Маслов Ю.В., Маслова М.Е., Якименко Е.В. Текстовый тренажер по английскому языку. Готовимся к централизованному тестированию

34Aanrq L2-14.

Bodepume npaeunuuwil aapuaHm nepeeoda

I coom-

6emcm6uu c codeptrcauuew meKctna.

12. "You look

like a Heather", he said,

his

face expressionless.

(2)

A.

"Te6e

ugdr

gro

tr4wfl.",

-

cKa3zul oH, He MeHrrq

BblpaxeHr,rq

nuua.

B.

'TLr noxoxa Ha

AgByuKy

c ueoSH.rFrHM HMeHeM",

-

cKa3ul

oH,

He MeH.SflCb B

nI{Ue.

C.

"Trr BbrDIsAXurb

KaKAeByIrrKa c raKI{M I,lMertreM",

-

cKa3zIJr

oH c

'

rIeH3MeHHbIMBbIpaXeHI,IeMnHUa.

13. All

of the booths wore

hlled,

which meant that

Heather

had

to run in

six

directions

at once.

(3)

A.

Bpe xaSunrur 6uln nolnbr,

r{To

o3HaqaJlo,

vro Xesep

AoDKHa

6u.na 6erarr [o

urecrfl

HarrpaBJreHr,[sM oAHoBpeMeHFro.

B. Bce

croJw{K}r 6rrrn sausrbr, TaK vro Xssep

[ptrxoAr,rJrocr

6erarr

B UIeCTI,I HanpaBJIeFII{gX OAHOBpeMeHFTO.

C. Bce xa6usrur 6rupr norsrr, u Xesep [prrxoAr,rnocr

6erarr

cpasy

B IIIECTb MECT.

14. But

her mind was suddenly a blank.

(4)

A. Ho ee

yM

BApyF oKa3aircs nycr.

B.

Ho Heo)oL{aHHo s ed rorose 6u-no nycro.

C. Ho BHe3anHo oHa noHqra, vto efi Heqero

cKa3arb.

Text 4

Ilpouuralire

rer(cr [r BbrrroJrrrnTe rroqrrereKcroBbre

3agarrrdfl

.

(

1) trf hurnans' eyes flashed in the dark,

they would look

like

this.

Only

the

shape

is

wrong

-

the eyes are spaced wide

like a horse's.

The

pair

of

glirnmers

looked

at us frorn the darl<. Looked

mostly

at Jerry

rather;

they

knew my voice by now. One

pair

of,eyes,

then

two, a dull

pink

re-

flection in

the tired subway lighting

-

just

hanging

out

there where

the

track vanished

into shadow.

(2)

They had

no

narnes. Dad

and I always

thought

of names

on the

way to

the subway, or on the way back; but

seeing the unicarns,

the narnes

seerned cheap

-they

fell

off. lfelt atound in the

bag for

the celery.

Green

stuffwas

always

good

to start with

-

they

got

so little

of it, the

shy ones.

One of thern heard

the crunch ofthe celery snapping

and took

a

step for-

ward,

barely into the light. I heard Jerry's

breath

go

in

as if

sorneone had

punched

hirn.

It was the same for him as it'd

been for

rne the

fint time.

Nothing

that

lives in a

subway

should

be that

graceful.

Cats run,

rats and

38

mice

scurry.

But

the unicorns

just

flow out

of the

darkness,

and not

even

the

cinders

crunch

when

they

put

their

feet down.

Sornetimes,

if they're

k on

the rails

like

und. This one

just

n the

lake when

it

unicorn's

horn

glinted,

pearly,

the only bright

thing about

him

-

every-

where

else he

was the

iron-rust

color of

the

gravel

between

the

tracls.

His eyes

were

so brown

they

were black.

(3)

"Give

him

somd", I

whispered

at Jerry,

annoyed

again;

he

was

making

them wait.

"Throw it. They

won't

eat out

of

your

hand".

Jerryr

tore off

some

lettuce

and threw

it down

on the

tracks.

The brown

one

looked

at

him for

it moment,

then

put

its

head down

to eat.

You

could

see

it was stawing;

every rib

showed.

But it

lowered

its

head

slow

as a

king

sipping

wine.

More came

while

the first

was

eating.

Maybe

he was

the

herd

leader

and had

been checking

the

place

out.

Whatever,

the

tracks

were

full in

a few moments

-

nothing

but

tails

switching

and

necks

stretching

and

eyes, those

eyps.

All the

unicorns

were

dark

this

time,

though

I'd seen ones

with white socks

or

blades,

and once

a tan

one

with a

light

mane like a

palornino's.

These

weren't

any

fatter

than

any others

['d seen, though,

and

while

they ate

gracefully,.they did

it

fast-

Two of

them,

a rusty one

and a

black,

got

rowdy

and

waved

ttrcir

horns

at

each

other

over

a

piece

ofthe

Danish.

Jerry

threw

them

rnore,

and

they

stopped

ed apiece.

(4)

T

right uP

bYthe

seen

them so

close.

Je

edbythe

whole

one

standing

right

in front

of him

with its lower

jaw

going

around

and

around

-

even

unicorns

look a

little funny

when they

chew

-

that

he nearly

lost

his

balance

and fell down

when

the black

unicorn

snack

up beside

him

and

it, delicately,

but

fast. Jerry

looked

a moment

at the

hand

the

unicorn

had touched,

and then

wiped

his nose

on

the

sleeve

of

his

jaeket.

All

their

heads

went up then,

all

at once, as

if

they

were

a herd

of

gazelles

in a

nature

movie when

the

lion's coming.

They

stared

down

the

tracks

toward

the

downtown

end

-

and there

was

just

atlickcr

of

motion,

and

they

were

gone.

(From

Midnight

Snackby

Diane

Duane)

39

3a,qanuq

l-5, Bodepume

sapuaHm om6ema, coomaemcmeynu4uil

coilep-

)rcaHun

merccma.

l. The

genre

of

the above selection

is

most

probably

that of

A. scienqe fiction;

B. fairy tale;

C. realistic

prose

with elernents

of fantasy.

