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RUSTIC IDYLL
In cottage and country garden settings, simple farm
animal figures, such as these inquisitive-looking
piglets, add humor to the informal setting.
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FOCAL POINT
This abstract piece appears to hover over the surface
of the pool, which also reflects its image, and makes
an eye-catching focal point in this small garden.
SPACE TO PERFORM
The tall, cartoon-like figure of a girl striding briskly
across the garden creates focus, but needs a large
area to convey her energy and momentum.
HIDDEN TORSO
Half-hidden by foliage, this weathered terra-cotta torso
appears to grow out of the landscape, and would be a
fraction of the cost of a bronze piece.
INTEGRATING SCULPTURE INTO A DESIGN
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THEFT AND PROTECTION
Use common sense when placing your sculptures:
try to keep them out of sight of passers-by, and
consider using alarms or security fixings. For
a front garden, choose pieces that are too large
and heavy to be carried off easily, and keep them
close to the house. Ensure that garden sculpture
is covered by your home and contents insurance,
and let your insurer know about new purchases.
POSITIONING SCULPTURE
Take time to find the right spot for garden
art and to integrate it into your design. Some
pieces work best surrounded by reflective
water, or by plants in a border. Contrast
simple, solid shapes with diaphanous grass
heads, for example, or view them through
a haze of lavender. Intricately detailed
sculptures look best with a plain backdrop,
such as a rendered wall or clipped yew hedge.
Matt surfaces like natural stone or weathered
timber create a foil for highly polished
metals, and you can use these materials to
mount smaller sculptures, too.
COMMISSIONING A PIECE
You may discover someone whose work
you admire by visiting national or regional
gardening shows, dropping in at an artist’s
studio open day, or checking sculpture and
land art websites. Help your chosen artist to
visualize what you have in mind with rough
sketches and photographs and, if possible,
organize a site visit for them. Agree at the
outset on the design, its dimensions, and
the materials to be used, as well as confirming
a price and delivery date for the work.
MATERIALS AND COST
There are often less expensive alternatives to
traditional sculpture materials. Reconstituted
stone, terra-cotta, or ceramic ornaments, for
example, are far cheaper than carved stone,
and bronze resin costs less than cast bronze,
while lead statuary reproductions are
relatively inexpensive. You may also find
artists working with driftwood or reclaimed
wood, rather than expensive hardwoods.
SCALE AND PROPORTION
A small piece of sculpture may be lost in
a large, open site, but bring it into an intimate
courtyard and you’ll find that it’s in perfect
proportion to its surroundings. Try
“anchoring” small ornaments by placing
them next to a solid piece like a boulder,
a hunk of driftwood or an oversized vase.
Alternatively, mount decorative objects
and plaques, fit them into alcoves in walls and
hedges, or raise them closer to head height
on plinths. To gauge the size of sculpture
required for a site—when planning a focal
point at the end of a formal path or at the
side of a pool, for example—use piles of
cardboard boxes or plastic garbage cans to
help you visualize how the sculpture will
fit into the proposed setting.
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