Бочкарев Л.Л. Психология музыкальной деятельности
Подождите немного. Документ загружается.
200. .
(. . . .). ., 1978.
201. . . . , 1979.
202. . .
. — .: — . ., 1975.
203. XIX-XX . .
. . . . , 1995 (. .
.;
XX ).
204. . . , ., 1972.
205. . . . —
, . 2, ., 1973.
206. . . .
— .: , ., 1980.
207. . . . —
.: . ., 1980.
208. . . . ., 1984.
209. . . . . . — , 3, 1983.
210. . . . ., 1976.
211. . .
. ., 1972.
212. .- . — -
. . . , 5, 1970.
213. . . -
. — . ., 5, 1981.
214. . .
. — .: .
. . . 42. ., 1979.
215. . . . ., 1958.
216. . . — . — -
. . . , 10, 1970.
217. . . . — . ., 2, 1972.
218. . . .
., 1972.
219. . ., . . . . . .,
1981.
220. . ., . ., . ., . ., .
. . — .:
. ., 1974.
221. . . -
. — .:
. ., 1977.
222. . . ., 1974.
223. . . -
— .: IV
. , 1971.
224. . .
. — .: . ., 1973.
225. . . . — .:
, 1994.
226. . « » -
. — .: . ., 1975.
227. . . . ,
1975. 228. . . . ., 1979.
229. . . — . :
, . 2. ., 1973.
230. . . ., 1962.
231. . . . ., 1972.
232. . . . ., 1982.
233. . . . . .
. , ., 1993.
234. . . . .: , 1997.
235. . .
— .
. . ., 1970.
236. . . (
. .). , 1978.
237. . . :
. . . — .: . . .
, . I. , 1978.
238. . . . .
. ., 1971.
239. , . I-II. ., 1977.
240. : . . . . .
. , ., 1990.
241. -
. . . . . . , „ 1991.
242. .
. III . . . . .
. , ., 1996.
243. . ., 1982.
244. . . . ., 1956.
245. . .
. — . . 5, 1959.
246. . . . ., 1976.
247.
. ., 1976.
248. . ., 1980.
249. . . . .,
1965.
250. XX : .
, ., 1997.
251. . . . — . . 2, 1965.
252. . . , . I. ., 1979.
253. . . . — .
. 2, 1978.
PRESSI ( HERSON )
254. . . . —
. . 2, 1973.
255. . . . — . . 1, 1980.
256. . X. . — ., 1982.
257. . X. . —
.: . . . ., 1973.
258. . . . — .:
, . 7, ., 1972.
259. . . . ., 1975.
260. . . ., 1968.
261. . . . . : , .
5. ., 1946.
262. . . .
). — .:
. ., 1980.
263. . . . — . . 9, 1966.
264. . . ., 1982.
265. . . . ., 1946.
266. . . . ., 1969. 267. . .
. ., 1923.
267. . . . ., 1923.
268. . .
. — . . 4, 1969.
269. . . .-.,
1964.
270. . . .
— .: . . .
, 1983.
271. . . , 1980.
272. . . -
. — .: . . .
., . 3. , 1978.
273. . .
. — .: . ., 1982.
274. . . ,
. . . — .: . . .
, . 2. , 1978.
275. . . . ., 1973.
276. . .
. — .:
. . — ., 1935.
277. . . . — -
, , 6. ., 1970.
278. . . — , .
2. ., 1963.
279. . .
. — .: . ., 1974.
280. — . , . .,
1983.
281. . . . — .: , 1993.
282. . . .
. . . 36. , 1962.
283. . . . , 1968.
284. . ( ). .,
1983.
285. . . . — , 4.
,1974.
286. . . . — , 4.
,1975.
287. . . . ., 1975.
288. . .
. , 1970.
289. . . . — .:
. ., 1980.
290. . . (
). ., 1979.
291. . , ., 1991.
292. . . . — . ., . 5,
1, 1984.
293. . . ,
, . ., 1962.
294. . ., . . -
. . ., 1956.
295. . . . —
, . II, 1947.
296. . . . — .:
. ., 1961.
297. . . . .
.
298. . . —
. . . . VII. ., 1970.
299. . . . ., 1969.
300. . . . ., 1984.
301. . . — (. .). 4, ,
1977.
302. . . -
. , 1972.
303. . .
. — .:
. , 1979.
304. . . — .:
, . I. ., 1978.
305. . . . ., 1963.
306. . «» -
. — .: . ., 1975.
PRESSI ( HERSON )
307. . . . ., 1980.
308. . . . ., . 8. .-., 1950.
309. . . . ., 1976.
310. ., . . — .:
, . 5. ., 1983.
311. . .
. .: , 1983; . — ., 1995.
312. . . -
(). — .:
. . , . XXVII,
., 1976.
