household archaeology in lhiiic tiryns 219
is not surprising that the best parallels for two of the three vessels
from the Lower Town are found in the Palatial chamber tombs of the
Argolid, especially at Asine.
12
I believe that the meaning of these vessels for the inhabitants of
Tiryns should be seen in the context of a semiotic transformation
from the Palatial to the Post-Palatial period. At the end of the Palatial
period, the rule of the wanax and his power over images and sym-
bols both broke down. Some palatial media came to an end with the
palatial system. Others, like ivory carving and fresco painting, contin-
ued, but on a much reduced scale (cf. Maran 2006a: 127–128, 134–135
n. 19). ese developments may have been the result of a shortage of
raw materials, the absence of potential customers, or social restrictions
(Rutter 1992: 62, 65, 70, 72 n. 10; Maran 2006a: 128, 142–144). e lib-
eration of media from the monopolized palatial canon resulted in the
symbolic revaluation of media, like pottery, that were still accessible to
the surviving old elites and those trying to join this social group aer
the destruction of the palaces. e end of the palaces seems to have
led to the replacement of the wanax and his administrative system
by a group of aristocratic families. e strong and tight hierarchies
were replaced by a dynamic and permeable social system. e social
position of one’s family was based on a network of personal relations
and had to be defended and justied on a constant basis. In this new
system, conditions or characteristics such as family traditions, peer
groups, and/or certain qualications could play an essential part in the
competition for social roles. In order to improve their position in this
contest for power and legitimacy, members of the elite manipulated
their material surroundings. erefore, feasting in the Post-Palatial
period took place against a completely dierent social background;
it now provided a special opportunity to win respect, prestige, and,
ultimately, moral authority, which enabled people to exert politi-
cal inuence in a society with permeable hierarchies. With regard
to pottery, this was manifested in increasing depictions of competi-
tion, hunting, and ghting scenes in pictorial pottery (Deger-Jalkotzy
1991a: 64; 1991b: 147–149; 1994: 20–22; 1995: 376; Rutter 1992: 63;
12
e best parallels for the amphora were found in necropolis I, chamber tomb
2 of Asine, e.g., a conical-piriform amphora FS 19 with argonauts on the shoulder
zone (Frödin and Persson 1938: 379 Fig. 248, 3; 380) and another conical-piriform
amphora FS 34 with vertical whorl-shells, rosettes, and monochrome-painted knobs
on the shoulder zone (Frödin and Persson 1938: 378, 379 Fig. 248, 2).