Aston Elaine. Feminist views on the English stage. Women playwrights, 1990-2000
Подождите немного. Документ загружается.
Index
Adamson, Samuel 66
AFL (Actresses’ Franchise League) 58
Ahluwalia, Kiranjit 139–40
Akhmatova, Anna 15
Alexander, Bill 12, 106
Alexander, Jacqui M. 127, 136,
154
Almeida Theatre 111, 114, 116
Anand, Mulk Raj
Untouchable 137
Angelis, April de 12
on feminism 160, 161
Flight 212
Ironmistress 160
Playhouse Creatures 160
Positive Hour, The 158–62, 165
Arendt, Hannah 19
Armistead, Claire 47
Armstrong, Louise 52
Kiss Daddy Goodnight 38, 56
Kiss Daddy Goodnight Ten Years
Later 38, 187
Rocking the Cradle of Sexual
Politics 38, 40
Ashfield, Kate 196
Asquith, Ros 23
Atkins, Eileen
Vita and Virginia 15
Ayckbourn, Alan 1
BAC (Battersea Arts Centre) 44
Bankhead, Tallulah 115
Barker, Howard 1
Victory 197
Barker, Pat 40
Bassett, Linda 141, 208
Baudrillard, Jean 121
Bayley, Clare 21
Beckett, Samuel 78, 94
Happy Days 85
Benedict, David 100
Benmussa, Simone
Portrait of Dora 49
Bent, Simon 66
Bhavani, Kum-Kum 145
Bhuchar, Sudhar 137
Girlies 207
Billington, Michael 16, 20, 79, 81, 90,
117, 150
Birmingham Repertory Theatre 12,
54, 100, 104, 106, 137, 140, 171
Door, The 64
Black Arts Alliance 143
Black Mime Theatre 205
Black Theatre Co-operative 136
Blanchett, Cate 58
Block, Simon 66
Not a Game for the Boys 5, 66
Blood Group, Theatre Company
49
Blyton, Enid
Magic Faraway Tree, The 34
Bond, Edward 78
Saved 63, 77
229
Index
Bordo, Susan
Unbearable Weight 157
Bourcier, Yolande 151
Bradwell, Mike 11
Brassed Off 5
Brenton, Howard 1
Romans in Britain 77
Brewster, Yvonne 125, 137
Buffini, Moira 169, 170
Buffy the Vampire Slayer 181
Bush Theatre, The 11, 129, 158, 159
Butler, Judith 7, 8, 80, 90, 92, 99, 111,
119
Bodies that Matter 7, 90, 207
Gender Trouble 7, 132, 133
Butterworth, Jez 66, 79
Mojo 5
Campbell, Beatrix 39
Goliath: Britain’s Dangerous
Places 126, 128, 146–7; see also
Lavery, Bryony: Goliath
Unofficial Secrets 40, 42, 49
Canning, Charlotte 158
Carlton, Bob 213
Carter, Ruth 143
WomenofDust137–9, 207
Yearning, A 137–40
Casablanca 106
Case, Sue-Ellen 8
Domain-Matrix, The 8
Castledine, Annie 106, 146
CCCS, Birmingham Centre for
Contemporary Cultural Studies
59
Charcot, Jean-Martin 49
dramatisation of 50–1
Charmed 181
Chekhov, Anton
Three Sisters 12, 152, 153, 155
Chicago, Judy
Dinner Party, The 57
child sexual abuse 3, 16, 37–58, 87
Childwatch 38
Chowdhry, Maya 129, 144
Monsoon 209
Sacred House, The 209
Christopher, James 23
Churchill, Caryl 12, 15, 18–36, 39, 47,
58, 100, 149, 172, 203
on Blasted 79
Blue Heart 20, 26, 33–5
