The present book is not an examination of how Bergman's stage,
screen and radio productions have come into being, of the
director's work in the rehearsal room, the sound studio, the
cutting room. I! is rather an examination of the results of this
work. After all, Bergman's profile as a director is determined
first and foremost by the completed productions, irrespective of
how he has arrived at them.
244 pp.
244 pp.