Conclusion 295
which he actively participated. I have also emphasized throughout
that the agenda of ‘oppositional’ narratives did not necessarily contain
a sovereign nation-state; it more often entailed a limited degree of
independence. Nor should the differentiation between oppositional and
loyalist historiography be taken too far: these two strands appear to have
indicated specific rhetorical attitudes, rather than traits of genuinely
distinct historiographical traditions.
More striking, however, are the manifold similarities in the repre-
sentations of the national past throughout the entire European historio-
graphical landscape. To a certain extent, these stemmed from historians’
reflections on the common preoccupations of the age, particularly those
of antiquity, unity, continuity and uniqueness. A comparable ideo-
logical orientation—in this context primarily Romantic-liberal—also
contributed to the shared assumptions: antipathies as well as prefer-
ences were sometimes calculable, for example an aversion towards the
Jesuits, even in Catholic countries such as Spain, Portugal and Poland.
On closer inspection the historical narrative reveals the existence of a
general template of national historiography in our era, which comprised
a core story and numerous omnipresent tropes. Characteristically, the
narrative was structured into three major phases: the ancient period,
informed by liberty from time immemorial; the medieval epoch, often
associated with the loss of liberty; and a subsequent period typified
by the struggle for the restoration of liberty. This basic plot was then
further embellished, depending on individual circumstances. Founda-
tion myths, the claim of noble origins and the assertion of an early
primitive democracy likewise belonged to the prevalent constituents.
The portrayal of succeeding periods betrayed more variety: on the one
hand, liberal scholars condemned the feudal system, on the other, they
rehabilitated the Middle Ages, an era which in Enlightenment thought
tended to be associated with barbarism and superstition. The zenith
of the national past, the ‘Golden Age’, was considered to embody the
unique qualities of the nation, and was typically traced back to epochs
which were seen as most compatible with the respective historians’
ideological orientations. It is also clear that historical accounts were
often informed by tendencies towards hyperbole. In one respect, this
was a common feature of the Romantic narrative. In another respect,
it was due to the manifestly competitive nature of the genre: the desire
to bolster self-images vis-
`
a-vis other nations rendered the narrative es-
pecially prone to amplification, particularly in the case of scholars who
sought to counter already pre-existing negative images.