313. . . — .: -
. .
, . 43. ., 1979.
314. . . . ., 1924.
315. . . ., 1964.
316. . . — .:
, 1991.
317. .
. — .: . ., 1982.
318. . . ., 1980.
319. X. .
. . 2, 1962.
320. . , 1980.
321. . ., 1982.
322. . . . . . , ., 1994.
323. . .
. — .: . , 1979.
324. :
. . . . . . , ., 1995.
325. . .
. — .:
. V
. ., 1977.
326. . . -
. .— .:
. ., 1978.
327. . .
. — .: . (
. .). 21, , 1982.
328. . .
. — .:
. , 1981.
329. . .
., 1975.
330. . . . . , . I. .-., 1934.
331. . . . . . ,
. 15 ., 1977.
332. . . , , . . .
. ., 1976.
333. . . .-., 1972.
334. . .
. . V . .,
1977.
335. . . — .: . . . .-
., 1940.
336. . . .
., 1982.
337. . . . , 1932.
338. . . , . I. , 1960.
339. . . . —
.: , . IX, 1971.
340. . .
. . . , 1979.
341. . . . . . , 1975.
342. . . . ., 1973.
343. . . .
— .: , . 12. .,1973.
344. . . . ., 1960.
345. . . . ., 1968.
346. . . -
. — .: IV . ,
1971.
347. . . . . , . I, ., 1972.
348. . . . ., 1979.
349. . . . ., 1935.
350. . . . —
, . 25. ., 1950.
351. . . .
., 1969.
352. Abell . . Talks with great composers. N.Y., 1955.
353. Altshuler I. . The past, present and future of misic therapy. — Education Music
Magasine. v 24, 16, 1945.
354. . . «», 1972. 355.
Anschiltz G. AbriB der Musikasthetik Leipzig, 1930.
356. Arnold . Emotion and Personality. Neurological and Physiological aspects. 4,
1960.
357. Batel G. Komponenten musikalischen Eriebens. Eine Experimentalpsy-
chologische Untersuchung. Gottingen, 1976.
358. Bentley A. Measures of misical abilities, London, 1965.
359. Biller J. D., Olson P. S., Breen T. The Effect of «happy» Versus «sad» music and
participation on Anxiety — J. of Music Therapy. Vol.XI, Summer, 1974.
360. Bimberg S. Einftlhrung in die Musikpsychologie. Wolfenbilttel, Moseler, 1957.
361. Colwell R. Music achievement tests. Chicago, 1969.
362. Cogni . Che cosa 6 la musica? Elementi di psicologia delia musica. Milano, 1956.
PRESSI ( HERSON )
363. Cogni . — Grundz. einer neuen Musikpsychologie. — In: Internal. Mu-sikwiss.
Kongr. Wien, 1956, Ber. Graz-Koln, 1958.
364. Compbell I. G. Basal emotional patterns expressible in music, Amer. J. Psychol,
1942, 55.
365. Downey G. . A musical Experiment. The American J. of Psychology, vol. 9,
1897.
366. Eliott . The effect of televised cognitive skills in vocal and instrymental music on
student music selection, music skills and attitudes amy. L. Brown — In: Council for Research
in Music Education, 1978, N 57.
367. Perrari G. . Primi esperimenti sull imaginazione musical. Revista musi-calle
italiana, IV, 1899.
368. Frances R. La perception de la musique. These principale pour le doctoral 6s lettres
presentee a... L'Univ. de Paris par R. Fr. Paris, 1958.
369. Ghiselin . A. Symposium. The creative process. University of California.
Berkley, 1952.
370. Gilford J. P. Intelligence: 1965 model. — «Amer. Psychologist», N. Y. 1966, vol.
21.
371. Graf . From Beethoven to Shostakovich. The psyhology of composing process.
New York, 1947.
372. Gordon . Musical Aptitude Profile, Boston, Houghton Miffin Co, 1965.
373. Oilman . G. Report on an Experimental Test of Musikal Express! veness. —
Amer. J. Psych., 4-5, 1892.
374. Gordon . A longitudinal. Predictive Validity Study of the Intermediate Measures
of Music Aducation — In.: Council for research in music Education, 78, 1984.
375. Hamman D. L. Anxiety and the College Musician; A study of Performance. — In.:
Psychology of music. Vol , London, 1, 1983.
376. Helmholtz . Die Lehre von den Tenempfindungen als physiologische Grundlage
fur die Theorie der Musik. Braunschweig, 1863.
377. Herberger R. Einige Gesichtspunkte fur die padagogische Fuhring von
Schulertatigkeiten im musikalishen RezeptionsprozeB auf der Grundlage einer empirischen
Untersuchung in den Klassen 5 bis lo. — Schulertatigkeiten — musikalischer Rezeptionspozeb.