2. The readers can conclude

that the

two main characters were

A. tough streetwise

teens;

B.

spoiled rich kids eager

for extra fun;

C. dedicated

conservationists.

3. In Paragraph2,

the

sentence

"Dadand

I always thought of names on

the way to the

subway, or on

the way back;

but

seeing the unicorns,

the names

seemed cheap

-:1hey

fell off' means that

'A.

no name

was

good

enough

for the

gnicorns;

B.

people

didn't seem

to have enough imagination;

C. names

were too commonplace

for

such magic creatures.

4. In Paragraph 3, the

sentence

'Bdt

it lowered its head

slow as a

king

sipping

wine" the author

emphasizes the unicorn's

A.

grace

B. manners

C. beauty

5

j

For the two kids,

feeding the unicorns

at night was

a chance

A. to experience

adventure;

B. to establish

contact with

the unicorns;

C. to see something

out-of-this-world;

34qaung 6i-8. Onpedettume

sHaqeHue

yKasaHHoeo

cnoea 6 merccme.

6.

a

unicorn

(2)

A.

aghost;

7.

gacelul (2)

A.

gracious;

8. aflicker

(4)

A; a spark;

'

B. a

mythical

beast; C. an

alien.

3aaaun

12-14.

Btdepume

npaeunmwil

sapuaHm

nepeeoda

I coom-

'

eemcmsuu

c codePtrcanueJv

meKcma

12.

But

the

unicorns

just

flow

out

ofthe

darkness,

and

not

even'the

cinders

crunch

when

they

put

their

feet

down.

(2)

A.

Ho

eAuHopon{

npocro

BbIcKaKIlBarcT

I'I3

TeMHorbI,

H

ADKe

Ky-

coqKu

yrn-fl

He

xpycrflr

y

HI4x'noA

HoraMI'I.

B.

Ho

eAI{HoporI4

cJIoBHo

BbITeKaIor

I'I3

TeMHorbI,

lI

A'DKe

KycotIKI'I

yrns

He

xpycrtT

y

HIax

noA

HoraMu.

C.

Ho

eAl,IHoporn

flpocro

Bo3HI4KaIorlI3

TeMHorbI'

I4

ADKe

KycotIKI'I

yrn.s

He

xpycr4T

y

HIIX

nOA

HOIaMU.

13.

His

eyeswere

so

brown

they

were black.

(2)

,4"

Ero

Kapl{e

uasa

6ruu

HacTOJIbKO

TeIT

HLIMU,

IITO

KaSaII4Cb

rlep-

HbIMII.

B.

Ero

uaga

6lull't

rrlKI{MI4

TeMHO-KopI'ITIHeBbIMI'I'

tITo

cMorpeJl}Icb

IIEPHbIMI4.

C.

Ero

rnaga

6rutu

HacroJlbKo

KopI4qHeBbIMI't,

qro

Ka3a[Hcb.qep-

HbIMII.

14. Nothing

that

lives

in

a subway

should

be

that

proud,

and

that

hungry

and

feel

that

helPless.

.A.

Huxro

I43

xtlBylqux

B Merpo'

He

AoJDKeH

6urr

raxuu

ropAbIM'

'

B;

Ke'

He

Aolxno

6rrm

ce6s

taKI4I\'I

6ecuo-

MOIIIHbIM'

C.

Hu

oAHo

t43

cylqecrB,

xl'IByqlllx

B

Me'rpo'

He

Aonxuo

6urr

ra-

KI,IM

ropAbIM,

ToJIoAHbIM

n 6ecnououlnuu'

Text 5

Ilpounrafire

reKcr

Ir BhmoJrllrrre

nocilereKcroBble

3aAalrrls'

l0.feel

around

(2\

A.

fumble

for;

ll. meak

up

(4)

A.

reach;

B.

move;

B. creep;

C.

find.

C.

crawl.

B.lovely;

B. a

light;

C.

polished.

C. a flutter.

Saaannc

9-11.

Onpedenume

sHaqeHueyKa3aHHo?o

Qpasoeoeo

etaeona I

merccme.

9.

tear

off(3)

.

A. e5cape

40

B.

split; C.

rip.

4l

"I

don't

believe it!"

Emma cried excitedly. She

pioked

up one

of

the stacls

and riffled

it like

a deck of cards.

"They're

all fifties!"

Emma

grabbed

another

stack

and riffled through it.

So

did Sydney.

In minutes,

stacks

of

fifty-dollar

bills were spread

out at their feet.

"\lbw.

I mean,

wow! It's

at least a hundred

thousand dollars!" Emma

whispered.

"(Jnreal". Sydney stared

at it, then at Emma. "Whose

is it, do

you

think?

What's

it doing

in the Dumpster?"

(2)

Emma

slowly shook

her head.

'A

hundred thousand

dollars",

she

murmured

agarn, not

taking her eyes

offthe money.

'A

hundred

thou-

sand dollars!"

Sydney

frowned

at the

stacla of

money.

"This

is really

weird, to

say

the

least. What do

you

think it was doing

in the Dumpster?"

she re-

peated.

"'Who

cares?" Emma

glanced

around

the alley. Then

she

quickly

be-

gan

to

stuff

the money

back into the bag.

'\

b'd better hide

it

before

anybody

sees

us with it".

"You're.right", SydpeV

agreed.

!'Do

you

think it's from

a bank rob-

bery

or

something?"

Emma

shrugged.

"Maybe

the

potce

will know"..

Sydney closed

the

zipper

and laughed.

" I

can't wait

to see the expression

on

their faces

when we hand

it to

them" .

(3)

"Are

you

serious?"

Emma asked.

"You

really want

to hand

all this

money

over to the

police?"

"Sure. I mean, what

else can we do?"

Emma

leaned

close, hbr blue eyqs

blazing with

excitement.

"Keep

it!" she

whispered.

Sydney

stared

at her friend. "You're

kidding,

right?"

She waited

ior

Emma

to laugh, to

tell her she was

joking.

But Emma

didn't even

crack

a

smile.

She

isn't kidding,

Sydney thought.

She really means

it.

"Think

about it, Syd!"