Blue Kettle 33–5
Cloud Nine 18, 26, 29–30, 33, 56,
98, 112, 126, 182
commitment to socialism and
feminism 9, 18–20, 23, 24
Far Away 11, 20, 30, 35–6, 37, 48,
142
Fen 18, 28, 183
Heart’s Desire 33–5
Hospital, The 19
Hotel 19, 87, 197
Ice Cream 18
Light Shining 18, 19, 33, 183
Lives of the Great Poisoners 19
Mad Forest 19, 23
mother–child relations and
feminism 20, 31, 183
Mouthful of Birds, A 19
Owners 18, 183
Serious Money 18, 23
Skriker, The 10, 19–20, 27–33, 35,
37, 47, 96, 105, 169, 183, 200
Soft Cops 18
This is a Chair 33, 36
Thyestes 33, 78
Top Girls 6, 20–7, 28, 35–6, 41, 48,
70, 135, 181
Vinegar Tom 29, 206
cinema, British 4, 6
and masculinity 88–9
Cixous, H
´
el
`
ene 16, 84, 85, 87, 96,
171
Black Sail/White Sail 15–17
and Dora 49, 188
230
Index
´
ecriture feminine 15, 49, 51, 188
Newly Born Woman, The 82–3
Clause 28 98, 100–2
Clean Break 13, 44, 73, 133, 169,
214
Cl
´
ement, Catherine 84
Cleveland Affair 38, 185–6
Clinton, Bill 3
Cochrane Theatre, The 136
Colour of Justice, The 146, 209
Companion to Modern British
Women Playwrights 80
Cooke, Trish 129
Corthron, Kia
Breath, Boom 193
Coulson, Margaret 145–6, 148
Coveney, Michael 111, 117, 136, 156
Coyle, Kevin
Corner Boys 61
Crane, Jenny 44
Crimp, Martin 19
Cullen, Mike
Anna Weiss 53
Cushman, Robert 21
Daldry, Stephen 11, 47, 77, 110, 178
Dallas 25
Daniels, Sarah 10, 12–14, 19, 37,
39–48, 50, 54, 57, 58, 80, 96, 99,
170, 185, 200
Beside Herself 40–4, 50, 185
Blow Your House Down 40
Devil’s Gateway, The 39
feminist views of 39–40, 45–6
Head-Rot Holiday 40, 169
Madness of Esme and Shaz, The 10,
40, 45–8, 51
on male directors 186
Masterpieces 40, 45, 200
Morning Glory 40
Purple Side Coasters 187
Ripen Our Darkness 39, 47
Taking Breath 185
Desperately Seeking Susan 67–8
Diamond, Elin 28
Diana, Princess 6
Ditton, Cordelia 100
Douglas, Mary
Purity and Danger 107
Dove, Jonathan
Flight 212
Dowie, Claire
Adult Child/Dead Child 53
Easy Access (for the Boys) 37, 52–5
Drill Hall 53, 100, 104
Dromgoole, Dominic 11, 13
Duncan-Brewster, Sharon 74
Dury, Ian 23
Dying Rooms, The 211
Dynasty 25
Edgar, David 1, 5
Eldridge, David 79
Eliot, T.S. 94–5, 159
Elizabeth 6
Elton, Ben 79
Elyot, Kevin
My Night with Reg 5, 201
Ensler, Eve
Vagina Monologues, The 37, 56
Espejel, Inigo 137
Evaristo, Bernadine; see Theatre of
Black Women
Faludi, Susan 7
Backlash 2–3, 17
Stiffed 3
Family Pride 208
Fanon, Franz 19
Farquhar, George
Recruiting Officer, The 152
Fawlty Towers 123, 204
Featherstone, Vicki 12, 53, 94
feminism
in the 1970s 158–9, 169
in the 1990s 5–9
231
Index
feminism (cont.)
