
44 THE SIXTEENTH-CENTURY UNIFICATION
many corpses in Fuchu that there is no room for more," he claimed
after leading more than thirty thousand troops into Echizen.
3
Yet in the destruction of the past, one can glimpse something of the
new future that Nobunaga hoped to construct. His new castle at
Azuchi, for instance, symbolized his conception of a new national
(tenka) unity. This became his center of government, and it was from
this base that Nobunaga ordered the preparation of
a
cadastral survey
in the form of land and tax statements
(sashidashi)
from Yamato and
Izumi provinces. It was also from Azuchi that he arbitrated the famous
dispute between the monks of
the
Pure Land and the Lotus (Nichiren)
sects,
reducing by his decision the sect to an existence "graciously
permitted" by his own magnanimity as the secular leader of the lay
world. Nobunaga drew another public picture of his superiority over
religious sects when he compelled various Buddhist temples to move
their headquarters to the foot of Azuchi Castle. Just as graphic was the
art that decorated the seven floors of the castle: paintings of T'ang
Confucians, wizards, wise men, the Buddha's Ten Great Disciples,
dragons, phoenixes, demons,- and rulers and great men of East Asia
such as the Three Emperors, the Five Sovereigns, and the Ten Accom-
plished Disciples of Confucius. Nobunaga, the master of this keep,
presented himself as the greatest of the great, standing above all the
leading figures of the physical and spiritual world.
4
Nobunaga preached to the people that he, as the most powerful
figure of authority in Japan, would guarantee them peaceful lives, and
he sought to drag the medieval peasantry, who out of the poverty and
insecurity of their daily lives had had to count on salvation in a future
existence, into a new society that offered a stable secular life full of
promise. To accomplish this he promoted policies that released society
from the restrictions that had long fettered the daily lives of the medi-
eval populace. These policies included the introduction of Western
medicine, the construction of castle towns filled with a new entrepre-
neurial spirit, the establishment of free markets
(rakuichi,
rakuza),
and
the destruction of toll barriers
(sekisho).
But the rapidity of these changes gave rise to disharmony within his
own ranks, and this became his undoing. His confrontation with the
3 Okuno Takahiro, ed., Oda Nobunaga monjo no kenkyu (Tokyo: Yoshikawa kobunkan, 1970),
vol. 2, p. 62 (doc. 533).
4 Asao Naohiro, "Shogun kenryoku no soshutsu," pt. 2, and Tsuji Zennosuke, ed., Nihon
bukkyoshi, vol. 7 (Tokyo: Iwanami shoten, 1953, reprinted 1970), pp. 47-9. A careful study in
English of the meaning of the paintings at Azuchi can be found in Carolyn Wheelwright, "A
Visualization of Eitoku's Lost Paintings at Azuchi Castle," in Elison and Smith, eds., War-
lords, Artisits, &
Commoners,
pp. 87-111.
Cambridge Histories Online © Cambridge University Press, 2008