Pendergast Tom, Pendergast Sara. International Dictionary of Films and Filmmakers. Vol.4. Writers and Production Artists

Справочник

формат pdf
размер 23.57 МБ
добавлен 28 марта 2011 г.

Pendergast Tom, Pendergast Sara. International Dictionary of Films and Filmmakers. Vol.4. Writers and Production Artists

Fourth Edition, St. James Press, 2000.
(in 4 volumes: Vol. One. FILMS, Vol.Two. DIRECTORS, Vol. Three. ACTORS AND ACTRESSES, Vol. Four.WRITERS AND PRODUCTION ARTISTS)
Contents.

Editors' Note.
Board of Advisers.
Contributors.
List of Entrants.
Writers and Production Artists.
Picture Acknowledgements.
Notes on Advisers and Contributors.
Nationality Index.
Film Title Index.

Похожие разделы

Смотрите также

Newland Paul (editor). Don't Look Now: British Cinema in the 1970s

формат pdf
размер 1 МБ
добавлен 04 февраля 2012 г.

Publisher: Intellect Ltd., UK & USA, 2010. 280 pages. Language: English. While postwar British cinema and the British new wave have received much scholarly attention, the misunderstood period of the 1970s has been comparatively ignored. Don’t Look Now uncovers forgotten but richly rewarding films, including Nicolas Roeg’s 'Don’t Look Now' and the films of Lindsay Anderson and Barney Platts-Mills. This volume offers insight into the careers...

Pendergast Tom, Pendergast Sara. International Dictionary of Films and Filmmakers. Vol.1. Films

Справочник

формат pdf
размер 50.06 МБ
добавлен 28 марта 2011 г.

Fourth Edition, St. James Press, 2000. (in 4 volumes: Vol. One. FILMS, Vol.Two. DIRECTORS, Vol. Three. ACTORS AND ACTRESSES, Vol. Four.WRITERS AND PRODUCTION ARTISTS) Contents. Editors' Note. Board of Advisers. Contributors. List of Films. Films. Pictures Acknowledgements. Notes on Advisers and Contributors. List of Films by Director. Geographic Index. Name Index.

Pendergast Tom, Pendergast Sara. International Dictionary of Films and Filmmakers. Vol.2. Directors

Справочник

формат pdf
размер 30.87 МБ
добавлен 28 марта 2011 г.

Fourth Edition, St. James Press, 2000. (in 4 volumes: Vol. One. FILMS, Vol.Two. DIRECTORS, Vol. Three. ACTORS AND ACTRESSES, Vol. Four.WRITERS AND PRODUCTION ARTISTS) Contents. Editor's Note. Board of Advisers. Contributors. List of Entrants. Directors. Pictures Acknowledgements. Notes on Advisers and Contributors. Nationality Index. Film Title Index.

Pendergast Tom, Pendergast Sara. International Dictionary of Films and Filmmakers. Vol.3. Actors and Actresses

Справочник

формат pdf
размер 44.12 МБ
добавлен 28 марта 2011 г.

Fourth Edition, St. James Press, 2000. (in 4 volumes: Vol. One. FILMS, Vol.Two. DIRECTORS, Vol. Three. ACTORS AND ACTRESSES, Vol. Four.WRITERS AND PRODUCTION ARTISTS) Contents. Editors' Note. Board of Advisers. Contributors. List of Entrants. Actors and Actresses. Picture Acknowledgements. Notes on Advisers and Contributors. Nationality Index. Film Title Index.

Prince Stephen. Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968

формат pdf
размер 2.34 МБ
добавлен 05 февраля 2012 г.

Publisher: Rutgers University Press, UK & USA, 2003. 342 pages. Language: English. Stephen Prince has written the first book to examine the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. He explains how Hollywood’s filmmakers designed violence in respo...

Raw L. The Ridley Scott Encyclopedia

Энциклопедия

формат pdf
размер 2.87 МБ
добавлен 20 октября 2011 г.

The Scarecrow Press, 2009. - 349 pp. From his first feature film, The Duellists, to his international successes Alien, Blade Runner, Thelma and Louise, Black Hawk Down, Gladiator, and American Gangster, Ridley Scott has directed some of the most compelling films of the last 30 years. Apart from his work as a film director, Scott has engaged in a vast range of activities, including that as a designer, producer, film mogul, and advertising executiv...

Rickitt R. Special Effects: The History and Technique

формат pdf
размер 116.91 МБ
добавлен 12 января 2012 г.

Watson-Guptill, 2000, ISBN: 0823077330, 312 pages Spanning the rich history of movie magic, from George Mlis's A Trip to the Moon to George Lucas's Star Wars: Episode I-The Phantom Menace, and the Wachowski Brothers' The Matrix, this completely up-to-date guide to visual trickery is unparalleled in scope, presenting a clearly written, lushly illustrated chronicle of special effects development over ten decades of filmmaking. Starting with the e...

Rob? Chris. Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture

формат pdf
размер 9.31 МБ
добавлен 05 февраля 2012 г.

Publisher: University of Texas Press, 2010. 308 pages. Language: English. In the 1930s as the capitalist system faltered, many in the United States turned to the political Left. Hollywood, so deeply embedded in capitalism, was not immune to this shift. Left of Hollywood offers the first book-length study of Depression-era Left film theory and criticism in the United States. Rob? studies the development of this theory and criticism over the cours...

Schenk S., Long B. The Digital Filmmaking Handbook (Fourth Edition)

формат pdf
размер 18.71 МБ
добавлен 12 августа 2011 г.

Course Technology PTR, 2011. - 554 p. The title of The Digital Filmmaking Handbook is something of an oxymoron, because this thorough book covers everything you need to know about filmmaking production, from concept to screening. The only missing element is film itself. Film and video production are in transition. Film and analog videotape rapidly are approaching the end of their technological lives, being replaced by digital videotape and digit...

Spicer A. Historical dictionary of film noir

Справочник

формат pdf
размер 1.77 МБ
добавлен 30 сентября 2011 г.

Scarecrow Press, 2010. - 473 pp. Film noir literally "black cinema" is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not use...