Emma urged.

"\[b

can split it

-

fiftythousand

dollars

each!

I could

pay

for Mom's

operation!

We could finally

get

our

roof

fxed

and buy a new

-"

"Whoa!" Sydney

cur het of.

"How

would

you

explain to

your

mother

where

you

suddenly

got

fifty

thousand dollars?"

"I'd

tell herthe

truth", Emma

declared.

"Mom

wouldn't

care.

Why

"

should

she?"

"Because

..." Sydney

paused,

shaking

her head. She

couldn't

believe

Emma

actually

wanted

to do this. "Look,

I don't want

to

sound like

a

goody-goody.

But,

Emma,

it's not ours!"

(4)

"Sure

it is!"

Emma

cried.

"It

was

buried under a

pile

of

garbage

inside

a Dumpster

-

and

we

found it.

Finders, keepers.

Right?

Come

42

on,

Sydney!

Anybody

else would

keep

it. Why shouldn't

we?

You know

what

else I

could

do

with this

money?

I could

go

to

college.

I wouldn't

have

to

worry

about

getting

that

scholarship

anymore-

And

I could

buy

some

decent

clothes!"

Sydney's

eyes

widened

in surprise. "'What's

the

matter

with

your

clothes?"

"I wear

the

same

things

every

day",

Emma

sighed.

"It's ernbarrass-

ing.

But

you

wouldn,t

know

about

that. You

don't

understand

what

it's

like

to be

really

poor.

what

it's

like to

want something

you

can't

have.

But

I do.

And

I'm

telling

you,

we've

got

to

keep this

money!'

wrong

about

one

thing",

she

murmured. "I

do

know

what itls

like

to

wantihings

I can't

have. My

parents

don't

give

me

everything

I want,

you

know".

'Oh?

Didn't

you

want

a car

for

your

birthdaY?"

Emma

asked' "And

didn't

th

"Yes.

anceonit",

Sydneypointedout'

"Mom

and

Dad

iled,

and they

keep

me on

a ieally

tight

budget.

There

are

plenty

ofthings

I'

money"'

,

;So

let's

keep

it!"

Emma

cried.

"

bY

R.

L.

Stine)

3aranus

l-5.

Bu1epume

eapuaHm

omeema,

coomee.mcmeynuuil

codep'

JrcaHun

meKcma.

1. The

author

hints

that

A.

the

cash

in the

bag belonged

to

mafia;

B. the

origin

ofthe

girls'

find

was unknown;

C. the

banknotes

were

not

all there.

2.

Theauthor

imPlies

that

.d

the

two

frieirds

were totally

alike;

B. despite

their

contrasting

social

status

the

girls

were

soul

mates;

C. theie

wefe

more

differences

than

similarities

between

the

girls.

3.

The readers

can

conclude

that

Emma

was

the

more

life-wise

of the

two because

of

her

A. adverse

past

exPerience;

B.

harsh

life;

C. controversial

PersonalitY.

43

4.

Sydney

was

appalled

by

the

offer

to

keep

the

money

as

,d she was

cowardly;

B.

she

didn't

need

it

at

all;

C.

she was

basically

honest

and

law_abiding.

5.Its

A

B.

C.

with

Emma;

Sallnws6-8.

Qnpedettume

sHoqeflIte yKesaHHoeo

ettoea

0 me*cme.

6,

urge

(3)

A.

ask;

7.

decent

(41

A.

honest;

E. resent

(5)

A,

dislike;

B.

encourage;

B. respectable;

B.

offend;

B.

separate;

B.

cease;

C.

offer.

C. fashionable.

C.

despise.

C.

offer.

C.

interrupt.

C.lower.

3agaxm

9-l

t.

onpedenume

sHaveHue

yKagaHHoeo

epaeoeoeo

zltaeona

I

meKcme.

9.

hand

smth

to

smb

(2)

A.

admire;

B.

give;

10,

cut

smb of

A)

A,

remove;

ll.putsmb

down

(Sl

A"

humiliate;

3a'qaHufl

12*14,

Buflepume

npaewwuttt

sapuaHm

nepeeoda

I

coom-

€emcmsuu

c

coilepwanuer4

meKcmo.

12'

Emma

leaned

close,

her

blue

eyes

blazingwifh

excitemenr.

(3)

A.

C

rony6u*vr

ura3a*r..

cBepKr

B'utrMr,r

or BoJrHeHila,

guua

Ha_

KJtoHulacb

6auxe.

B. Orrlrraa

Hawro*un&cn

6ruxe

c ee

rory6u

M,

ura3a^u,

ropgrll'Mr{

OT

BOTHEHI,Ig,

c'

9uua

HaKiloHurI

eb druxe,

u

eE

rory'rte

Dra3a

3acBepK'Jr.r

or

BOIHEHI,Iq.

13,

Inok,

I

don't

want

to

sound

like a

goody_goody.

(3)

A.

flocnyurailt,

x

ug

xovy

[oKa3arbcq

crr,ru

B.

flocnyruailt,

nuexoqy

noKa3arbcs

fiptrM

nr

C.

floc;ryruait,

s,

uexoqy

floKasarbcfl

cJrtrlu

nt.

44

14. Mom

and

Dad

don't

want me to

get

spoiled, and

they keep me on

a

really tight

budget,

(5)

A. Marrla u flaila He xortr

noprurb

v.eHs,

v oFpaHnqr.IBaro:r nrortr

6rcAxer.

B.

Marrla

wilaila

He

xortr 6arosarr MeHflu He

AarcT

MHe cJIr4rIrKoM

MHOIO

AEHEI:

C. Maua vilaila

He xorsr rroprr{Tb MeHt

I.{ orpaH[rruBarcr

uou

$n-

HAHCOBbIE BO3MO)KHOCTI,I.

Text 6

llpovuraftre

reKcr

rr BbrnoJrn[Te

[ocJrereKcroBbre

sa,(aHIIr.

(1)

The wise

old

hunter

was

crufiy

enough not to take

her

on

all

by

itself. It

lifted

its snout and howled

in

a chilling

tone

that

sounded like

Mom

calling the

kids

to

dinner. When it was answered

by excited

yip-

ping,

Buffy

bounded

to her

feet

and

looked

for

an

escape route.

