Photos: © Paul Ott
LOFT IN VIENNA
Johannes Will/Willl Manufaktur Architektur Moebelkultur
H
oused in a ninteenth century Viennese building, this 1,937-square-
foot loft offers a new concept of apartment, ideal for keen chefs and
fans of minimalist decoration. The uniform white color of the walls, the
wooden parquet, and the creation of subtle spatial divisions with glass walls
accentuate the feeling of spaciousness. The purity of the lines and shapes
results in a minimalist, simple, and very luminous loft. The large windows
that run along the south facade, without any kind of closures or curtains or
blinds, bring maximum natural light to the lounge/dining room. The mix of
different shades of wood provides a warm and informal atmosphere,
completed by the choice of modern furniture and elegant materials, such as
leather and aluminum, which bring a touch of class to the different rooms.
However, in keeping with the character of the loft, only necessary, basic
pieces have been used, with minimum decorative elements that break up
the prevailing linearity.
The master bedroom is separated from the lounge by a large,
upholstered wall with a swing door integrated into the structure, which is
converted into a decorative element thanks to the strength and originality of
its design. Once closed, the door is camouflaged with the wall, creating one
single space; on opening the door, this continuity is once again appreciated,
since the bed has been positioned on the opposite side, out of view from the
dining room.
Wood and steel dominate the kitchen, a large space in which the
appliances and cupboards have been place in an L shape, allowing two large
windows to form a kind of wall making up the rest of the rectangle. The
cooktops have been located on a central kitchen island.
The bathroom walls are covered in wood and mirrors, where white and
steel are again the dominating features, creating a pure, harmonious ambience.
The fixtures have been is fitted to the wall without touching the floor.
Johannes Will/Willl Manufaktur Architektur Moebelkultur
192