products of an age when genius, swollen with its recovered heritage
but loosened from tradition, flowed full and free in a dozen
streams. The book limited itself to a short segment of Florentine
history, from 1378 to 1509; but it treated that period with an
accuracy of detail, a critical examination of sources, a penetrating
analysis of causes, a maturity and impartiality of judgment, a command
of vivid narrative in fine Italian, that were not matched by the
Storie Fiorentine that Machiavelli wrote eleven years later in the
sixth decade of his life.
In 1512, still a youth of thirty, Guicciardini was sent as
ambassador to Ferdinand the Catholic. In quick succession Leo X and
Clement VII made him governor of Reggio Emilia, Modena, and Parma,
then governor general of all the Romagna, then lieutenant general of
all papal troops. In 1534 he returned to Florence, and supported
Alessandro de' Medici throughout that scoundrel's quinquennium of
tyranny. In 1537 he was the chief agent in promoting the accession
of Cosimo the Younger to be Duke of Florence. When his hopes of
dominating Cosimo faded, Guicciardini retired to a rural villa to
write in one year the ten volumes of his masterpiece, the Storia
d'Italia.
It is inferior to his earlier work in freshness and vigor of
style; Guicciardini had meanwhile studied the humanists, and slipped
into formality and rhetoric; even so it is a stately style,
presaging Gibbon's monumental prose. The subtitle, History of the
Wars, limits the subject to matters military and political; at the
same time the field is widened to all Italy, and to all Europe as
related to Italy; this is the first history to view the European
political system as a connected whole. Guicciardini writes of what for
the most part he knew at first hand, and, toward the end, of events in
which he had played a part. He collected documents sedulously, and
is far more accurate and reliable than Machiavelli. if, like his
more famous contemporary, he returns to the ancient custom of
inventing speeches for the persons of his tale, he frankly states that
they are true only in substance; some he specifies as authentic; and
all are used effectively to state both sides of a debate, or to reveal
the policies and diplomacy of the European states. Taken together,
this massive history, and the brilliant Storia Fiorentina,