There

was

none.

[n

every

direction, all

she

saw

were wild-eyed,

snarling

coy-

otes

charging

toward her!

Buffy crouched

in

the

graveyard.

She

saw

a

shadow

rnove

on

her.right,

and she spun

her left foot

just

in

time

to catch

the

pack

loadprbefore it could

reach herthroat. She

kicked

the

old

coy-

ote a

dozen feet

into the

bushes,

then

she

leaped skyward

as

two more

coyotes

crashed

under her feet. tanding

on

top

ofthe dazed

beasts,

the

Slayer

pounded

their

jaws

shut with

flying fists.

She looked around

-

still

more were coming

from every

direction.

They were

all

slashing

teeth

and

smelly

hair!

(2)

Buffy

did a cartwheel, kicking

two

of

the coyotes,

and

she

twirled

like

a

hula

hoop

down

the

hill

-

straight

into the mysterious

grave.

She

crashed

in a

heap

on top

of

the

wilted

flowers,

and

the

coyotes

howled

with

indignation. Their

anguished

cries brought

her

quickly

back

to

her

senses,

and

she

staggered

to her

feet.

With no other options

and coyotes

bearing

down on

her,

Buffy

started

to

run. Two

feet

weren't

as

good

as

four,

and

the

pack

of

predators

was closing

in fast, snapping at

her

heels

and calves.

In

desperation,

Buffy loaped

ten feet

into

the

air

and

landed

on top of one of

the old

mausoleums.

She weaved back

and

forth, trying

to

get

her

footing on the slippery

marble

roof

-

it

was raked

at an

angle

like the

roof on a real

house.

(3)

Coyotes

could

jump,

too, and several of

them

came hurtling

toward her.

Buffy lashed out

with

her

fists at

the

beasts, but

they

were

wiry

and

quick

-

and

hard to hit. She didn't dare

use

her feet, because

she didn't

want to lose her balance and tumble offher

perch.

Since she

couldn't land a

full

punch,

she hit the

coyotes

just

hard enough

to knock

45

them

offcourse

and

send them

spiraling

to the

ground.

When they start-

ed leaping

at her from

all four sides at once,

Bufff was forced

to whirl

around

and kick with her feet. Twice

she

nearly fell

into their deadly

jaws,

but she

caught

her balance at the last

moment. The,excitement

of

the hunt drove them into afren4t, and they

yipped

and

yapped

as if

Buffo

were a cat caught

in

a tree. From a distance,

it's entertaining to

watch

this behavior;

but when

you're

the

prey,

it's no fun at all!

(4)

With her lightning

reflexes, Buffy

was

able

to defend the

roof

of

the mausoleum, but she never

got

a moment's

rest

from

the enraged

canines. Buffy

quickly

realized that a

persistent

attack would wear

her

down.There were enough attackers that some could take breathers,

while

she had to hght desperately every second. Her coordination and

strength

couldn't

hold

out

forever! From her

precarious perch,

Bufff spotted an-

other

mausoleum

two hundred feet away; she

knew it well, and hated it.

Inside that dreaded mausoleum was a secret

passageway

which led

un-

derground to

a

vampire

lair. Who knows what's

waiting there? With her

feet slipping offthe cold marble and her arms

getting

heavy

from smash-

ing at teeth and snouts, Buffy knew she had to do something

faSt.

She

dropped into a crouch, sprang fonvard, and leaped as far as she could off

the

roof ofthe

mausoleum.

(5)

She cleared the first ring ofcoyotes and landed next

to one

that

was taking

a

rest. Instinctively, she

grabbed

the surprised canine by

its

bushy tail, swung him

around, and threw

him into the others. That

slowed their

pursuit

by a second or two,

which was all she wanted. Run-

ning all out, Buffy

tore through the cemetery

with the

pack

nipping

at

her heels. She could

see hergoal, the old

mausoleum, shimmering inthe

fog..But would

she make it? Sensing that she might

escape, the coyotes

made frantic leaps

and landed on her back. Buffu sturnbled

and nearly

went

down under their wiry limbs

and

sharp claws, but she tossed them

off like an

ugly

coat

and ducked inside the tomb.

Fighting

back

half

a

dozen snarling coyotes,

Buffll leaned against the

heavy marble door.

(From

Buffy the

Vampire

Slayerby

JohnVorholt)

3aAaH[q l-5.

Bodepume sapuaHm omeema, coomeemcmeyrcquil codep-

JtcaHurc

merccma.

1. By laying the

scene in the

graveyard

the author creates

A. a carefree

and merry atmosphere;

B.

a mysterious

and sinister atmosphere;

C.

a kind and

ioncerned atmosphere.

2. The description

of Buffy's lrght with the coyotes suggests that

A. Buffo

was no ordinary

girl;

B..Bufff was

sure to lose sooner or later;

C. Bufff

would rather

run away.

46

3.

The

author

hints

that

the

Pack

--

.t

*u.

cietermined

to

teai

Buffyto

pieces;

B.

would

be

glad

to

get

any

other

prey;

C.

was

just

having

a

lot

of

canine

fun'

4. By

calling

the

girl

the

Slayer

the

author

implies

that

:

.1.

it Was-just

lier

curious

nickname;

B.

she

had

an

unusual

character;

C.

she

was

A

young

lady

with

unique

talents'

5.

er

mausoleum

as

C.

the

place

didn't

seem

safe

enough'

3a,qanuq

6-8.

Onpedettume

3HoveHue

yrca3aHHoeo

un64

I meKcma

6.

uafly

(l)

A.

canine;

7.

afrenry

(3)

A.

mbnia;

8.

apursuit

(5)

A.

a

pastime;

B.

cunning;

B.

madness;

B.

a

race;

B.

punish;

B.

hit;

B.

defeat;

C.

designing.

C.

insanity.

C.

a chase.

C.

come

near.

C.

accePt.

C.

reduce.

3alartns

9-11.

Onpeileaume

sHaqeHue

ytcasaHHoeo

fipaooeoeo

eramra

6

me$cme.