Leipzig, 1977.
378. Hevner . The aesthetic experience, a psychologocal description, — Psychol.
Rev., 44, 1937.
379. Holmstrom Lars-Hunnar. Musicality and Prognosis. Svenska Bokforlaget /
Norstedts, 1963.
380. Hutchinson W. Psychology and World Music.—In.: The world of music 1,1976.
381. International Music Education ISME, Jeurbouk. Volume VI, 1979.
382. Jeppesen . Kontrapunkt, Leipzig, 1956.
383. Jacobs . Psychology of music: some European studies. In.: Acta Psycho-logia,
17, 1960.
384. Karma Kai, The ability to structure acoustic material as a measure of musical
aptitude. — Research Bulletin, Institute of Education University of Helsinki, 51, 52, 1980,
1997, Finland.
385. Kartomi . Music and Trance in Central Java — Ethnomusicology, XVII, 1973.
386. 3. . - - - . —
, , 1978.
387. 3. .
«». , 1976.
388. Kovacs S. Ober das Verhaltnis des erkennenden und mittellenden gedacht-nisses
auf musikalichem Gebiet. — In.: Archiv fur die gesam, Psychology, XXXVII Band, Leipzig,
1918.
389. Kresanek I. Zaklady hudobneho myslenia. Bratislava, 1977.
390. Kurth E. Musikpsychologie. Berlin, 1931.
391. Kwalwasser J. and G. Ruch, Kwalwasser-Ruch Test of Music Accomplishment,
Jowa City, Bureau of Educational Research and Service, 1927.
392. Leimer . Modernez Klavierspiel nach Leimer-Giescking. B. Schott's Sohne,
Mains, 1931.
393. Levandovska . Struktura sdolnosci musycznych u dzieci szkolnych. Dorobek i
perspektywy roswoju psychologii i pedagogiki musyki w PRL, Materialy z Symposium w
PWSM w Warssawie czesc I. Warszava, 1977.
394. Lamparter P. Die Musikalit^i in ihren Beziehunden zur Grundstruktur der
Persanlichkeit. Erg. Bd. 22 z. Zschr. F. Psychol. Leipzig. 1932.
395. . . «», 1971.
396. Lundin R. W. An Objective Psychology of Music. The Ronald Press Company.
New York, 1953.
397. Lysek F. Kompozicni a interpretacni talent i typ. — Hodebni roshledy. Praga,
1976, 16.
398. Manturzewska M. Psychologiczne warunki osiagniec pianistycznych. Praga
doctorska. Ossolineum. Warszawa, 1969.
399. Materialy do psychologii muzyki (III). Materialy pomocnicze dia Nauczy-cieli
szkol i ognisk artystycznogo. Centralny osrodek pediayogiczny szkol-nictwa artistycznogo,
Warszawa, 1974.
400. Meyer L. B. Emotion and meaning in music. Chicago, University of Chicago
Press, 1957.
401. Michel P. Psychologische Grundlagen der Musikeziehun. Leipzig, 1975.
402. . . , 1979.
403. Morgenstern S. Composers on music N. Y., 1956.
404. Muller-Freienfels R. Psychologie der Music, Berlin, 1936.
405. Mursell J. Z. The psychology of Music. N. Y., 1957.
406. Probst W. Vom zukunftsbezogensein im musikerleben. Soseinsbestimmung und
Bedingungsanalyse auf Grund von Eriebnisversuchen. Koln, 1960.
407. Raijkov V. L. Greativity and Hypnosis. International congress. Stockholm, 1973.
408. Revesz G. Einftlhring in die Muzikpsychologie. Bern, 1946.
409. Rev6sz G. Prtlfung der Musicalitat, Zeit. f. Psychol.
410. Riemann H. Geschichte der musiktheorie im IX—XIX. Jahrhundert, Leipzig,
1898.
411. Rubin-Rabson G. Studies in the psychology of memorizing piano music. J. of
Educational psychology. 1939, vol. XXX, 1941. vol. XXXII.
412. Seashore C. The Psychology of Musical talent, Boston, L Silver Burdett, 1919.
413. Seashore . Psychology of music. N. Y., 1938.
414. Serafine M. L. Cognitive Processes in Music — In.: Council for Research in music
Education, Illinois, 1983, 73.
