Brennan Marcia. Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics

Живописать гендер, конструктивистская теория.
Кружок Альфреда Штиглитца (американского фотографа (1864-1946), благодаря которому фотография стала признанным искусством) и формалистская эстетика.
The MIT Press, 2001. - 391 c. Язык английский. - Introduction
Part I Embodied Formalism: The Formation of a Discourse
- Puritan Repression and the Whitmanic Ideal: The Stieglitz Circle and Debates in American High Culture, 1916-1929
- Faith, Love, and the Broken Camera: Alfred Stieglitz and New York Dada
- Alfred Stieglitz and His Critics: An Aesthetics of Intimacy
- Notes
- Selected Bibliography
- Index
Part II The Stieglitz Circle’s Symbolic Body
- Arthur Dove and Georgia O’Keeffe: Corporeal Transparency and Strategies of Inclusion
- John Marin: Framed Landscapes and Embodied Visions
- Marsden Hartley and Charles Demuth: The Edges of the Circle
Part III Contests and Counterdiscourses, circa 1930-1950
- Modeism’s Masculine Subjects: Alfred Stieglitz versus Thomas Hart Benton
- The Contest for the Greatest American Painter of the Twentieth Century: Alfred Stieglitz and Clement Greenberg