9.

bear

down

on

(2\

A.

circle;

10.

take

smh

on

(l\

A.

challenge;

ll.w4ar

smh

ilown

(4't

A.

tire;

3a,qaHllfl

12-'14.

Btdepume

npaeunauwit

snpuaHm

nepeeoda

e

codm-

semcmeult

c codeptrcanueM

melccma''

C.

3a6asHo

cMo'rperb

Ha

TaKoe

noBeAeHue

I'I3AuIneKa'

Ho

ecJII't

rbl

caM

-

4o6rrra,

To

ryr

yx

He

Ao

ctrlexa! ,

47

13. Her coordination

and strength couldn't

hold out forever!

(4)'

A.

Ee sna,(eHr4e

cBor,rM

TeJroM vrc:'urrrapaHo

vnu [o3AHo uccaruyr!

B.

Ee

sra4eHlre

cBor,rM renoy

vr cura He [poArsrcs

Aorro!

C. Ee roop.qvna:1:ae,vtcura-

9ro xopouo, Ho BceMy ecrr npe4el!

14. But would she make

it?

(5)

A. Ho cMoxer Jul

oHa ryAa

Ao6parrcz?

B.

Ho cAenaer ru

oHa ero?

C. Ho

AocrlrrHer

nu

ona eroro?

Text 7

Ilpovnraftre

reKcr rr BbrrloJrHrrre

[ocreTeKcroBhre

saAaHr.lfl .

(1)

It had snowed

all of Friday

night, a fresh white

covering for the

graying

snow already on

the

ground.

Heather

parked

the car at the

curb

and crossed the

street

to'the

park,

her

boots sinking

in

over her ankles,

making a

pleasant

crunching

sound

with each step. The air smelled

clean

and crisp and

piney.

Someone

must have had

a wood

fire

burning nearby.

Heather inhaled

the sweet,

tang) aroma

and smiled. Swan Park began

on

a

gently

sloping

hill, which

leveled into

a wide, sweeping

plateau

with

woods on the

left and

a small, oval-shaped

lake on the right.

Six or eight

swans lived

on the lake

in the

summer, which may have been

the rea-

son behind the

park's

name.

The swans weren't

there in the wintertime.

Heather

had always

wondered

where they went.

(2)

She started

up the low

hill, which

seemed much steeper because

of the deep, slippery

snow

There was no

wind at all. Nothing moved.

Heather suddenly

felt

as if she were

in a

painting

of

some kind,

a

painting

ofwhite on

white, everything

clean and

pure,

and unreal.

"Hey

-

Heather!"

She looked

up to see Snowman waving to

her

from

the top

of the hill. "Come

on up. Isn't this

great?"

he

called, kick-

ing

at the

snow.

He lools like

a long, skinny

colt, she thought.

A colt

with a long

mane

ofwhite hair.

She started to

jog

up the hill, slipping

and

sliding, but making

steady

progress.

He

took both her hands

when she

neared

the top and

pulled

her

the rest of

the way, both of them

slipping

in

a drift that

came

up to the top

of their boots.

"So

much

snow",

he said as Heather

struggled to

catch her breath.

"I'm

just

glad

of one thing.

Glad I

don't haveio shovel it!"

They

both laughed.

His

dark eyes sparkled like

black coals against

the bright

white

surroundings.

Like

snowman eyes, she thought.

"Hey,

this was

a

great

idea,

coming

here today I

would've

just

stayed home

and

moped aroundthe

house" ,

.

(3)

He

let

go

ofher hands

and

started walking toward

the

woods,

the

dark trees all'bare

except

for

the covering

of snow on their

branches.

48

the

way

to

the

woods

.i$/hat,s

that

supposed

to

mean?"

she

asked,

pttzzled, hurrying

to

catch

upwith

him.

i+lif"

didn't

reply.

"Hey,

let's

build a

snowman?',

she

said,

clapping

trer

gioves

together,

watchift

her

white,

steamy

breathsail

up

against

the

blue-sky.

"I

havbn't

built

a

snowman

since

I was

a

kid"'

"Okay.

Great

idea",

he

said,

grinning

back

at

her

:uKay.

\Jfgat

ruE4

,

lls

J4rsr

brurrurr6

,,f

remember

once

I built

a

snowman

in

the

front

yard

and

put

one

of

Uncle

James,s

old

hats

on

it.

when

he

came

home,

he

was

furious.

He

pu"irt

ro

me

for

ruinrng

his

hat.

can

you

believe

that?

And

I

knew

he

hadn't

worn

the

hat

in

Years".

"He's

a

bad

dude;',

Snowman

said,

shaking

his

head'

He

had

a

long

red

wool

scarfwrapped

around

his

neck

outside

his overcoat.

-

,iwh.r"

are

we

going?" Heather

asked,

realizing

they

were

entering

the

woods.

'---,,Just

keep

going",

he

said,

ducking

his

head

to

avoid

walking

into

a

low

tree

branch.

^-

:,g"t

*.

can,t

build

a

snowman

in

the

woods",

she

protested.

"Come

on-turnaround.Let'sbuilditdownthere,closertothelake',.

"I

know

a secret

place", he

said

quietly'

(From

Snowman

bY

R' L'

Stine)

3a'qannql_5.Bw6epumehapuaHmom7ema'coomSemcmeytoyluilcodep.

'

tcaHutu

meKcma.

1.

The

city

park

had

its

name

thanls

to

A.

some

plant

sPecies

iYPicat

of

it;

B. an

ancient

legend;

C.

some

sPecies

inhabiting

it.

2.Heather

and

Snowman

tredted

each

other

.

A.

in

a

friendlY

manner;.

B.

like

two

business

colleagues;

:

C.

like

two

strangers'

3.

In

Paragraph

3,

the

description

of the

park

tresembles

'

A,

a

book

illustration;

B.

a

Christmas

Postcard;

C.

an

old

engraving.

49

4.

In

Paragraph

4,

the

author

impries

that

Heather's

childhood

was

A.

ordinary;

B.

idyllic;

C. far

from

happy.

