vi PREFACE.
list, which are portraits of classical or other celebrities,
the subjects are all distinguished persons of the fifteenth
and sixteenth centuries, and the name of each is written
underneath his likeness, generally in a hand contemporary
with the work, but apparently not in that of the artist
himself,
who, in the present instance, has written over
the drawing particulars of colour, dress and other details
in the original picture which he copied. Underneath
this portrait, however, the inscription is in a modern
hand, and is as follows :
" Pierre Varbeck, natif de Tournay, suppose pour
Richard Due d'Jorck, second fils d'Edouard IV. Roy
d'Angleterre, Pan 1492. Fut pendu a Londres par la
fin de Fan 1499."
The fact that this is written in an eighteenth century
hand might of course suggest the question whether the
subject of the drawing has been rightly identified. But
we may dismiss all doubt on that point, as the scribe
has simply followed the authority of an alphabetical
index (now mutilated at the beginning) which was
clearly contemporary with the drawings themselves.
And really, if we had no authority for the name at
all,
internal evidence alone would have very strongly
suggested that the portrait represented Warbeck.
We may take it, therefore, I think, on the authority
of this sketch that Perkin Warbe'ck was a fair haired
youth—the artist, be it observed, has written on the
hair the word
"
blon
"
(for blond)—bearing no striking