PART 4 ORGANIZING280
for their creativity include Edwin Land,
who invented the Polaroid camera, and
Swiss engineer George de Mestral, who cre-
ated Velcro after noticing the tiny hooks on
the burrs caught on his wool socks. These
people saw unique and creative opportu-
nities in a familiar situation. Stanford Uni-
versity’s Technology Ventures program
recently sponsored a contest challenging
people to come up with creative uses for
everyday objects, such as rubber bands.
Ignacio Donoso Olive, a computer sci-
ence student in Ecuador, connected bands
to form an elastic hem around the mesh
canopies that are hung over beds at night
to combat malaria. The elastic band helps
prevent the canopies, usually tucked under
mattresses, from slipping loose and giving
deadly entrance to mosquitoes.
16
Characteristics of highly creative peo-
ple are illustrated in the left-hand column
of Exhibit 10.2. Creative people often are
known for originality, open-mindedness,
curiosity, a focused approach to problem
solving, persistence, a relaxed and playful
attitude, and receptivity to new ideas.
17
Creativity can also be designed into organiza-
tions. Companies or departments within companies can be organized to be creative
and initiate ideas for change. Most companies want more highly creative employees
and often seek to hire creative individuals. However, the individual is only part of the
story, and each of us has some potential for creativity. Managers are responsible for
creating a work environment that allows creativity to ourish.
18
© ROBYN TWOMEY
Innovative companies such as Intuit want everyone to
continually be coming up with new ideas. Founder Scott Cook and CEO Steve Bennett,
shown here, encourage creativity during the exploration phase by embracing failure as
readily as they do success. “I’ve had my share of really bad ideas,” Cook admits. Yet
failure can have hidden possibilities. Sticky notes, such as those shown here on Intuit’s
board, were invented at 3M Corporation based on a failed product—a not-very-sticky
adhesive that resulted from a chemist’s attempts to create a superglue. Post-it Notes
became one of the best-selling offi ce products ever.
EXHIBIT 10.2
Characteristics of Creative
People and Organizations
The Creative Individual The Creative Organization or Department
1. Conceptual fl uency
Open-mindedness
2. Originality
3. Less authority
Independence
Self-confi dence
4. Playfulness
Undisciplined exploration
Curiosity
5. Persistence
Commitment
Focused approach
1. Open channels of communication
Contact with outside sources
Overlapping territories; cross-pollination of ideas
across disciplines
Suggestion systems, brainstorming, freewheeling
discussions
2. Assigning nonspecialists to problems
Eccentricity allowed
Hiring outside your comfort zone
3. Decentralization, loosely defi ned positions, loose
control
Acceptance of mistakes; rewarding risk-taking
People encouraged to challenge their bosses
4. Freedom to choose and pursue problems
Not a tight ship, playful culture, doing the impractical
Freedom to discuss ideas; long time horizon
5. Resources allocated to creative personnel and projects
without immediate payoff
Reward system encourages innovation
Absolution of peripheral responsibilities
SOURCES: Based on Gary A. Steiner, ed., The Creative Organization (Chicago: University of Chicago Press, 1965): 16–18;
Rosabeth Moss Kanter,“The Middle Manager as Innovator,”Harvard Business Review (July–August 1982): 104–105; James Brian
Quinn,“Managing Innovation: Controlled Chaos,”Harvard Business Review (May–June 1985): 73–84; Robert I. Sutton,“The Weird
Rules of Creativity,”Harvard Business Review (September 2001): 94–103; and Bridget Finn,“Playbook: Brainstorming for Better
Brainstorming,”Business 2.0 (April 2005), 109–114.