From this point on, Froude’s epic becomes a stage for the interaction
of three main actors, who are destined to save England and forge Britain:
first, an old, reactionary clerical order which is impotent and dying; second,
a problematically virile king, who is determined to do his political duty; and
finally, a spiritually aroused elect, recruited from the ranks of the people,
who are trying to convince the King to lead them in the godly direction they
have divined on their own. In a manner strikingly different from that of
Macaulay, Froude traces the shifting relationship between these actors in
gendered metaphors. The old Church is depicted as impotent and effemi-
nate, personified in the cold, barren figure of Catherine of Aragon, or the
Nun of Kent, who is fraudulent, hysterical, and out of control. Yet after
these easy targets have been removed, the Catholic Church reveals its
hidden strengths: it is an institutionally entrenched (but morally degener-
ate) male clerical establishment, which wages a slow guerilla war against the
triumph of the new faith. Cardinals Reginald Pole and David Beton person-
ify these intransigent clerics. Connected by birth to the old Catholic aris-
tocracies, they are powerful and dangerous masters of dissembling and
intrigue. Incapable of any genuine fecundity, they devote their formidable
skills to destroying the Protestant reformers’ creative energies.
21
To find the taproots of this new, irrepressible Protestant spirit, Froude
must descend into the ranks of the people, where he finds “ a little band
of enthusiasts, armed only with truth and fearlessness.” Empowered wi th
these feeble weapons, they rise up to challenge two estates of gentlemen
and a millennium of orthodoxy.
No common daring was required in those who would stand out at such a time in
defence of such a cause. The bishops might seize them on mere suspicion ...Every
officer from the lord chancellor to the parish constable was sworn to seek them out
and destroy them ... hunted like wild beasts from hiding-place to hiding place;
decimated by the stake ... beset by informers, imprisoned, racked, and
scourged ... earning for themselves martyrdom, for us, the free England in
which we live and breathe.
22
Macaulay, the liberal, dismissed such people as “austere fanatics,” but
the conservative Froude does not see them in this light. Their lowly origins
and extremism are redeemed by their undaunted courage in the face of
very long odds. This is no longer the masculinity of the self-restraining
centrist, but that of the self-certain militant, who is willing to wager body
and soul on the chanc e that he is the harbinger of the future and the
21
FHE, II: 123–247. For Catherine of Aragon, see I: 106, 146–62, 339–41, 398–413, 454–85,
II: 161–80, 478–81; for the Nun of Kent, see I: 317, 317–36, 403, II: 165–219; for Pole, see
III: 23–57, 189–208, 227–32, IV: 541–57; for Beton, see IV: 21, 50, 202–47, 305–21, 470–9.
22
FHE, II: 1–115, quote on 37–8.
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