anti-/backlash against 3, 6, 38, 40,
112, 157; see also masculinity in
crisis
bourgeois 7, 20, 152, 176
at century’s end 149, 169; see also
Wertenbaker, Timberlake: Break
of Day, The
‘new’ 6–7, 9, 20, 24, 59–76, 87
‘popular’ 60
‘power’ 6, 20, 48
radical 70, 176
‘right-wing’/‘top girls’ 21, 38, 68,
70; see also Churchill, Caryl: Top
Girls
second-wave 7, 59–60, 169
socialist 177
three feminisms, description 176
transnational 8, 127, 154; see also
Wertenbaker, Timberlake: Break
of Day, The
‘victim’ 6
feminism and:
dramatic form 9–11, 15
‘girl power’ 6, 10, 59–64, 76, 171
infertility 139, 157–8
motherhood 33, 155, 157
‘personal is political’ 22
theatre, second wave 59, 61
young women 59–61
feminist movement 57, 59
absence of 43
Finley, Karen 199
Fontaine, Jean la 39
Foucault, Michel 19, 26
Discipline and Punish 91
Foundary, The 111, 204
Foursight Theatre Company 13–14
Four Weddings and a Funeral 5
Fraser, Sylvia 48
Freeman, Sandra 99, 122
Freud, Sigmund 48–52, 54, 102, 105
dramatisation of 49–52
Friedan, Betty 33
Friends 105
Full Monty, The 4, 67, 175
Furse, Anna 12
Augustine 37, 189
feminist views 49
Fuss, Diana
Inside/Out 101
Gay Sweatshop 13, 100–1, 110, 113
Gems, Pam 12, 17, 18
Danton Affair, The 179
Snow Palace, The 15–16, 179
George Devine Award 65
girl gangs 61, 63, 69–76
Gish, Sheila 124
Goldman, Lisa 11, 12, 64–5
Goodbye to the ’90s 4
Goodness Gracious Me 208
Grange Hill 185
Greenham Common 40, 180
Greer, Bonnie 129
Munda Negra 129
Greig, David 194
Grosso, Nick 65–6
Peaches 5
Grove, Claire 101, 104
Guess Who’s Coming to Dinner 123,
204
Gupta, Tanika 128, 140, 208
Skeleton 171–2
Waiting Room, The 172–3
Halliwell, Geri 6, 193
Hammond, Mona 137
Hampstead Theatre 11, 158–9, 162,
170, 204, 214
Hancock, Sheila 213
Hare, David 1
Hart, Lynda
Fatal Women 42, 102
Harvey, Jonathan
Beautiful Thing 5
232
Index
Hawthorne, Nathaniel
Scarlet Letter, The 202
Hemming, Sarah 76
Herbert, James 91
Herman, Judith
Trauma and Recovery 40
Hewlett, Jamie 71
Higgs, Marietta 39
Highsmith, Patricia
Talented Mr Ripley, The 111, 116
Hilaire, Patricia; see Theatre of Black
Women
Hill, Anita
and Clarence Thomas hearings 176
Hoheisel, Tobias 121
Hughes, Gwenda 104
Hunter, Kathryn 30
Hurley, Elizabeth 69
Iamni-Faith 125
identity politics 7–8, 99, 113, 127
Innes, Christopher 1, 2, 9, 15, 174
‘in-yer-face’ theatre 2, 57, 65
‘In-Yer-Face?’ Conference 175;see
also Sierz, Alex
Jesus Christ Superstar 122
Johnson, Catherine
Boys mean Business 159
Mamma Mia 159
Shang-a-Lang 158–9
Johnson, Judith 13, 65
Somewhere 74
Uganda 130
Johnson, Terry
Hysteria 51
Joint Stock; see Stafford-Clark, Max
Jongh, Nicholas de 157
Kahn, Shaheen
Girlies 207
Kane, Sarah 10–12, 47, 62–6, 76–97,
105, 172–3, 190
4.48 Psychosis 78, 97
as ‘bad girl’ 65, 79–80
Blasted 11, 15, 28, 65, 76–89, 90,
92–7, 156, 196
Cleansed 78, 80, 82, 83, 89–93,
95–8, 190–1
Crave 12, 65, 78, 82–3, 93–7, 195,
199
directing Woyzeck 78
on masculinity, critique of 80, 88–9,
90, 97
Medea commission of 178
opposition to ‘woman writer’ 9
Phaedra’s Love 78, 93, 197–8
pseudonym, Marie Kelvedon 93
Kaplan, Ann E. 31
Kay, Jackie 144
Chiaroscuro 208
Every Bit of It 126
Twice Through the Heart 208
Keatley, Charlotte
My Mother Said I Never Should 21,
114
Kennedy, Adrienne
Motherhood 2000 209
Kent, Nicolas 209
Kenyon, Mel 12, 78, 112, 178, 194
Khan-Din, Ayub 140
East is East 128, 140–8, 172, 208
film of East is East 140–1
King’s Head 56
Lan, David
A Mouthful of Birds 19
Landon-Smith, Kristine 137, 141
Lavery, Bryony 8, 12, 14, 99–110, 115,
146–7, 171–2
Frozen 11, 37, 54–6, 100, 104
Goliath 128, 145–6, 148, 209
Her Aching Heart 101–5
Kitchen Matters 100–1
Nothing Compares to You 104–6
Origin of the Species 200–1
233
Index
Lavery, Bryony (cont.)
relationship with Birmingham Rep.
