Notes
For honors paid to the heroes of Phyle, both citizens and foreigners, see Aeschines,
Against Ktesiphon 187 and IG II
2
10. For Demetrios’ retaking of the fort, see Plutarch,
Demetrios 23; and for assorted epigraphical references to the garrisons stationed there, see
IG II
2
244, 614b, 867 (⫽ 998), 1299, 1304–1307, and 2971.
RHAMNOUS
DESCRIPTION, HISTORY, AND SIGNIFICANCE
Rhamnous was the northeasternmost deme of Attica, situated on the coast north of
Marathon. It was famous in antiquity for its cult of Nemesis. Votive material at the sanc-
tuary suggests that the cult goes back to the sixth century b.c. Before the Persian Wars
there was a modest Doric temple and a simple fountain house on the site, but the main pe-
riod of the sanctuary is in the fifth century. A small temple built in the polygonal style was
erected first. It has a front porch, within which were found two marble thrones, one dedi-
cated to Nemesis, the other to Themis. Inside the temple proper were several pieces of
statuary, including a statue of Themis made in the third century, still standing on her in-
scribed base.
Just north of this small temple was a larger Doric temple dedicated to Nemesis which
is described by Pausanias (1.33; see figs. 106–108). It is a peripteral temple of six columns
by thirteen, with a pronaos (front porch), cella, and opisthodomos (back porch). Within the
cella stood the statue of Nemesis, sculpted probably by Agorakritos, standing on a sculpted
base. Fragments of both statue and base have been recovered, along with the cult or offer-
ing table which stood in front of the statue. The temple is built of local marble, and the fi-
nal carving of the architecture was never completed.
The actual deme of Rhamnous and the garrison fort which protected it are located on
a hill next to the sea, about 500 meters north of the sanctuary. A strong circuit wall with
square towers was built around the lower part of the hill. Within, excavations have revealed
traces of streets and houses and the remains of a small theater. Front-row seats of honor, in
the form of marble thrones dedicated to Dionysos, indicate that the orchestra was rectilin-
ear in plan. Also recovered have been numerous inscriptions carrying decrees in honor of
many officers of the garrisons stationed on this stretch of the Attic frontier, particularly in
the third century b.c.
On the slope opposite the town there was a small sanctuary of Amphiaraos. Early on,
Attica 301
263, 264
265