The cultural context and the manner in which
the processing of information occurs may be com-
bined to develop a more precise description of how
communication takes place in a particular country.
Germany, for example, is a monochronic and low-
context culture. France, in comparison, is a poly-
chronic and high-context culture. A lowcontext
German may insult his high-context French coun-
terpart by giving too much information about what
is already known. Or a low-context German may
become upset if he feels that he does not get enough
details from the high-context Frenchman.
CULTURAL UNIVERSALS
The failure to consider cultural universals results in
a tendency to overemphasize cultural differences.
Human beings, regardless of race or religion, all
have similar basic needs, and it is reasonable to
expect that certain cultural traits transcend national
boundaries. For example, people everywhere have
a love for music and a need for fun. Some of the
cultural universals identified by Murdock are
athletic sports, bodily adornment, the calendar,
cooking, courtship, dancing, dream interpretation,
education, food taboos, inheritance rules, joking,
kin groups, status differentiation, and superstition.
8
Because of the universality of basic desires,
some products can be marketed overseas with little
modification. The need to have fun, for instance,
makes it natural for people everywhere to accept
video games. Likewise, culture is not a barrier to
computer software dealing with engineering and
scientific applications that manipulate schematic
drawings and numbers rather than words.
Note that shared values do not necessarily mean
shared or identical behavior.The manner of express-
ing culturally universal traits still varies across coun-
tries. Music is a cultural universal, but that does not
mean that the same kind of music is acceptable
everywhere. Because musical tastes are not interna-
tionally uniform, the type of music used must be
varied to appeal to a particular country. Likewise,
all peoples admire the beautiful, but cultural defin-
itions of beauty vary greatly. In fact, beauty is not a
unidimensional concept, and modern-day cultural
definitions of beauty are multidimensional. There
are different categories of beauty: classic, feminine,
sensual, exotic, cute, girl-next-door, sex kitten, and
trendy.
9
The ideal beauty can be both universal and diver-
gent. Many Asian and Hispanic women reshape their
minority faces to look more white. Some feel that
minorities seeking cosmetic procedures, by getting
rid of “ethnic markers,” represent the worst kind of
ethnic imperialism.
10
In Vietnam, as in other Asian
countries, women associate whiteness with beauty.
As a result, in the name of beauty, millions of
Vietnamese women resort to using gloves, masks,
and other things to cover up just about every inch
of flesh to block out the sun. Vietnamese men,
however, do not have this kind of obsession.
11
In Niger and many places in Africa, fat is the
beauty ideal for women. Amazingly, women take
steroids to gain bulk or pills to increase their
appetites. Some ingest feed or vitamins for animals.
Fattening pills and animal feed are some of the best
sellers. Married women do not want to be thin
because people may have the idea that they are not
being taken care of or that they have been aban-
doned by their husbands.While the African concept
of beauty is the reverse of that in the West, the moti-
vation is the same: seeking men’s approval.
12
Some cultural values remain unchanged over
time.For products appealing to basic generic values,
certain successful products need not be changed,
in spite of the changing environment. Such is the
case with Reader’s Digest’s extraordinary success for
more than three-quarters of a century. In the face
of violent shifts in lifestyles and cultural tastes
around the world, Reader’s Digest magazine, founded
in 1922, has maintained a bland, low-brow editor-
ial formula. It continues to tell people that laughter
is the best medicine, that difficulties can be over-
come, and that the world is a good, though not
perfect, place. The magazine provides people with
spirit-lifting stories. These cultural traits are also
quite universal, as evidenced by the fact that some
100 million people read the magazine’s forty-eight
editions in nineteen languages. Its success should
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CULTURE