100, 106
Wedding Story, A 100, 104, 201
Lawrence, Stephen 146
Leicester Haymarket Theatre 12, 111,
116, 175
Leigh, Mike, see Naked
lesbian politics 98–9
lesbian theatre 99
Lewinsky, Monica 3
Lewis, C.S.
Lion, the Witch and the Wardrobe,
The 36
Lilian Baylis Theatre 169
Liverpool Playhouse, Studio 74
Lloyd, Phyllida 51
Loaded 3
Lochhead, Liz
Perfect Days 214
Lorca, Frederico Garcia
Yerma 138
Lovenduski, Joni 24
Lowdell, Amelia 74
Lyndon, Neil
No More Sex War 3
McAuliffe, Nicola 147, 209
McCusker, Mary 100
McDermott, Ian 213
McDonagh, Martin 66, 79
Beauty Queen of Leenane, The 202
McIntyre, Claire 14
My Heart’s a Suitcase 24, 186
McLeod, Jenny 128–9
Island Life 129
Raising Fires 129
McPherson, Conor 79
McRobbie, Angela 62
Feminism for Girls 59–60
Madonna 67–8, 71
Major, John 23
Mamet, David
Glengarry Glen Ross 21
Oleanna 3, 57, 175–8
Marber, Patrick 79
Dealer’s Choice 5
Martin, Alan 71
masculinity:
‘boys’ club’ 44
boys’ drama 5, 13, 111, 179
in crisis 2–5, 11, 149, 162–7
and film 88
and hysteria 51–2
new laddism 2–4, 112
new man 3
Maurier, Daphne du
High Wind in Jamaica 200
My Cousin Rachel 200
Rebecca 103, 200
Mazya, Edna 191
Games in the Backyard 63
Midnight Theatre Company 116
Miller, Arthur
Crucible, The 206
Millett, Kate 19
Mirza, Heidi Safia
Black British Feminism 126
misogyny 87
Mohanty, Chandhra Talpade 127, 136,
154
Monk, Claire 88–9
Monstrous Regiment 13, 100, 129, 200
Morley, Sheridan 43
MsFits 214
Munro, Rona
Maiden Stone, The 170
Snake 214
Munroe, Carmen 137
Murray, David 136
Nagy, Phyllis 8, 12, 15, 99, 110–24,
129, 141, 150
Butterfly Kiss 10, 111, 114–16, 118,
202–3
Disappeared 111, 116
234
Index
Entering Queens 110, 113
feminist views of 111–12, 121
Girl Bar 202
image of as writer 111
Never Land 111, 118, 122–4
Scarlet Letter, The 202
Sphinx, The 28
Strip, The 28, 111, 116–24, 156
Talented Mr Ripley, The 111
Trip’s Cinch 202
views on critics 203
Weldon Rising 110, 112–14
Naked 88
Nathan, David 156
National Studio, The 11
NEA, National Endowment for the
Arts 199
Neale-Kennerley, James 110
Newcastle Playhouse 146
New Labour 33, 98
new writing
lack of 174
venues and companies 11–14
Nielson, Antony 5
Nielson, Brigitte 4, 6
Nightingale, Benedict 1, 28, 35, 45,
118
on Upton, Judy 66, 70
Nil by Mouth 88
Nitro, see Black Theatre Co-operative
Norton-Taylor, Richard 209
Colour of Justice 209
Notting Hill 5
O’Connor, Sin
´
ead 104
Oedipus the King 85
Oeufs Malades, Les 100
Oldman, Gary 88
Old Red Lion 53, 64
OldVic,The11, 33, 57
Orange Tree Theatre, Richmond 64
Orlando, film 178
Osborne, John 76, 80
‘angry young men’ 2, 80
Osborne generation 66
Out of Joint, see Stafford-Clark,
Max
Oval House 101, 104
Owen, Kate 47
Page, Louise
Salonika 21
Paines Plough 11, 49, 93, 160
Palace Theatre, Watford 111
Parmar, Pratibha 127, 130–1
Parrish, Sue 14
Partington, Marion 55
Patel, Pragna 139
Penhall, Joe 65–6, 79
Some Voices 66
Peter, John 35
Phelan, Peggy 8
Unmarked 8, 109