415. Shoen M. The psychology of music. New York, 1940.
PRESSI ( HERSON )
416. Sweeney G. A., Horan J. J. Separate and Combined Effects of Cue-Controlled
Relaxation and Cognitive Restructuring in the Treatment of Musical Performance Anxiety. —
J. of Counseling Psychology. 1982, v. 29, 5.
417. The American composer speaks. Louisiana, 1965.
418. The psychology of Musical Ability, N. Y., 1981.
419. Weld H. An experimental Study of Musical Enjoiment-Amer. Rsych. 1912, v. 23.
420. Vidor D. Was 1st musikalisch? Berlin, 1926.
421. Vitany J. A zene lelectana. Budapest, 1969.
422. Weliek A. Musikpsychologie und Musicasthetik. Frankfurt am Main, 1963.
423. Werbik H. Informationale Wirkung von Musik. Mainz, 1971.
424. Wierszylowski J. Psychologia muzyki. Warszawa, 1970.
425. Williams V. R. The making of music. N. Y., 1965.
426. Wing H. Standardised Tests of Musical Intelligence. Buckinghamshire, England,
1960, 1969.
427. Bochkarev L. L. Psychologia muzyki w Zwiazku Radzieckim // Psychologia
muzyki. Problemy. Zadania. Perspektywy. Mater. Miedzynar. Seminar. — Warszawa:
Academia muzyczna im. F. Chopina, 1991.
428. Bochkarev L. L., Granovskaya R. M., Obozow N. N. Mechanizmy czynnosci
muzycznych // Psychologia muzyki. Problemy. Zadania. Perspektywy. Mater. Miedzynar.
Seminar. — Warszawa, 1991.
429. Bochkarev L. L. Psychological Mechanisms of Musical Experience // The 14
th
ISME Research Seminar Proceedings. — Nagoya-Seul. 1992.
430. Bochkarev L. L. Social — Perceptual Mechanisms of Musical Experience // Third
Triennial ESCOM Conference. Proceedings. — Uppsala, Sweden, 1997.
431. Kuzmich N. Musical growth. A process of involvement. — Toronto: Thompson
Music, 1986.
432. Mastropaolo G. Musicoterapia e flauti di bambu. — Quaderno maieutico 22:
Istituto maieutico. — Svizzera, 1987.
433. The Psychology of Music Ed. by D. Deutsch. — San Diego. Univ. of California,
1982.
434. The Social Psychology of Music Ed. by D. Hargreaves & A. North. — Univ. of
Leicester, 1997.
435. . Sekeles. Music: motion and emotion. The Developmental — Integrative Model
in Music Therapy. — Hebrew Univ., Jerusalem, 1997.
436. Handbook of music psychology. Ed. by Donald A. Hodges / Second Edition. —
MMB music, Missouri, USA, 1997.
437. Perception and cognition of music. Ed. by I. Delige (Belgium), J. A. Slo-boda
(UK). — Keele Univ., England, 1997.
438. Music analysis order form. — Blackwell Publishers Ltd. — Oxford, USA. An
internat. journal (Music history and cognitive sciences). 439. Music Perception. Ed. by Jamshed
J. Bharucha, founding editor D. Deutsh. — Univ. of California Press. An interdiciplinary
journal.
440. Ex tempore. Co-edit. G. Arasimowicz (Univ. of Colorado Denver), J. MacKay
(Univ. of Aveiro, Portugal). An Internat. journal. — Sunderland, USA, Aveiro Por.
450. / . . . .,
. . - : , 1997.
451. Holger Huge. Emotional effect in aesthetic judgment; Bochkarev L. L. Musical art
and emotion // Symp. of the International Association of Empirical Aesthetics (IAEA) Art and
emotions. Perm, 1991; Emotion, Creativity and Art. — Perm, 1997.
452. Holger Huge. Fechner in Contecst: Aesthetics from Below, Inner and Outer
Psychophysics: A Reply To P. Machotka. — P. Machotka. Reply To H. Huge // Empirical
Studies of the Arts / Journ. of the IAEA. — Vol. 15, 1 — 1997 (USA).
453. Martindaie . The Clockwork Muse: The Predictability of Artistic Change, Basis
Books, N. Y., 1990. »
106, 116 146
. 34
95, 100, 107
5, 7, 161
34, 90, 93, 115, 144, 147
123, 125, 147, 153, 306.332, 238,. 253
27
90, 123, 168, 177. 200. 232, 234
181, 208
— 43
32, 204, 233, 250
95
81, 195, 206, 244, 248, 252, 260, 309
53, 155. 187, 192, 257
25, 63, 89, 309
— 104
— 92
— 97, 100
— , 108, 118
— 13
61, 68, 73, 75, 77. 85, 90. 135, 241, 287. 309, 316, 325, 327
53, 155, 187, 192. 257
156
, 208, 259, 287. 290, 307, 408
27
11, 111
— 110
— 330
30, 37, 39, 139, 175. 309, 317, 324
29
— 308, 317
— 5, 24, 30. 313
— 9, 4 7
— 54
— 54, 228, 309, 317
— 36
— 58
— 89
— 49, 216. 230
PRESSI ( HERSON )