showing persons spinning and weaving textiles. In
the Situla art of Slovenia and regions to the west, a
variety of complex activities are represented, among
them, scenes that show feasting, hunting, proces-
sions, athletic contests, and well-armed troops
marching in formation.
Interpretations of these complex representa-
tions fall into two main groups. One set views the
scenes as pictures of the festive lives of the elites at
the centers. The objects shown in the banqueting
scenes, in the illustrations of athletic contests, and
in the depictions of marching soldiers (such as ves-
sels, helmets, axes, spears, and shields) match ob-
jects found in the graves. This provides a clear link
between the representations and the local commu-
nities at which the scenes were created by craft
workers and found by archaeologists. The spindle
whorls and looms portrayed in the incised scenes of
textile working on the pots at Sopron correspond to
implements found in women’s burials there and
elsewhere.
The other group of interpretations regards
these scenes as mythological or religious in nature,
not depicting real people but rather telling stories
of mythical significance. Specialists have argued that
the weaving scenes represent the passage of time or
fate and that figures around the weavers can be in-
terpreted in terms of religious ritual. Scenes of
feasts, processions, hunting, athletic contests, and
marching troops have been understood to exempli-
fy ideas about community solidarity, fertility, death,
and rebirth.
Ritual.
In the hilly and mountainous regions of
east-central Europe, many sites have been discov-
ered at which ritual deposits were made during the
Early Iron Age. The practice of placing, dropping,
and throwing valued objects into special natural
places—springs, ponds, rivers, caves, clefts in cliff
faces—as offerings to deities has been done from
Upper Palaeolithic times to the modern day. Partic-
ular kinds of locations and specific types of objects
are favored in different contexts. Many hilltops in
east-central Europe apparently were used as places
for ritual practice, such as the site of Burkovak, near
Písek in Bohemia, where figurines of animals and
humans, wheel-shaped clay objects, and pottery
have been found in pits. The hilltop at Závist may
be another ritual place.
Caves often were used for ritual practice.
Bronze jewelry items were particularly common as
ritual deposits in caves. Other objects recovered in
such contexts comprise tools and weapons, pottery,
and human and animal remains. In some caves, evi-
dence of human sacrifice has been identified.
Among the best-known sites is the cave at By´cˇí skála
in Moravia, where quantities of materials of varied
character were deposited at the end of the Early
Iron Age. Personal ornaments of types worn by
both men and women were abundant. Weapons
were well represented, including daggers, axes,
lances, helmets, cuirasses, and arrows. Blacksmiths’
tools and fittings from horse harnesses also were
present. Fragments of wagons were recovered as
well. Bones of cattle, pigs, sheep, and horses were
found, as were skeletal remains of men, women, and
children, representing at least thirty-seven individu-
als. Pottery vessels and large bronze containers asso-
ciated with feasting were part of the assemblage.
Among the materials recovered were knives, spindle
whorls, harvesting tools, and cereal grains. The as-
semblage from By´cˇí skála was removed from the
cave in the nineteenth century, and we lack good in-
formation about the arrangement of the objects
when they were discovered. The different categories
of objects found in the cave, however, match those
from later, well-documented sites that have ritual
associations.
MIDDLE IRON AGE (450–200
B.C.
)
The style of ornament known as La Tène, devel-
oped in the Rhineland in the early part of the fifth
century
B.C., appeared in east-central Europe in
about the middle of that century. Among the earli-
est expressions of this new style in the region are fib-
ulae—brooches that work mechanically like modern
safety pins—ornamented with human, bird, and
mammal heads, a form particularly well represented
in Bohemia. From the end of the fifth century
B.C.
onward, La Tène style, with its curvilinear ornament
and stylized animal and human figures, also is seen
engraved and incised on weapons, pottery, and
other objects. The new style most often is seen on
objects associated with elites, in wealthy burials. In
some regions, such as Bohemia, there were groups
of unusually rich graves, such as those excavated at
Chlum, Hradisˇte˘, Písek, and Prague-Modrany. At
Chlum a dead man was buried within a chamber
built of stone, covered by a burial mound. Grave
6: THE EUROPEAN IRON AGE, C. 800 B.C.– A.D. 400
298
ANCIENT EUROPE