The Consumer in Context 67
failed to bring about the consequence we believed it had the power
to influence. This trait, known as confirmation bias, also enables
us to ignore our own apparently contradictory behavior. We can
chastise a child for swearing and ignore the fact that, when we
struck our thumb with a hammer earlier in the day, we used
exactly the same language ourselves. Usually, no one is paying suf-
ficient attention to point out our flagrant inconsistency, but once
in a while an event occurs and it is exposed.
In 2007 an article in the Daily Telegraph magazine recounted the
story of William Barrington-Coupe, who had passed off recordings
of other classical musicians as those of his wife, Joyce Hatto – a
pianist in her own right, but by that stage an infirm septuagenar-
ian.
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One twist in this tale involved the review that one of Hatto’s
“recordings” had received from the Gramophone critic Bryce
Morrison in 2006. The article reports that he described her playing
on a Rachmaninov Concerto as “stunning… truly great… among the
finest on record… with a special sense of its Slavic melancholy.”
However, 15 years earlier the same critic had described the same
performance (albeit performed under a different name) by saying
that “(the performer) sounds oddly unmoved by Rachmaninov’s
intensely Slavonic idiom… devoid of glamour… lacks crispness and
definition.” There was no suggestion that the critic was doing any-
thing untoward. A myriad of factors may have influenced his per-
ception of the track on that day: the excitement surrounding this
prolific new pianist, an earlier argument with a colleague, a change
in his hearing, the impact of other music he had played beforehand,
the music system he was playing the recording on, the temperature
of the room, the packaging of the CD, the recommended retail
price, even the smell of it. One thing is certain: his well-considered,
well-intentioned, professional critique was markedly different, but
the music was identical. It’s tempting to suggest that his self-
contradiction makes Morrison a bad critic, when in fact all we
should really take from his unfortunate experience is that he is
human and as susceptible as the rest of us to the subtle but signif-
icant influence of context.
Market research is gathered in whatever way seems most con-
venient; retailers don’t want clipboard-laden interviewers harassing