5.

That

day

the

girl

felt

A.

ill

at

ease;

B.

happy

and

carefree;

C. alert

and

watchful.

3alarur

6-8.

Onpedutume

suaqeHue yrcheannoeo

clroea

I

meKcme-

6.

inhale

(l'y

A.

swallow;

7.

tangy

(l)

A.

sharp;

8. ruin

(4)

A.

spoil;

B.

smell;

B.

sour;

B.

disfigure;

3anannr

9-lr.

onpedanume

sHaqeHue

yrcasaHHoeo

fipasoeoeo

?taeoJra

I

.

merccme.

9.

mope

aruund

(2)

A.

be

bored;

B.

sulk;

l0.letgo

of

smth

(3)

A.

give

up;

B.

forget;

ll.

catch

ap

Q>

A.

keep

pace

with;

.

B.

seize;

1'

3aralrnr

12-14.

Bw1epume

npaeuainwit

eapuaHm

nepeeooa

e coom-

eemcmeuu

c

codeprcanueil

meKcma.

12.

It

had

snowed

a[

of

Friday

night,

a

fresh

white

covering

for

the

gray-

ing

snow

already

on

the

ground.

(l)

,4"'Bcto

Hoqb

c

nrrHr{uhr

na

cy66ory

uen

cHeB

1a

cBe)6ge

6eloe

[oKpbrBarro

cKphlfio

ceprui

cHer

Ha

3eMlre.

B.

Bcro

Horrb

c nflrHlrrlbr

ua cy66ory

MeJro,

lr

caexuft

Oenuft

cner

cKpbtrr geprrfi

Ha

3eMrre.

C.

IIIeI

cHer

B

Hoqb

c

nrrHlrrlbr

crapxft

cepuft

cHer

Ha

3eMtre.

50

na

cy66ory,

3aMacKr,rpoB

asumfr

5l

C.

breathe

in.

C.

bitter.

C. destroy.

C. worry.

C. stop

holding

on.

C.

fasten.

13.

Heather had a-Fvays wondered

where they went.

(l)

A.

Xesep BcerAa cnpaur,rBztla ce6r, KyAa

oHLr

AeBiIJrHcb.

B. Xesep BcerAa

6ruto nnrepecHo, KyAa oHlr

AeBalrr{cb.

C. Xesep

BcetAa 6uuro unrepecHo, rAe

oHr,r

3rlMoBulrru.

14. His dark

eyes sparkled

like black

coals

against

the bright

white

sur-

roundings.

(2)

A.

Ero

reMHbIe rna3a cpepK€urr{ KaK

qepHbre

yronbKr,r

na rpxo-6e-

.rroru

@oue.

B. Ero reusble rJra3a

cBepKiurr4 KaK

rrepHbre

yronbKr,r

na

@one

xpro-

6eroro

cHera.

C. Ero reuubre rJra3a

no6necrclsanh rar vepHue

yronbKl{

Ha.spKo-

6eaou

Qone.

Text I

Ilpo.urrafrre

reKcr rr BhrrroJrHrrre rroc.[ereKcmssre

saAaril.r

(

l) At the start-of-term

banquet,

Harry had

gotten

the

idea that Pro-

fessor

Snape disliked him. Bythe end ofthe

first Potions lesson, he knew

he'd

been wrong. Snape didn't dislike Harry

-

he hated him. Potions

lessons took

place

down in one of the dungeons.

[t was colder

here

than

up in the main

castle, and would

have

been

quite

creepy enough without

the

pickled

animals floating

in

glass

jars

all around the

walls.

(2)

Snape started

the class by

taking the roll call,

pausing

at Harryls

name.

"Ah,

yes",

he said softly,

1'114*

Potter.

Our new

-

celebrity".

Draco Malfoy

and his friends Crabbe

and Goyle

sniggered behind

their

hands. Snape finished

calling

the names and

looked up at the class.

His eyes

were

black

like Hagrid's, but

they had none of

Hagrid's warmth.

They

were cold and empty and made

you

think

of dark tunnels.

"You

are

here

to learn the szbrle science

and

exact

art ofpotion-mak-

ing",

he began. He

spoke

in

barely

more than a

whisper,

but

they caught

every word

-

Snape had the

gift

of

keeping a class silent without

effort.

"As

theie is little

foolish wand-waving

here, many

ofyori will hardly be-

lieve

this is magic. I don't expect

you

will really

understand the

beauty

of

the softly simmering cauldron with its shimmering

fumes, the delicate

power

of liquids that creep

lhrough

human veins, bewitching

the

mind,

ensnaring the

senses. ... I can teach

you

how to bottle

fame, brew

glory

even stopper death- ifyou aren't as big a bunch

ofdunderheads as I

usually have to

teach".

More silence followed

this

little speech.

Harry and

Ron exchanged

looks

with

raised

eyebrows. Hermione Granger

was

on

the edge of her seat

and looked desperate to start

proving

that

she

wasn't a dunderhead.

(3)

"Potter!"

said Snape

suddenly.

"What would I

get

if I added

pow-

dered

root of

asphodel to an

infusion of

wormwood?"

Powdered root of

what to

an

infusion of

what? Harry

glanced

at Ron,

who looked as stumped as

he was;

Herrnione's hand had shot into

the air.

'(I

don't know, sir",

said

Harry.

Snape's lips curled

into a sneer.

ooFame

cleaily isn't everything". He

ignored

Hermione's

hand.

"Let's

try

again. Potter,

where would

you

look if I told

you

to find me

abezoar?"

.Hermione

sttetched

her hand as

high into the air as it

would

go

with-

out her loaving

her seat, but

Harry didn't have the faintest idea what a

bezoar

was.

He tried not

to look at Malfoy, Crabbe, and Goyle, who

were

shaking

with laughter.

o'I

don't know, sir".

"Thought

you

wouldn't open

a book before coming, eh, Potter?"

Harry

forced himself

to keep

looking

straight

into

those cold eyes.

He had looked through

his books but

did

Snape

expect him to remember

evErything it0ne

Thousand

Magical Herbs and Fungi?

