Th
ings
happen
at
the
gallery
P
at arrived slightly early at the gallery the next morning. She
was about to go through to
the
back,
when
she stopped.
Usually,
when
she came in in the morning, she would hear the
alarm and h
ave
to type in the number to stop it. This had not
happened this morning.
Had
the
alarm been
se
t? She looked at the control box. Two
small red lights
went
on
and off. That was different. Normally
it
w
as
a single red ..
Pat
looked around. The gallery
had
a large glass
wi
ndow
at
the front, and this looked
out
onto
the s
tr
eet. There
were people on the pavement, traffic on the road. The door was
only a few metres
away.
But
even so, she suddenly felt nervous
and now she saw
that
the door
of
th
e room
at
the back
of
the
gallery was open. She closed
that
door - always - before she left.
Now
she 'felt frightened, and she ran across
th
e room to switch
on the lights. Then, wi
th
the
gallery lit up, she found the courage
o walk over
to
the
inner office door
and
push
it
open.
The intruder* had managed to lift the lower part
of
the
ovin
dow. The glass was
not
broken,
but
the lock had been forced
and there were small pieces
of
wood on the floor.
Pat
picked
up
me telephone and dialled the emergency code. A comforting
'o
ice told her the police would arrive within minutes and
not
to
o
uc
h anyt
hin
g. So she stood there wondering
what
had
happened.
Why
had the alarm not gone off?
Why
was the office
oor open?
It
suggested the intruder had managed to get in
through
the
small window and then been disturbed
*.
It
suddenly occurred to
Pat
that
a break-in could be quite
convenient* for Matthew.
He
was having difficulty selling any
of
his paintings; perhaps it would be easier to arrange an insurance
clai
m*.
A few minutes later a police car arrived outside the gallery
and two officers
got
out
.
Pat
opened the front doo
r.
She showed the
men
the
alarm.
'
It
can't have worked properl
y,'
said the younger policeman.
She led
them
through to the back room and pointed
at
the
ood
on
the
floor. The older policeman looked
at
th
e glass and
shook his head.
, 0 prints* there,' he said.
And
there's
not
much we can do,
al
though I can probably tell you who did this.'
Pat listened in surprise.
'But
how
do you know?'
'M ter all my time
as
a policeman,
I'm
sure about one thing.
Th
e same people do the same
thing
s all
the
time.
We
know who
ey
are and where they live. This was probably done by a
man
cUled
Jimmy
Clarke. He's the person who steals paintings in
. s city.
But
of
course we can't prove it.'
1t must be difficult for you,'
Pat
said.
The older policeman smiled.
'Not
really, you get used to it.'
• intruder - someone who breaks into a building
• disturb - interrupt, stop someone from doing something
• convenient - something that
is
convenie
nt
gives someone an opportunity,
often in a way
that
is
a little dishonest
• in urance claim - insurance is the money
yo
u pay a company regularly
so they will give you money
if
something you own
is
stolen or damaged.
_\
claim
is
when you ask the insurance company for money
• prints = fingerprints -
th
e marks you lea
ve
when your fingers touch an object
Listening
6
You
are
going
to
listen
to
two
people
discussing
the
extract Things happen
at
the
gallery
. Before you listen,
choose
the
most likely explanation
for
the
break-in.
1
D Nobody ever finds
out
who broke
into the
gallery or why. It remains
a mystery,
but
each character
has
his/her own theory about it.
2
D
The
art thief Jimmy Clarke broke
into the
gallery.
He
was
planning
to
steal the best
pa
intin
gs,
but
then
he
heard someone outside.
He
escaped before
he
could steal
any paintings.
3
D Ronnie and
Pete
,
two
men who
know Matthew, think that there
is
a painting in the gallery that
is
worth a lot
of
money. They decide
to
break in,
but
they
are
disturbed before they
can
steal
the painting.
4
D Matthew's gallery
is
doing badly
and he needs to make some
money.
He
arranges for someone
to
break in and steal some
paintings. Then he plans
to
claim
the money from
his
insuran
ce
.
7
(]I)
Listen
to
the
conversation and
write
the
numbers
of
the
theories
above
in
the
order
they
are discussed.
Which
is
the
correct one?
Order
of
discussion:
_,
_, _,
_
The
most probable theory
is:_
8
(]I)
Listen again and underline
the
correct answers
to
complete
the
sentences.
1
Jane
wants/doesn't want
to
tell Kevin
immediately who broke in
to
the
gallery.
2 Kevin doesn
't
think
it
was
an
art-thief
/Matthew because that's
too
obvious.
3 Kevin/Jane
says
that Matthew can't
be
the
thief
because
he's
too
honest.
4 Kevin thinks the thieves wanted
to
steal a painting/a sculpture by Peploe.
5
The
painting by Peploe could
be
worth £400,0001£40,000.
6
The
author reveals/
doesn
't
reveal who
tried
to
rob the art gallery at the end
of
the book.
97