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Bressani Martin. Architecture and the historical imagination: Eugène-Emmanuel Viollet-le-Duc, 1814-1879
Reinterpreting 19th Century Architecture. — Ashgate Publishing Company, 2014. — 624 p.:il.
Эжен Эммануэль Виолле-ле-Дюк (фр. Eugène Emmanuel Viollet-le-Duc, 1814 — 1879) — французский архитектор, реставратор, искусствовед и историк архитектуры, идеолог неоготики, основоположник архитектурной реставрации
Notre-Dame in Paris, the walled city of Carcassone, the fortress at Pierrefonds, visionary projects using iron construction...Eugene-Emmanuel Viollet-le-Duc's importance within mode architecture cannot be overstated. Hailed as one of the key theoreticians of modeism, he was also the most renowned restoration architect of his age, a celebrated medieval archaeologist and a fervent champion of Gothic revivalism. He published some of the most influential texts in the history of mode architecture such as the Dictionnaire raisonne de l'architecture francaise du XIe au XVIe siecle and Entretiens sur l'architecture, but also studies on warfare, geology and racial history. Martin Bressani expertly traces Viollet-le-Duc's complex intellectual development, mapping the attitudes he adopted toward the past, showing how restoration, in all its layered meaning, shaped his outlook. Through his life jouey, we follow the route by which the technological subject was bo out of nineteenth-century historicism.
Restoration and Loss
Gothic Rebo
The Gothic Disseminated
The Gothic as Will
Transgressions into Modeity