(4)

Snape #'dJ still

taking no nolice

ofHermiono's

quivering

hand.

o'What

is the difference;

Pottor, between monkshood and wolfs-

bane?"

At this, Hermione

stood up,

her hand stretching

toward the dungeon

ceiling.

"I

don't

know", said

Harry

quietly.

"I think Hermione

does, though,

why don't

you

try

her?"

A few

people

laughed; Harry caught Seamus's eye, and

Seamus

winked. Snape, however,

was not

pleased.

o'Sit

down",

he snnpped af

Hermione.

(From

Harry

Potter snd the Sarcerer's Stoneby

J. K. Rowling)

3a,qanuc l-5, Bwdepume lapuaHm

omeema,

coomsemcmeyn4uil coilep-

JtcaHuta meKcma.

1.

The author

implies that Professor

Snape detested

Harry

A. because

of the boy's

unpleasant nature;

B.

for no

obvious

reason;

C. out of

habit.

2.

Professor Snape's speech

about the science he was

teaching charac-

terizes him as

A. boastful and arrogant;

B.

dedicated

and

professional;

C. disillusioned and bitter.

52

6. ueepy

(ll

A. dark;

7. subtle

(21

A.

complicated;

8.

bewitch

(2';

A. charm;

3.

In Paragraph 3, the sentenoe

"Fame

clearly

isnlt

everything"

sounds

A. envious and mean;

B. encouraglng and fiiendly;

C. sarcastic

and mocking.

4.The readefs can come to the conclusion that

Hermione

A acted

like

a

real

show-off;

B. was a know-all;

C. tried

to

give

Harry a helping hand.

5. In the teacher-pupil confrontation

the boy managed

to retain

his

A. dignity;

B. sense of hurnour;

C.

imagination.

Sa,qannc

6-8, Onpedenume

gHarteHne

yaagdHHoeo

cro6a

6 mencme,

B. frightening;

B. indefinite;

B. attract;

3a,qartng 9-ll.

Onpedenume sHaaeHue

yK,dsdHHoza

Qpasoeoeo

endeona

s

meKcme.

9.look

through

(3)

A. oversee; B.learn;

10. take no notice of

(4)

A.pay no attention; B. dislike;

li, snap at

(4)

A.

growl;

B" shout;

SaAaHrrs

12-14. Bwdepume npaeumnwil

sapuaflm

nepeeoda

e coom'

6emcm6uu c codepucauuetil

tflerccrna.

12. Snape didn't

dislike

Harry

-

he hated

him.

(1)

A. Cnefin He npocTo Hemnro6ux lhppH

-

oH

eto Bo3HeHaBuAeJI.

B. Iappu

Bbl3brBzur

y

Cnefina

He npocro

He no6oBb,

a HeHaBtlctb.

C.

gyBcroo,

KoTopoe CHefin ilcrrblTbrBaJr

r

lapptr, 6rmo

He npocTo

Henpu.f, 3H6ro, a HeHaBr4cTbIo.

C. cheerful,

C.

practical.

C.

enchant.

C. examine.

C. despise.

-C.

hiss.

53

13.

As

there

is

little

foolish

wand-waving

here,

many

of

you

will

hardly

believe

this

is

magic.

(2)

a rlocrolrKy

BaM

He npr.{Aercr

3Aecb

rnyfio

Mzxarb

sorure6HlrMr,r

nzIJIo'lrKaMu,

JII,IIITb

HeMHonre

I{3

Bac

noBeptr

B

9To

BoJIIIIe6cruo.

B. flocxo*Ky

BaM

He npr4Aercr

3Aecb

ryno

Maxarb

BoJrrle6urruu

ua-

JIOqKaMU,

JII{rrIb

HeMHOtr{e

I,I3 BaC

rloBeptq

C. flocxolrKy

BaM

He

npulerc.s

3Aecr

6esryrvr

MI'I [anorrKzrMvl,

Ifi4r'lb

HeMHOTI,Ie

ugB,ac

norinayr,

qro

9To

MAIlyM.

14.

Harry

forced

himself

to ke

into

those

cold

eyes.

(3)

A.

lappu

nrrHygu.n

ce6x

q)erb

B

"r,

*orroArrura

TJIA3A.

Fappu

3acraBr,rJr

ce6.s

rrsAerb

flprMo

B

grr,r

xonoAHbre

rJrzt:la.

Iappn

yroBopr,rn

ce6r

npogolxarb

cMorperb

B

orr,r

xonoAHbre

fjla3a.

B.

c.

Text

g

Ilpowrraftre

TeKcr

rr

BbmoJrrr[Te

nocJrereKcroBble

gaAaHnr.

54

leaving the door

open, of course,

because she knew that it is very foolish

to shut oneself into a wardrobe.

(3)

Soon she

went

further in

and found that there

was

a secbnd

row of

coats hanging up

behind the first one.

It

was

almost

quite

dark

in

there

and she kept her arms stretched

out in front

of

her

so

as not to bumpher

face into the back'of the wardrobe.

She

took

a step fuither

in

-

then

two

or three steps

-

always expecting

to feel woodwork

against

the

tips of

her'fingers. But

she could not feel

it.

"This

must be a simply enormous

wardrobe!"

thought Lucy,

going

still further in and

pushing

the soft folds

of the coats aside to make

room for her. Then

she

noticed that

there

Was

something crunching under her

feet.

"I

wonder is that more mothballs?l'

she thought, stooping down

to feel it with her hand. But instead

of

feel-

ing the hard

wood of the floor of

the wardrobe, she felt something soft

and

powdery

and

extremely

cold.

"This

is very

queer",

she

said, and

went

on a step

or two further.

(4)

she found

that what was rubbing against

her

face

and hands

was no longer soft

fur but something hard and rough and even

prickly.

"Why,

it

is

just

like

branches of trees!"

exclaimed Lucy.

And

then

she

saw

that there was a light

ahead of her; not a

few inches away where

the back of the wardrobe ought

to have been, but a

long way off.

Some-

thing cold and soft was falling

on her. A moment

later

she found

that

she

was standing in

the middle

of a

wood

at

night-time with snow

under her

feet and

snowflakes falling

through the air.