Pimlott, Steven 118
Pinnock, Winsome 13–14, 125–36,
141, 148
Hero’s Welcome, A 129
Mules 10, 128, 133–6
Picture Palace 125
Talking in Tongues 128, 130–3,
145
Pinter, Harold 1, 35, 175
Ponnuswami, Meenakshi 131
Posener, Jill
Any Woman Can 102
Potter, Harry 181
Potter, Sally 178
Prichard, Rebecca 6, 10, 13–17, 60,
61–4, 66, 79–80, 171
Essex Girls 61–2
Fair Game 62–4, 72
on ‘woman writer’ 62
Yard Gal 63, 72–6, 78, 214
Przbyszewska, Stanislawa 15
queer politics 99
235
Index
Racine, Jean 78
Randall, Paulette 44; see also Theatre
of Black Women
Randall, Vicky 24
Rantzen, Esther 184
rape 6, 60, 87, 176
date rape 6
feminist stylisation of in theatre 63
young people playing 64, 191
women raping men 70, 72
Rapi, Nina 99
Ravenhill, Mark 21, 77, 79, 93
Shopping and F
***
ing 5
on Top Girls 20, 23, 61
Rebellato, Dan 197
Red Room, The 11, 64–5
seasons:
‘Big Story, The’ 65
‘Seeing Red’ 65
Red Shift, Theatre Company 160
Resisters Theatre Company 160
Reynolds, Anna 13–14, 214
Jordan 169–70
Red 214
Wild Things 214
Reinelt, Janelle 8, 29
Richardson, Sue 39
Rickson, Ian 11, 66, 72
Roiphe, Katie 6, 60, 64, 190
The Morning After 6
Romana, Gary 189
Royal Court Theatre 5, 11, 20, 24, 33,
34, 39, 40, 44, 51, 64–5, 68, 73, 74,
78, 100, 110–12, 116, 121–2, 124,
129, 130–1, 133, 140, 147, 149,
151, 175, 204, 210
and Fair Game 63
and girl gang theatre 76
and Kane controversy 77
renovation of 194, 204
script meetings 82
and Young Writers’ Festival,
‘Coming on Strong’ 61
Royal Exchange Theatre, Manchester
40
Royal National Theatre 33, 172, 208
Cottesloe 29
Rudet, Jacqueline 205
Basin 205
Money to Live 205
Sackville-West, Vita 15
Saunders, Graham 10
Love Me, or Kill Me 80, 82
Scarlet Harlets, see Scarlet Theatre
Scarlet Theatre 13–14
Paper Walls 186
Sisters, The 152, 210
Scarry, Elaine
Body in Pain, The 92
Schaffer 1
Scott, Ridley 71
Second Stride 19, 33
and Lives of the Great Poisoners 19
Sedgwick, Eve 7
Shakespeare, William 95, 118–19
King Lear 171
Measure for Measure 204
Twelfth Night 118
Shange, Ntozke 208
Love Space Demands, The 137
Shaw, Bernard 1
Shaw, Peggy, 202
Showalter, Elaine 48
Sierz, Alex 175–8, 195
In-Yer-Face Theatre 2; see also
‘in-yer-face’ theatre
Siren Theatre Company 13
Smart, Annie 28
Smith, Anna Deavere 209
Fires in the Mirror 146–7
Smith, William Kennedy 176
Soho Theatre 64, 106, 125, 171, 177,
200, 208
Southall Black Sisters 139
Spencer, Charles 157
236
Index
Sphinx Theatre Company, The 13–17,
106, 128, 160, 178; see also
Women’s Theatre Group, The
Spice Girls (The) 6, 60–1, 72, 193
Spice World: The Movie 6; see also
Halliwell, Geri
Spink, Ian 19, 27, 29, 33
and Mouthful of Birds, A 19
Spin/stir, Theatre Company
Naming 186
Spivak, Gayatri Chakravorty 8, 126
Split Britches 110
Anniversary Waltz 202
Springer, Jerry 94
Springfield, Dusty 124
Stafford-Clark, Max 5, 11, 12, 20, 25,
149, 152, 203
and Joint Stock 34
and Out of Joint 5, 12, 34, 159
States, Bert O.
