Garden
Court, a serene, minimalist
retreat enclosed by the galleries,
and the adjacent Ming Room, a
typical salon decorated in
period style with wooden
lattice doors.The naturally lit
garden is representative of one
found in Chinese homes: a
pagoda, small waterfall, and
stocked goldfish pond
landscaped with limestone
rocks, trees, and shrubs conjure
up a sense of peace.
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