(2)
Additionally,
the Raduga studio has been invited
to take
part
in designing
an illustrated album entitled Noble Heart.
Thisa Letova
is
organising
the
project
with the assistance of Moscow's
Intemational
Children's
Gallery and the lkarPtftlishing House.
The second
volume
of the
edition includes illustrations
of
fairytales
from around
the world.
The
Bobruisk
youngsters,
agedT-I2, were asked to
portray
the Belaru-
sian
fairytale
of Kupalinka and the I-atvian story
of Amber Stones,
Noble
Heart-2
is to be released in September at
the Moscow International
Book
Fair
at a launch
party
attended
by
its
young
artists, ihcluding
those
from
Bobruisk.
(3)
Remarkably,
the drawings have an authenticity
reminiscent
of an-
cient
folk images.
Raduga Artistic Director, Igor Motin,
explains
that,
in fact,
the children really have been studying
original illustrations
to
inspire
theit own. They've had lectures,
been on excursions
and have
viewed
films. They used
the same
tech4ique
for the Noble
Heartbook
and
exhibition
dedicated to
ecological
prbblems.
The
paintings
are now
to be
exhibited
in the Polishtown
of
Torun.
(4)
This
year
is dedicated to Kupala's and Kolas'
anniversaries
so
the
Raduga
school
plans
to use the masters' work as inspiration.
The
art
project
may become intemational
-
as this
year
also cblebrates
the
jubi-
lee
of
Russian
artist A. Plastov. Joint exhibitions may
be scheduled
with
Russian
colleagues. 65 children currently
study at the studio.
Although
Raduga
doesn't
aim to
produce professional
artists
but merely
aims to
provide
an aesthetic education and
spiritual development,
the artistic
skills
learnt
by the children do shape their futures.
Dozens
go
on
to study
'
at
higher
education
artistic departments. Who
says that the
provinces
aren't
centres
of culture?
1. Ilol6eprare
K KaxAoMy a6sauy npeAJro)KeHlre,
orpaxaroqee
ero oc-
HoBHyro
MbrcJrb.
lna
upe4loxeHl,It tBJlltlorcs, lyrIrnutuu.
A
Certain
provinces
are centers of culture not
only in Russia
but
in
r
,
r
Belanls
as well.
B.
Ecological
problems
inspire the children from
the Raduga
studio
',
to
qeatetheirworks.
C.
Even in small towns culture can
be
flourishing
thanks
to enthusi-
astic effort.
D.
Appreciation of the
beautiful
in nature,
art, literature
is the
core
of
the
art studio activity.
E.
Joining
the art studio in Bobruisk means versatile
development
and eventful life.
F.
Thorough
study of different sources of information
helps
to achieve
better results.
126
2.Bu6epure
re npeAJroxeHr4r,
Koropbre He coorBercrBylor coAepx€-
Hl{rc TEKCTA.
A. According
to the
article small towns are in
want
of more
varied
and diverse cultural
life.
B. Being a
provincial
art studio Raduga lacks
possibilities
to contact
other
art studios in the country.
C. The children at Bobruisk art studio
continue
folklore art traditions
in their
works.
D. The
Raduga studio has exciting
prospects
for future cooperation
with other
establishments.
E. After
graduating
from the studio its members acquire a
qualifiia-
tion
in
art
history.
F. Joiuing the art studio
is
a
good
incentive to become an artist
in the
future.
Text 1 5
Ilpouuraftre
reKcr rr BhrrroJrril.rre
rrocJlereKcmnrre sa,qaHl,rfl
.
(l)
Voluntary
Semice
Overseas
(VSO)
said that
gap-year
volunteering,
highlighted by Princes
S&lliam
and Harry, has
spawned
a new
industry
in which
students
pay
thousands of
pounds
for
pre-packaged
schemes
to
teach Eriglish or help to build wells in developing countries
with little
bvidence
that it
benefits
local
communities. Judith
Brodie, the director
of VSO UK, said,
"While
there are many
good gap-year
providers,
we
are increasingly concerned about the number of badly
planned
and sup-
ported
schemes that are dishonest
-
ultimately benefiting
no one
apart
from
the travel companies that
organise them".
(2)
VSO is drawing
up
a
code of
good praclice
to help
gap-year
stu-
dents to
find
genuine
voluntary
work abroad.
The
charity
cited the
case
of a volunteer teacher in Africa who was surprised to be
shunned by
her
fellow teachers,
then
discovered that her
placement
had'led to
a col-
league being made redundant. llaking a
gap year
used
to bdthe
preserve
of only the wealthiest students, but it is now big'[usiness.
The average
gap-year
traveller spends J4,800 and numerous companies
have
sprung
up
to
get
a slice of the market by
offering
prepackaged
trips
to
projects
for
just
two weeks at a time.
(3)
Ms Brodie urged
students to
go
backpacking
instead.
"Young
people
want to make a difference, but
they
would be better
offtravelling
and experiencing
different
cultures, rather than
wasting time
on
projects
that have no impact and can
leave
a big hole in their
wallet",
she said,
Prince William
went
to Chile with Raleigh International,in
2000 to help
127