‘The Phenomenological Attitude’
82–3, 85
Steedman, Carolyn
Landscape for a Good Woman 146
Steinem, Gloria 56
Stephenson, Shelagh 20
Stoppard, Tom 1
SuAndi 143
Story of M, The 128, 143–6,
148
Syal Meera 129
Tagore, Rabindranath 171
Talawa 125, 136–7
Tamasha 12, 104, 128, 136–46
Tainted Dawn, A 137
Tank Girl 5, 71
Tara Arts 136, 140
Tarantino, Quentin 5, 197
Taylor, Paul 35, 81–2, 94, 117, 157
Terminator 5
Thatcher, Margaret 6, 21, 23–4
Theatre of Black Women 125, 205
Theatre Royal, Stratford East 140
Thelma and Louise 5, 71, 72
Thomas, Clarence
and Anita Hill hearings 176
Thomas, David
Not Guilty 3, 52
Tinker, Jack 77
Tiramani, Jenny 44
Tolkien
Lord of the Rings, The 181
Topper, Jenny 11, 214
Trainor, Kay
Bad Girl 53
Trainspotting 4–5
Traverse Theatre 53, 214
Tricycle Tribunal Plays 209
Tyson, Mike 3
Ugwu, Catherine
Let’s Get it on 144
Upton, Judy 6, 10, 12, 15, 60–2, 64–72,
74, 75, 79, 80, 171
Ashes and Sand 62, 64–8, 69–73, 74,
76
Bruises 64–5
Confidence 64, 67–9
Everlasting Rose 64
Girlz, The 64, 67
Know Your Rights 64–5
People on the River 64–5, 198
Shorewatcher’s House, The 64
Sunspots 64, 67, 68
Temple 64
V-Day 57, 58
Verma, Jatinda 136, 138
Wajda, Andrzej
Danton 179
Wallace, Naomi
War Boys, The 195
Walter, Natasha 87
New Feminism, The 6–7, 9, 24
237
Index
Wandor, Michelene 205
Looking Back in Gender 80
Warner, Marina 26, 31
Washington, Desiree 3
Waters, Les 210
Weaver, Lois 110, 202
Welsh, Irvine, see Trainspotting
Wertenbaker, Timberlake 12–14, 16,
110, 168
Abel’s Sister 151–2, 153, 154, 155,
165
After Darwin 160, 162–7,
168
Ash Girl, The 171
on ‘boys’ drama’ 149
Break of Day, The 12, 16, 28,
152–64, 166, 167, 211
Credible Witness, A 212,
213
cross-border politics 8; see also
Break of Day, The
Dianeira 150, 213
on feminism 152, 162, 165; see also
Break of Day, The
Grace of Mary Traverse, The
150–1
Love of the Nightingale, The 150,
210
New Anatomies 150–1, 210
Our Country’s Good 112, 152, 160,
167
on theatre, role of 167–8
Three Birds Alighting on a Field
151, 165
on women playwrights 149
Wesker, Arnold
Kitchen, The 47
West, Fred 55
Whelehan, Imelda 7
Overloaded 166
Wilder, Ella 132
Williams, Raymond 9–10, 82
Long Revolution, The 9–10
structures of feeling 9–10, 89
Wilson, Amrit
Chandralekha 126
Wilson, Melba 57
Winslet, Kate 58
Wolf, Naomi 6
Fire with Fire 6
Women and Theatre 205
women and violence 10, 69
women’s consciousness-raising
groups 38, 160
women’s employment in the theatre
178
Women’s Playhouse Trust 13, 40, 44,
129, 178
Women’s Theatre Group, The 13–14,
59, 100, 101, 125
My Mother Says I Never Should 59;
see also Sphinx Theatre
Company, The
Women’s Troop 205
Wong, Denise 205
Woolf, Virginia 15
Orlando, biography 15
Orlando,film178
Wright, Jules 12, 40
Wynne, Michael 66
Knocky, The 61
Yaw, Sandra
Zerri’s Choice 125
Zindika 129
238