,

'

(5)

Lucy felt

a little

frightened,

but

she

feltvery inquisirtye and excited

as well.

She

looked

back over her shoulder

and there,

between the

dark

tree-trunks she could

still see the open doorway ofthe wardrobe

and

even

could catch a

glimpse

of the empty room from which she

had

set out.lt

seemed

to be

still

daylight there.

She began to

walk forward through the

wood towards the

other

light.

In about.ten minutes she

reached it

and

found it

was a lamp-post. As

she stood looking at

it wondering why there

was a lamp-post in

the middle of a wood, she heard a

pitter-patter

of feet

coming towards

her. And

soon after

that a very strange

person

stepped

out from among

the trees into the light of the lamp-post,

(From,The

Chronicles of Narnia by

C.9. Irwis)

3a,qannr

l-5.

Bw6epume

eapuaHm omeema, coomeemcmeytot4uil codep-

ilcaHun metcctna.

l. The author

implies that Lucy was

A. curious

and im4ginative;

B. idle

and

passive;

C. interfering

and nosy.

55

2.

Lucy continued

examining the wardrobe

because

she

A. was looking for

another way

out;

B. wantedto

choose

a fur coat for herself;

C.

was

fond of fur

coats.

3" In

Paragraph 3, the

sentence

"But

instead

offeeling the hard

wood

of

the floor

of the wardrobe,

she felt something

soft and

powdery

and

extremely

cold" implies

that

Lucy felt

A.

indifferent;

B.

shocked;

C.pvzzled.

4.

While exploring

the forest tucy was

trying

A- to

prolong

hei

unusual experience;

B. to

calm down;

C. to find a

good

reason

to return.

5. When

Lucy reached

the lamp-post, she heard

somebody

A. driving

by;

B.

running along;

C.

limping

nearby.

Salarnrr

6-8. Onpedatume

sHaqeHue

y,casau*oeo

cntona

e merccmb.

a.woinwiitelzy

A. valuable;

7.

enormous

(3)

A. immense;

f. inquisirtve

(5'1

.

A. interesting;

3aaalrnr

9-11. Onpederurne sHaqeHue

yrcasannoeo

Qpaeoeo?o

enaeona 6

merccme.

9. stay behind

(2)

A.

lag behind;

10. bump

into

(3)

A. encounter;

ll.

set oat

(5\

A.

go;

B. important;

B. tiny;

B. catching;

B. drop behind;

B.

face;

B. settle;

C. rewarding.

C.

stretched.

C. curious.

C.leave.

C.

crush into.

C.

depart.

56

3a,qanus

12-14.

Bw1epume

npaeunonwil

sapuaHm

nepeaoda

I coom-

eemcmeuu

c

codepctcanuett

mevcma.

12.

There

was nothing

Lucy liked

so much as

the smelt

and

feel of fur.

(2)

A.

He 6turo

nu'Iero,

uro 6rt

Hpauurocn

JIPcI{

TaK

xe'

KaK 3anax

}r

IIYBCTBO

MEXA.

B.

Eomure

Bcero

Ha

csere JIrccu

HpaBl,ucc

3ana(

u ouyuleHue

I[le>(a.

C.

Hu,{ro

He

HpaBl,Inocr

Jlrocu

raK xe cI{JIbHo,

KaK 3anax

u

upIa-

KOCHOBeHI'ie

MeXa

K

KOXe.

13.

But

instead

of feeling

the

hard wood of

the

floor

of the

wardrobe,

she

felt

something

soft

and

powdery

and

extremely

cold.

(3)

A.

Ho BMecro

olqy[IeHl,Ifl

TBepAono

AepeB.f,HHono

rIoJIa

noA

Hora:

MI,I, OHa

noqyBcTBoBana

HerITo MgrKoe'

Bo3AylrrHoe

u orreHb

xo-

noAHoe.

B. Ho

BMecro

roro

qyBcrBa

AepeB.aHHoro

[oJIa

rIoA

HoraM[,

oHa

olqyruna

Her{To

MqrKoe,

BG.qyIIIHOe

14 OqeHb

XoJIOAHOe.

C.

Ho BMecro

rofo,

vto6st

ouyrl,trb

rBep4ltfi

noJI

noA

HoraMI'I'

oHa

ouyrI,IJIa

r{TO-TO

MtrKOe,

pbIXJIOe

tr

y)KacHo

xonoAHoe.

14.

In aboutten

minutes

she

reached

it and

found

itwas

a

lamp-post.

(5)

A Munyr

qep€

Aecsrb

oua

noAoIrIJIa

K

HeMy

n o6napyxltrta'

qro

sro

Qonapnuft

crol6.

B. fae-ro

qepes

Aectrb

MLIHyT oHa

Aorsnynacb

Ao

Hero u

o6napy-

>Krlra,

qro

9To

Qouapr.

C.

lae-ro

qepe3

Aecsrb

MI,IHyr oHa

noAoluna

K

HeMy

u o6naplu<n-

Jra,

qro

ero

6rut cner

Qonapnoro

crol6a,

,

Text

1 O

Ilponrrafire

reKcr

It BhrnoJIHIrre

troclerqKcroBbre

3a'qau[t.

(1)

It made

Peter

quite

helpless.

ttre

could

only

stare,

honified.

prary

child

is affected

thus

the first

time he

is treated

unfairly.

After

you

have

been

unfair

to him

he

will love

you

again,

but

he

will

never

afterwards

be

quite

the same

boy.

No one

no

one

except

Peter.

He

often

met it,

he met

it

now

it was like

the first

time

.

TWice

the iron

hand

clawed

him.

A few minutes

afterwards

the

other

boys

saw

Hook

in the

water striking

wildly

for the

ship;

no

elation

on

his

face

now

only

white fear,

for the

crocodile

was in

doggedpursuir

of

him. On

ordi-

nary occasions

the boys

would

have

swum

alongside

cheering;

but

now

57

Маслов Ю.В., Маслова М.Е., Якименко Е.В. Текстовый тренажер по английскому языку. Готовимся к централизованному тестированию

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