saved, to walk barefoot to the nearest shrine of the Virgin. This
proved to be at Whitekirk, ten miles away. He kept his vow, walked the
full distance with bare feet on snow and ice, contracted gout, and
suffered severely from it all the rest of his life. By 1458 he had
stone in the kidneys, and a chronic cough. His eyes were sunken, his
face pale; at times, says Platina, "nobody could tell that he was
alive but by his voice." `051533 As pope he lived simply and frugally;
his household expenses in the Vatican were the lowest on record.
When his duties allowed he retired to a rural suburb, where "he
entertained himself not like a pope but as an honest humble
rustic"; `051534 sometimes he held consistories, or received
ambassadors, under shady trees, or amid an olive grove, or by a
cooling spring or stream. He called himself- punning on his name-
silvarum amator, lover of woods.
As pope he took his name from Virgil's recurrent phrase, pius
Aeneas. If we may with custom moderately mistranslate the
adjective, he lived up to it: he was pious, faithful to his duties,
benevolent and indulgent, temperate and mild, and won the affection of
even the cynics of Rome. He had outgrown the sensualism of his
youth, and was morally a model pope. He made no attempt to conceal his
early amours, or his propaganda for the councils against the papacy,
but he issued a Bull of Retraction (1463) humbly asking God and the
Church to forgive his errors and sins. The humanists who had
expected lavish patronage from a humanist pope were disappointed to
find that while he enjoyed their company, and gave several of them
places in the Curia, he dispensed no luscious fees but conserved the
papal funds for a crusade against the Turks. He continued, in his
leisure moments, to be a humanist: he studied the ancient ruins
carefully, and forbade their further demolition; he amnestied the
people of Arpino because Cicero had been born there; he commissioned a
new translation of Homer, and employed Platina and Biondo in his
secretariat. He brought Mino da Fiesole to carve, and Filippino
Lippi to paint, in the churches of Rome. He indulged his vanity by
building, from designs by Bernardo Rossellino, a cathedral and
Piccolomini palace in his native Corsignano, which he renamed Pienza
after himself. He had the poor noble's pride of ancestry, and was
too loyal to his friends and relatives for the good of the Church; the