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314 andrew louth
Empire was even more focussed on Constantinople and provincial sees were
regarded as exile by their bishops.
28
There are also canons against purchasing
church office, and selling the sacraments: what the West later called simony
(canons 22–3). Legislation concerning monasticism, like much earlier legisla-
tion, attempted to confine monks to their monasteries, and control the power
of holy men (canons 40–9). Legislation concerning the laity forbade various
entertainments such as playing dice (canon 50), watching mimes, animal fights
or dancing on the stage (canon 51), the observance of civic ceremonies such
as the Kalends, Vota or Brumalia, which had pagan associations, as well as
female dancing in public, dancing associated with pagan rites, cross-dressing,
the use of comic, satyr or tragic masks, and the invocation of Dionysos during
the pressing of grapes for wine (canon 62). All of this the church regarded
as ‘paganising’, though such practices should probably not be thought of as
the survival of paganism as such, but rather the continuance of traditional
liturgical forms that involved the laity.
29
Canons also forbade the confusion
of traditional liturgies with the Christian sacraments (for example, canon 57
forbidding the offering of milk and honey on Christian altars), and there
were canons that regulated the institution of marriage and the circumstances
of divorce (canons 53, 54, 72, 87, 92, 93). Several canons concerned relations
between Christians and Jews: canon 11 forbade eating unleavened bread with
Jews, making friends with Jews, consulting Jewish doctors, or mixing with
them in the baths; canon 33 forbade the ‘Jewish’ practice of ordaining only
those of priestly descent. Both these canons illustrate the way in which Jews
were permitted to exist, but separate from the Orthodox society of the Empire.
In fact, the seventh century had seen the beginning of a more radical policy
towards the Jews: forced baptism on pain of death. In 632 Heraclius had intro-
duced such a policy, to which Maximos the Confessor expressly objected,
30
a policy that was introduced again in the eighth and the tenth centuries, by
Leo III and Romanos I Lekapenos respectively. But the more normal Byzantine
attitude to the Jews, to be preserved as a standing witness to the truth of
Christianity with limited civil rights, is that envisaged by the canons of the
Tr ullan Synod.
31
Tw o canons bear witness to the place of religious art in the Byzantine world.
Canon 100 forbids pictures that excite immoral pleasure, and makes a point
about how easily the bodily senses move the soul. Canon 82 is concerned with
religious paintings and forbids the depiction of Christ as a lamb, a popular
form of religious art that picked up the words of John the Baptist about Jesus
as the ‘lamb of God who takes away the sin of the world’ (John 1:36). However,
28
See Angold (1995), pp. 139–262.
29
SeeHaldon (1997), pp. 327–37.
30
Devreese (1937).
31
See Louth, chapter 4 above.