Renoir and paintings from the other two bunkers. A year later, Pusch’s mis-
placements were discovered and it took the help of the Bad Wildungen fire
brigade to remove the walls and recover the missing items.
4
When James J. Rorimer, the first American Monuments, Fine Arts, and
Archives (MFAA) officer, arrived in April 1945, Dr. Friedrich Bleibaum, the
curator of Greater Hesse, was in charge of the operations regarding the repos-
itories and had completed an inventory and photographs of the valuables.
There were 388 paintings from Kassel, 110 from Hanover, 127 from Mainz,
and others from Aachen. Stained
glass, altars, and other ecclesiastical
objects of importance from many
German churches had been stored in
Bad Wildungen. Rorimer wrote: “At
Bad Wildungen I found the carefully
concealed massive accession books of
the Frankfurt museums.”
5
Private
property included 1,343 paintings,
63 pieces of furniture, and 23 sculp-
tures. Quickly and not surprisingly,
thieves broke through three bolted
iron doors without leaving a scratch
and stole 114 small paintings plus
two valuable manuscripts, the Liber
Sapientiae and the Willehalm Codex,
which vanished from the cellar of the
Goecke Hotel. The paintings
included the half- length portrait
titled Youth in Red Cloak by B. Fab-
ritius, the Fish Market at Leydeu by
Jan Steen, and works by Ruysdael,
Bol, Tiepolo, Carot, Courbet,
Cézanne, Marees, Thoma, and
Matisse. Equally devastating were
the missing manuscripts—for exam-
ple, the first and last pages of the
Liber Sapientiae, which contained
the poem Hildebrandslied. These
losses were probably the greatest sin-
gle blow to art and literature result-
ing from World War II.
The Hildebrandslied Codex and
9. The Capture of Bad Wildungen 81
The wooden front cover of the priceless
manuscripts known as the Willehalm
Codex, seized by a U.S. Army officer from
the vaulted basement of the Goecke Hotel
in April 1945. At that time the book was
stamped and bound in calf leather. Today,
owing to misuse during it absence, the
leather cover is gone; all that remains is
this board, to which the leather was bound
(courtesy Universitätsbibliothek Kassel,
Landesbibliothek und Murhardsche Bib-
liothek der Stadt Kassel).