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Backlighting
tessellations
is
one
of
the
best
ways
to
display
them-and
also
gives
great
insight into
how
they
are
con-
structed.
Many
origamists
design
tessellations
specifically
for
this
style
of
display.
( A Arabes ue Flourish
4
Pull
the pleats together, causing
the
central horizon-
tal crease line
to
curve.
Fold
the
pleat formed by the
central horizontal
crease
line and its parallel
creases
toward
you on the
left-hand
side-it
will fold flat along the edges
of
the paper and curve the central crease line
(see
photo 2).
Do
the same on the right side
of
the
paper.
5
Above
the
flourish element, fold
the
two
leftmost
pleats
over
to
the left, on
top
of
one another. Open
the central pleat and flatten the paper,
so
the
pleat
is
completely flat
(see
photo
3).
Mirroring
the
left
side, fold
the
two
rightmost pleats over
to
the
right, and repeat the
flattening process.
6
Still
working
above the flourish, squeeze the central
vertical pleat
back into a vertical position.
This
move
brings the entire design together,
allowing the five pleats
at
the
bottom
of
the flourish
to
stand
upright
(see
photo 4).
7
All
that
remains
for
you
to
do
is
some shaping
of
the
fan-shaped
pleats on the flourish itself. Fold them
over a
bit
and
press
tightly
with
your fingers
to
mold them
into a more curved, organic shape.
For
best results
with
this tessellation,
use
relatively heavy
paper. During the
final shaping, dampen your fingers or
the paper
itself very lightly, and then hold the desired shape
until the paper dries.
Note:
These
instructions and instructional photographs
explain
how
to
make a basic Arabesque Flourish unit.
To
make the larger design, fold a larger piece
of
paper
with
more pleats.
Because
the pleats extending
from
the
base
of
the flourish are
all
packed together,
turn
the
paper 180
degrees and
use
the same pleats
to
fold a mirror image
of
the pattern,
so
the
two
sides match up.
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