grave cover, a particularly odd combination occurring in York
(Plate 13). Across the country there is a marked variation in the number
of symbols on grave slabs, and north of the rivers Trent and Dee (that is,
in formerly pagan Viking areas) they are more numerous and have a
more varied range of symbols (Butler 1987). The second alternative was
to physically place the objects near the tomb: the Black Prince’s own
coat-armour (‘jupon’), sword, helmet and gloves were all hung above his
tomb in Canterbury Cathedral (Arnold 1993).
The objects also played a part in the funeral service as well. One of
the most bizarre objects, used only for royalty in the Middle Ages, was
that of a funeral effigy (Harvey and Mortimer 1994). From the Norman
Conquest the body of the king was normally on open display, but the
three months between Edward II’s death and burial in 1327 probably
rendered it impossible to display. Edward’s funeral was the first recorded
instance of the use of an effigy and at the funeral it was clothed in robes
of state from the Great Wardrobe. Funeral effigies, fully clothed, lay
above the coffined body and formed the focal point for the obsequies.
The effigies were placed on the hearse and were important from the
initial funeral procession until the trental Mass had been said (usually thirty
days after the funeral, but see Chapter 2). Women too could have
effigies: the first being that for Richard II’s wife, Anne of Bohemia, in
1394. The purpose of the effigy was linked into the belief that the kings
were ‘divine’ because they had been anointed at their coronation. The
king therefore had two bodies: spiritual and temporal; or, alternatively,
natural and politic. The normally visible mortal body was hidden in the
coffin, whilst the usually invisible body politic was represented by the
effigy (Kantorowicz 1985:421). The effigies were exceptional, but a
‘custom’ at noble burials was that ‘the most noble lord and closest
relative will present the first offerings for him and offer his shield at the
altar’ (Wenzel 1989:235). Better-known examples included horses. For
Henry V’s funeral four horses pulled the coffin up the nave of
Westminster Abbey. These horses, with their bridles, were then given to
the lord abbot (St John Hope 1915:139).
The reasons for the ‘movement’ of personal objects from the grave to
above-ground may have been influenced by the introduction of ‘soul-
scot’ or ‘mortuary’, which was the gift of the deceased to the church. This
was ostensibly for forgotten tithes, but it had the effect of bringing items
previously buried into the possession of the church. An alternative
explanation may be that, with the introduction of Purgatory, individuals
gave objects in return for prayers, whereas burial would have rendered
them useless. The process of ‘using’ the objects may be seen by a
DEATH FROM THE CONQUEST TO THE REFORMATION 185