Methodology: Archaeological Approaches to the Study of Technology 23
cornerstone of archaeological typologies, providing the essential codings of
morphology and design elements for objects and architecture. These records
of morphology and design—the shape of stone tools, the size of bricks, the
decoration of column plinths or ivory pendants—provide the data for cutting-
edge studies of style and for century-old techniques of chronology building.
For the student of ancient technology, changes in objects over time can provide
valuable insights into changes in production techniques or the organization
of workshops, or changes in supply networks for raw materials that might
reflect political turmoil. Archaeology shares many of these techniques with
art, art history, and other disciplines interested in stylistic analysis, for which
there is a vast and contentious literature. Examples relating to such analyses
are discussed in Chapter 5 in the thematic study on style and technology.
Simple visual examination and measurement of objects is also the primary
method of identifying natural objects directly or indirectly related to human
actions. Remains from animals (including humans) and plants are identified
by direct visual means, through comparison with collections of bones, teeth,
shells, and scales from known animals (Klein and Cruz-Uribe 1984; O’Connor
2000; Reitz and Wing 1999), or seeds, wood, tubers, pollen, and phytoliths
from botanically identified plants (Pearsall 1989; Piperno 1988). With regard
to technology, such remains can provide information about food procurement
techniques, food processing, leather and fur production, the use of woven
mats, bone object manufacturing, or the location of areas where plant fibers
were stored or processed, as in many of the studies cited in Chapter 3.
Reconstruction of past production techniques and processes is also often
based on simple visual examination. No study of technology should neglect
this step, where surface scratches can reveal hafting techniques for stone
objects (Martin 1999: 96–107); uneven joins or particular types of cracks
can provide clues to pottery manufacturing techniques (Rye 1981); and sizes
of spindle whorls might reveal the type or fineness of thread being spun
(E. W. Barber 1994; Teague 1998). Simple visual investigation of waste mate-
rials such as stone flakes or vitrified clay fragments can provide information
on the techniques of production that occurred at a location.
For example, fired clay fragments recovered from sites of the Indus civi-
lization have been extremely useful in determining the location of production
areas, and even the structure of firing installations. Work by teams at the
4,500-year-old cities of Mohenjo-daro and Harappa have shown that only a
few specific types of melted clay fragments are pieces of high-temperature
pottery kilns, copper-melting furnaces, or faience production tools. As my
long afternoons of sorting heaps of debris at Harappa revealed (Figure 2.1),
the vast majority of fired and melted clay fragments came from over-fired clay
“nodules” probably used for a range of functions from foundation gravel to
heat-retention in pottery kilns (Figure 2.4). Lower fired clay fragments come