262 | THE FORGOTTEN PALESTINIANS
cultural scene all over the Arab world. New books, poems and songs
can now reach and enrich the Palestinian community in Israel (among
them those written by the Palestinians from Israel who would rather
publish in Beirut, Cairo or Amman than in the very few publishing
houses in Palestine, which are located mostly in Jerusalem and the
West Bank). Ever since 1987 there has been a process of strengthening
the ties not just with the Palestinian polity and nationality, but also
with Arab heritage and culture. Unlike the 1950s, this was not done in
secret, but as part of a new assertion of a cultural and not just a national
identity. Mada al-Carmel, the Palestinian research institute in Haifa,
found that 75 per cent of the Palestinians in Israel accepted the
Hezbollah and al-Jazeera narratives of the second Lebanon war in the
summer of 2006.
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In 2005 the Palestinian NGO I’ilam and Tel Aviv University political
scientist Amal Jamal conducted a very comprehensive survey on the level
of confidence in the media in the Middle East. This exposed what Jamal
called ‘a serious crisis of confidence of the Arab citizens in the Israeli
media’. Sixty-five per cent of the Palestinians believed al-Jazeera more
than any Israeli new channel.
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This crisis of confidence only accentuated
other fractures in the already fragile edifice of the Arab–Jewish relation-
ship in Israel. As before, both the majority and the minority survived
these tensions well, but I fear that, as such episodes accumulate, as an
inevitable consequence of the historical circumstances in which the
Jewish state was born and of its hegemonic ideological nature and stance,
the likelihood of similar crises passing peacefully in the future looks more
and more doubtful.
Meanwhile, as Nadim Rouhana has noted, a unique Palestinian
identity has developed: segregated from the Israeli Jewish one, but also
different from that of the other Palestinian community. Its language is
Arabrabiya – an Arabic in which words of Hebrew are now an integral
part of the dialect (vividly demonstrated in the most famous Israel film
in recent years, Ajami, a tale of the tough Jaffa or Yafa neighbourhood,
played by the citizens themselves and not by professional actors). This
Palestinian way of life can for the time being be protected by a very low
profile, not attracting the attention of the authorities, or maybe at the
price of total depoliticization. But life is not just made up of material
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