Interest in the study of group process and behaviour has led to the development of
group dynamics and a range of group training methods aimed at increasing group effec-
tiveness through improving social interaction skills.
Group dynamics is the study of interactions and forces within small face-to-face
groups. It is concerned with what happens when groups of people meet.
A central feature of group dynamics is sensitivity training, in which members of a
group direct attention to the understanding of their own behaviour and to perceiving
themselves as others see them. The objectives are usually stated as:
■ to increase sensitivity (the ability to perceive accurately how others react to oneself);
■ diagnostic ability (the skill of assessing behavioural relationships between others
and reasons for such behaviour); and
■ behavioural flexibility, or action skill (the ability to relate one’s behaviour to the
requirements of the situation).
An account of ‘problems’ that have arisen with team-building exercises is given in
Management in Action 14.2.
CHAPTER 14 WORKING IN GROUPS AND TEAMS
573
Management: brainstorm in a rainstorm
Use the theatre to fire creativity writes Arkady Ostrovsky
J
ackets come off, ties are loosened; 20 senior busi-
ness people howl, whisper and run around throwing
their arms about.
Their bizarre behaviour is part of an exercise to use the-
atre to fuel their imagination and creativity.
One participant, Richard Hardman, international explo-
ration director at US oil group Amerada Hess, says: ‘If you
want to get fit physically you go to the gym, but what do
you do if your imagination needs some stretching? Theatre
is very good for it.’
Four weeks of visits to theatrical events and a day’s
seminar and workshop took place recently during the
annual London International Festival of Theatre. Events
were held in association with the Global Business Network,
a business strategy group, and the FT.
At one, executives took a barefoot, sensual journey
through a dark labyrinth inhabited by personifications of des-
tiny and death. At another, they were deafened by music and
sprinkled with water and tickertape as they stood in a dark-
ened warehouse watching Argentinian troupe De La
Guarda’s crazed, swooping musician-acrobats.
Richard Wise, chief financial officer at Coutts, the bank,
says: ‘You are so bound up with day-to-day imperatives that
you lose the creative aspect. We tend to deal in very ration-
alised business structures – these performances show the
benefit of brainstorming unconventional solutions.’
Performers and business people had a chance to meet
after events – to the benefit of both sides, says Julia
Rowntree, of the festival. ‘It encourages the artist to learn
more about the motives that drive the business world and, in
some way, to have their say in it. For business people, it is a
chance to discover what is going on outside their offices and
to look at their own business from an outside perspective.’
The benefits of such exercises are notoriously difficult to
measure. But, says Rick Haythornthwaite, director of
Premier Oil, and a participant: ‘If you test the success of
this venture through the quality of thinking and the open-
mindedness of the people who participate in it, back in the
work place over the coming months and years, it is
undoubtedly working.’
(Reproduced with permission from the Financial Times Limited, © Financial
Times.)
EXHIBIT 14.1
FT
GROUP DYNAMICS